18th century
1700 to 1799.
Showing 1–100 of 139 results
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Dutch Delft Hand Painted Plate Late 18th Century Circa 1780
$285.00The center of this hand painted Dutch Delft plate shows a lovely garden with a pine tree and a large peony.
The scene continues onto the border, where we see three butterflies and more peonies.
The border is decorated with a band of iron red cross-hatching interspersed with green dashes.
The polychrome colors of the decoration are yellow, blue, iron red, green, and purple.
These colors were used on antique Delft because they could withstand the kiln heat required to fire Delft.Dimensions: 9″ diameter
Condition: Very good overall, with faint lines in the glaze
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Delft Plate Hand Painted Netherlands at De Porceleyn Lampetkan Circa 1760
$485.00This Dutch Delft plate is a wow visually!
Made in the factory of De Porceleyn Lampetkan (The Porcelain Ewer) in the city of Delft circa 1760, it was hand-painted in bold polychrome colors of yellow, blue, iron red, green, and purple.
The center shows a vase with flowers painted in iron red and yellow, framing the flowers are green ferns spread out like a peacock’s tail.
Since the 17th century, this charming pattern has been known as the “Peacock” pattern.
The peacock’s tail motif symbolizes beauty and elegance.
The wide border has yellow and cobalt blue floral forms separated by iron red scrolling vines.
The rim’s deep blue brings out the beauty of the other colors.
On the charger’s underside is the mark “LPKam” in overglaze iron red for the De Porceleyn Lampetkan factory.
This mark was in use in the factory from 1756 to 1778.Dimensions: 9″ diameter
Condition: Excellent with small edge chips invisibly restored
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Set of Five Dutch Delft Plates Hand Painted Circa 1800 Diameters 9″ and 12.25″
$2,420.00This group of five hand painted Dutch Delft polychrome plates makes a lovely set.
Each plate features a flower-filled garden scene in the center with predominant blue, green, and yellow.
Touches of orange, iron red, and manganese add to the visual interest of the five plates.
Each of the borders shows a repeating floral form.Dimensions: The 1 2.25″ Delft charger was made circa 1770. The Delft plates were made circa 1800.
Condition: Excellent with small edge frits invisibly restored
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Pair Blue and White Chinoiserie Porcelain Saucers 18th Century England Ca-1785
$265.00This pair of blue and white porcelain saucers was made by Caughley in England circa 1785.
Painted in underglaze blue, they show a lovely chinoiserie scene of a mother and son in a lush garden with flowering trees and several large vases.
The blue line around the edge of each saucer frames and enhances the scene.
The underside of each saucer has the Caughley crescent mark in underglaze blue.Dimensions: 5″ diameter
Condition: Excellent
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Cup and Saucer 18th Century English Porcelain Caughley Circle ca 1785
$285.00This lovely 18th-century porcelain tea bowl and saucer were made by Caughley Porcelain in England circa 1785.
The style is neoclassical: both the cup and saucer show a gilded star at the center and rings of decoration, combining deep blue enamel and lavish gilding.
Rings of floral decoration alternate with rings of geometric design.
The effect is magnificent!
Both pieces have Caughley underglaze blue marks on the underside.
The cup is marked with the Caughley “S,” and the saucer is marked with the Caughley “C.”Dimensions: The cup 2.25″ tall x 3.65″ diameter, the saucer 5.5″ diameter x 1″ tall
Condition: Excellent with very slight rubbing to the outer rim of the saucer.
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Delft Charger Hand Painted Polychrome Colors 18th Century Netherlands C-1780
$860.00Made in the Netherlands circa 1780, this lovely Delft charger features a hand painted bouquet of beautiful flowers.
We see a large yellow tulip, yellow tulip buds, and bright blue leaves, all tied together with an iron red bow.
Encircling the bouquet of flowers is a wide band of geometric pattern painted in iron red, and yellow.
The border has a second band of geometric pattern, this one painted in two shades of blue.Dimensions: 13.5″ diameter
Condition: Excellent with small edge frits invisible restored
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Dutch Delft Charger Hand Painted Polychrome Colors 18th Century Holland C-1780
$860.00This antique Dutch Delft charger is hand painted in a vibrant array of polychrome hues, including cobalt blue, green, yellow, iron red, ochre, and manganese purple.
We see a beautiful flower-filled garden featuring a willow tree with a purple trunk and ochre leaves, a single large flower with green and red leaves, a garden fence painted in purple with yellow posts outlined in red, and rockwork painted in a vibrant blue.
The palette of colors is harmonious.
The bright blue rockwork enhances all the other colors of the scene.
The effect is beautiful!Dimensions: 14.25″ diameter
Condition: Excellent with small edge chips invisibly restored
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Delft Polychrome Charger Hand Painted 18th Century Netherlands Circa 1780
$1,080.00This 18th century Dutch Delft charger features a vibrant array of polychrome colors; yellow, green, blue manganese, and iron red.
The intensity of the colors is exquisite. The colors pop!
We see a beautiful songbird settled on a flowering tree branch.
The twisting branch is painted in manganese and works beautifully with the yellow, red, and green “flowers and leaves of the tree.
Three butterflies hover nearby.
The hand painted scene showcases the excellent craftsmanship of the 18th-century potteries in the city of Delft.
The border has six panels, each with a floral design. These are separated by smaller panels with iron red “diamonds.”
The overall effect is harmonious and lovely!Dimensions: 12″ diameter
Condition: Excellent with small edge frits invisibly restored
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Three Delft Chargers Polychrome Hand Painted Netherlands Circa 1780
$2,460.00This collection of three antique Dutch Delft chargers showcases the craftsmanship of the 18th-century potteries in the city of Delft.
Each charger is hand painted in a vibrant array of polychrome hues, including cobalt blue, green, yellow, iron red, ochre, and manganese purple.
The charger on the bottom of the main image shows a beautiful hand painted flower-filled garden.
We see a single large flower with green and iron red leaves, a willow tree with a purple trunk and ochre leaves, a garden fence painted in manganese with yellow posts outlined in iron red, and vibrant blue rockwork, which enhances all the other colors of the scene.
The charger at the upper left of the image shows a lovely sprig of flowers with a large yellow tulip, yellow tulip buds, and bright blue leaves, all tied with an iron red bow.
Around the center is a wide band with an iron red and yellow geometric pattern.
The border has green leaves and a geometric pattern in two shades of blue.
The third, slightly smaller charger (12″diameter) features a beautiful songbird settled on a flowering tree branch. Three butterflies are hovering nearby.
The border has six panels, each with a floral design separated by iron red “diamonds.”
The overall effect is harmonious and lovely!Diameters: 14″, 13.5″, and 12″
Condition: Each charger is in excellent condition with slight edge frits invisibly restored.
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Pair Blue and White Delft Chargers Hand Painted with Birds Circa 1780
$3,200.00This pair of Dutch Delft blue and white chargers were hand-painted in the last quarter of the 18th century, circa 1780.
They feature beautiful long-tailed songbirds resting on a branch among flowers and rockwork.
The garden is filled with exquisite peonies and chrysanthemums.
The artist has captured the essence of a garden so perfectly that you feel it could come to life.
The borders have five panels, each with a peony and a chrysanthemum.
The deep blue pie crust edge adds a lovely touch to both chargers.Dimensions: 13.75″ diameter
Condition: Excellent with small edge frits invisibly restored
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Pair Blue and White Dutch Delft Mantle Jars Hand Painted 18th Century Circa 1780
$4,200.00This lovely pair of blue and white Delft mantle jars were hand painted in the Netherlands circa 1780.
We see a chinoiserie scene with a pair of houses waterside in the foreground and a pagoda on the far shore.
The garden scene is framed in a blue rococo outline.
The covers have traditional Dutch Delft flame finials, which add height and elegance to the jars.Dimensions: 15″ tall x 6″ wide x 5.5″ deep at shoulders x 3.5″ deep at the base (perfect dimensions for a mantle).
Condition: Excellent, with small edge chips invisibly restored.
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Wedgwood Egyptian Jug Decorated in Black Basalt and Rosso Antico
$1,900.00This special edition Wedgwood ale jug has a neo-Egyptian design of sphinxes and a firebird.
It is decorated in Black Basalt and contrasting Rosso Antico decoration finished with touches of white enamel.
The jug stands gracefully on a rounded foot with a pinched spout and loop handle. The rim and base are decorated with piping in Rosso Antico.
Inscribed on the bottom: “Wedgwood” “The Egyptian Jug Sold Only by Woollard and Hattersly, Cambridge,” underscores its exclusivity.Dimensions: 6.5″ tall x 5.5″ deep x 5″ diameter
Condition: Excellent
Reference: See The Birmingham Museum of Art in 1982 Gift of Dwight and Lucille Beeson, 1982.185
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Two Pairs of Blue and White Chinese Porcelain Dishes 18th Century
$3,100.00Made in the Qianlong Era circa 1770, these remarkable Chinese blue and white porcelain dishes were hand painted in an exquisite combination of soft and deep cobalt blues.
The pure white porcelain base is covered with a glaze of a slightly blueish tint.
Because they are hand-painted, each dish has an individual character through subtle variations in the details.
On the pair of dishes in the center, delicate peonies unfurl near a single chrysanthemum.
The dishes have four panels on the border, each showing elegant branches with beautiful plum blossoms.
The total effect is delightful!
Deeply rooted In Chinese tradition, the beautiful flowers on these dishes have symbolic meanings.
Much loved for their bold size and colors, peonies are known as the flower of “riches and honor (fuguihua),”
The cherished chrysanthemum, cultivated in China for three millennia, symbolizes both longevity and intellectual achievements, its allure transcending time.
While the plum blossoms, with their enduring bloom in the harshness of late winter, embody the virtues of resilience, purity, and optimism.
The undersides of these two dishes are marked in the center with the open lozenge, one of the revered Eight Precious Things*, and a symbol of good fortune and abundance.
Also, painted on the underside along the border, we see a traditional pair of scrolling vines (see image#12).
Taking center stage on the left and right dishes, a traditional garden tableau unfurls.
We see flowers before a garden fence, buds emanating from rockwork, and plum blossoms near a bamboo screen.
The scene encapsulates the essence of an 18th-century Chinese garden.
On the reverse, once again, we see the traditional pair of scrolling vines gracing the border.Dimensions: 8.5″-8.75″ in diameter x 1″ in height
Condition: Excellent
*”The Eight Precious Things are general symbols of good luck and prosperity in Chinese art.” See Chinese Art A Guide to Motifs and Visual Imagery by P B Welch, pg 228.
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Large Chinese Porcelain Plate 18th Century Three Symbolic Scenes Qianlong C 1780
$780.00This lovely Qianlong porcelain plate was hand painted in soft Famille Rose colored enamels under a light green glaze. The special glaze was used to enhance the brightness of the colors.
Made circa 1780, the plate has six panels, three with a single figure and a symbolic meaning.Dimensions: 10.25″ diameter
Condition: Excellent
In the top panel, we see a young man standing proudly with a rooster.
In Chinese folklore, roosters are associated with the sun, strength, and masculinity.
As a result, they are said to be able to scare away evil spirits.
Furthermore, a red rooster like this was said to protect homes from fire.
The panel on the left shows a delightful scene of a young boy with a cricket and a cricket cage.
The boy’s left hand is closed, presumably around a cricket, while the boy points to the cage with his right hand.
Crickets are associated with spring and summer.
The keeping of crickets was particularly popular in the capital city of Beijing during the last 300 years of the Qing Dynasty.
In the panel to the right, we see a young lady with two fluttering butterflies.
In Chinese tradition, butterflies symbolize the beauty and allure of summer while also embodying romantic notions and dreams.
According to P B Welch* the depiction of two butterflies is especially poignant, signifying a permanent feeling of affinity.
Alternating with the three figural panels are three panels delicately painted with peonies, symbolizing prosperity, abundance, and love. The peonies add a touch of elegance to the overall design.
*See P B Welch “Chinese Art A Guide to Motifs and Visual Imagery” pgs 93-95.
The border is decorated with cross-hatched “diamonds” on purple ground. -
Blue and White Dutch Delft Charger Hand Painted 18th Century Holland Circa 1760
$1,280.00This mid-18th-century Dutch Delft charger is handpainted in several shades of cobalt blue.
The viewer is drawn to the lovely scene in the center, which shows an elegant peacock in a flowery garden near water.
The wide rim has eight panels, each with a single chrysanthemum or artemisia leaf.
This traditional design was inspired by the Chinese blue and white “Kraak” porcelain chargers that were very popular in late 17th and 18th century Holland.
In Chinese tradition, chrysanthemums symbolize long life and happiness, while an artemisia leaf symbolizes good health.
The border, with its positive connotations, conveys auspiciousness and optimism.
In summary, the alluring shades of cobalt blue, the captivating central scene of a peacock in a blossoming garden, and the chrysanthemums and artemisia leaves on the rim create a harmonious and visually striking composition.Dimensions: 13.25″ diameter x 2″ tall
Condition: Excellent with small edge frits invisibly restored
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Blue and White Delft Dish Hand Painted with Dragon Netherlands Circa 1780
$580.00This exquisite dish is almost identical to a blue and white Delft dish in the Philadelphia Museum of Art Bequest collection of John W. Pepper. 1935-10-39.
The dish is described in detail by E B Scapp in her book “Delft Ceramics at The Philadelphia Museum of Art.”
Scapp’s description is summarized below.
The mythical dragon in the center of this dish, a rare motif on Delft plates, has been painted with a wide open mouth and sharp teeth.
The form of the dragon is defined by a darker outline pigment known as “trek.” This outline is filled with a blue wash.
An apprentice painter often did outlines and borders on pieces.
A more accomplished painter would complete the center decoration.
The border is divided into six panels of diamond pattern fretwork alternating with ovals containing stylized fruit and leaves.
The edge of the dish is painted with a thin line of brown slip.
This is an altogether fabulous piece of 18th century Dutch Delft!Dimensions: 9″ diameter x 1″ height
Condition: Excellent with small edge frits invisibly restored
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Blue and White Delft Charger Hand Painted at The Axe Holland Circa 1770
$1,260.00This blue and white charger was hand painted at De Porcelene Bijl “The Axe” circa 1770.
The center of the charger is filled with a lovely flowering plant.
We see flowers in full bloom intertwined with buds and leaves, displaying nature’s cycle of life and renewal.
The border has ten shaped panels, each enclosing a single flower, a bud, and leaves.
The pattern includes several shades of blue, giving it depth and visual interest.
The white edge of the charger is cut in a fabulous lobed pattern that complements the painted decoration. This white edge is accented by a thin blue line.
The design is dynamic and beautiful!
The underside of the charger shows the mark of De Porcelene Bijl “The Axe”.Dimensions: 12″ diameter
Condition: Excellent with small edge frits invisibly restored
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Large Blue and White Delft Charger Hand Painted at The Axe Holland Circa 1770
$1,480.00This large blue and white charger was hand painted at De Porcelene Bijl* “The Axe” circa 1770.
The center of the charger is filled with a lovely flowering plant.
We see flowers in full bloom intertwined with buds and leaves, displaying nature’s cycle of life and renewal.
The border has ten shaped panels, each enclosing a single flower, a bud, and leaves.
The pattern includes several shades of blue, giving it depth and visual interest.
The white edge of the charger is cut in a fabulous lobed pattern that complements the painted decoration. This white edge is accented by a thin blue line.
The design is dynamic and beautiful!
The underside of the charger shows the mark of De Porcelene Bijl “The Axe”.Dimensions: 13.75″ diameter
Condition: Excellent with small edge frits invisibly restored
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Set of Two Blue and White Delft Chargers Hand Painted at The Axe Holland C-1770
$2,870.00This set of two blue and white chargers was hand painted at De Porcelene Bijl “The Axe” circa 1770.
The center of each charger is filled with a lovely flowering plant.
We see flowers in full bloom intertwined with buds and leaves, displaying nature’s cycle of life and renewal.
The borders have ten shaped panels, each enclosing a single flower, a bud, and leaves.
The pattern includes several shades of blue, giving it depth and visual interest.
The white edge of each charger is cut in a fabulous lobed pattern that complements the painted decoration. This white edge is accented by a thin blue line.
The design is dynamic and beautiful!
The underside of both chargers shows the mark of De Porcelene Bijl “The Axe”.Dimensions: 12.25″ diameter and 13.75″ diameter
Condition: Excellent with small edge frits invisibly restored
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Blue and White Dutch Delft Charger Hand Painted at The Claw Circa 1760
$1,360.00This elegant mid-18th century blue and white Delft charger was hand painted in shades of cobalt blue.
At the heart of the design, we see a vase overflowing with flowers and leaves.
As if caught in a gentle breeze, some leaves fall gracefully on either side of the vase, adding movement to the composition.
A floral wreath of cobalt blue flowers rings the center.
The very wide border is decorated with nine panels, each showing a vase filled with a single large rose and other smaller flowers.
The deep blue edge is delicately lobed, which adds to the visual interest of the charger.
The underside with mid-18th century marks for the De Paeuw (The Claw) factory in the city of Delft.
We also find a paper label on the underside for the 20th century Dutch antique dealer, Alberge et Fils.Dimensions: 13.75″ diameter x 2.35″ height
Condition: Excellent with small edge frits invisibly restored
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Large 18th Century Chinese Porcelain Punch Bowl, Hunt Bowl Made Circa 1770
$12,800.00The Chinese hunt bowl at its finest!
Made in the Qianlong period, circa 1770, this exquisite hand-painted Chinese export bowl shows Western figures riding to the hunt in a lush green landscape.
The bowl captures the viewer’s eyes with its rich colors and cheerful themes.
There are two main scenes painted around the bowl: “The Meet,” which shows the assembly of the riders (see images #1 and #2), and “Full Cry,” which shows the riders at full gallop in pursuit of the fox (see image #3*).
In the well of the bowl, we see the huntsman “Walking Hounds.” He is walking out the pack of hounds on a day when they don’t go hunting (see image #5)Dimensions: 16″ diameter x 6.5″ tall
Condition: Excellent
The bowl is painted in Famille Rose over-the-glaze enamels.
The intense and beautiful color palette and rich decoration are hallmarks of Chinese export hunt bowls of the 18th century.
The shape of the bowl is traditional: raised on a short foot with steep sides.
The inner rim of the bowl is further decorated with a coin pattern above a band of floral and fruit decoration.
Bowls like this were used to serve punch after a day of hunting.Provenance
A similar hunt bowl can be found in the collection of the Seattle Asian Art Museum.
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Blue and White Delft Charger hand Painted 18th Century Netherlands Circa 1760
$3,200.00This pair of mid-18th-century Dutch Delft chargers is handpainted in several shades of cobalt blue.
The viewer is drawn to the lovely scene in the center of each charger, which shows an elegant peacock in a flowery garden near water.
The wide rim has eight panels, each with a single chrysanthemum or artemisia leaf.
This traditional design was inspired by the Chinese blue and white “Kraak” porcelain chargers that were very popular in late 17th and 18th century Holland.
In Chinese tradition, chrysanthemums symbolize long life and happiness, while an artemisia leaf symbolizes good health.
The border, with its positive connotations, conveys auspiciousness and optimism.
In summary, the alluring shades of cobalt blue, the captivating central scene of a peacock in a blossoming garden, and the chrysanthemums and artemisia leaves on the rim create a harmonious and visually striking composition.Dimensions: 13.25″ diameter x 2″ tall
Condition: Excellent with small edge frits invisibly restored
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Four Blue and White Delft Chargers Hand Painted Netherlands 18th Century Ca-1780
$5,800.00The deep cobalt blue is fabulous!
Provenance: The Philadelphia Museum of Art collection has an identical Delft charger. For an image of this identical plate and a discussion of its origins, see E B Schaap’s “Delft Ceramics at the Philadelphia Museum of Art” pages 74 and 75.
This set of four Dutch Delft chargers in the “Theeboom” pattern shows a tea plant with a fan-shaped bouquet of leaves and flowers. This is one of the most exquisite hand-painted designs made on Delft chargers in the 18th century.
The pattern is lush and full of color. The deep cobalt blue decoration fills the charger.
On the border are medallions and scroll designs.
The white edges are delicately scalloped, which adds another beautiful dimension to each charger.
The chargers have the mark of De Porceleyne Claeuw “The Claw.”Dimensions: 13.5″-14.25″ in diameter
Condition: Excellent with very small edge frits invisibly restored.
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Large 18th Century Chinese Porcelain Punch Bowl, Hunt Bowl Made Circa 1770
$12,800.00The Chinese hunt bowl at its finest!
Made in the Qianlong period, circa 1770, this exquisite hand-painted Chinese export bowl shows Western figures riding to the hunt in a lush green landscape.
The bowl captures the viewer’s eyes with its rich colors and cheerful themes.
There are two main scenes painted around the bowl: “The Meet,” which shows the assembly of the riders (see images #1 and #2), and “Full Cry,” which shows the riders at full gallop in pursuit of the fox (see image #3*).
In the well of the bowl, we see the huntsman “Walking Hounds.” He is walking out the pack of hounds on a day when they don’t go hunting (see image #5)Dimensions: 16″ diameter x 6.5″ tall
Condition: Excellent
The bowl is painted in Famille Rose over-the-glaze enamels.
The intense and beautiful color palette and rich decoration are hallmarks of Chinese export hunt bowls of the 18th century.
The shape of the bowl is traditional: raised on a short foot with steep sides.
The inner rim of the bowl is further decorated with a coin pattern above a band of floral and fruit decoration.
Bowls like this were used to serve punch after a day of hunting.Provenance
A similar hunt bowl can be found in the collection of the Seattle Asian Art Museum.
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Set Four Antique Blue and White Delft Plates Circa 1760-1770
$3,200.00This set of four antique Delft blue and white plates was hand painted in the Netherlands circa 1760-1770.
The size of the plates is rare, somewhat larger than the more common 9″ diameter antique Dutch Delft plates.
They measure 10.25″ in diameter.
The decoration is exquisite!
In the center, we see a traditional Dutch image of a vase overflowing with beautiful flowers and ferns.
The border has five panels, each showing a single vase filled with pieces of fruit against a background of leaves.
The panels are separated by decoration showing a flower face and leaves against a dark blue ground.Dimensions: 10.25″ in diameter
Condition: Excellent with small edge frits invisibly restored
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Pair Blue and White Delft Plates Hand Painted England Circa 1760
$1,550.00This gorgeous pair of blue and white English Delft plates was made in Bristol, England, circa 1760.
The lovely floral decoration is hand painted in shades of cobalt blue on a light cobalt blue ground.
One flower on the vine stretches rim to rim from the border on one side into the well of the dish and then across the well and onto the border again.
This is an exquisite design well painted!Reference
For a very similar English delftware plate, see English Delftware in the Bristol Collection, by Frank Briton, pg 191, plates 12.29 and 12.30, where Briton states that the origin of the dish was probably in one of the factories in Bristol, England circa 1760.
Dimensions: 9″ diameter
Condition: Excellent with small edge chips invisibly restored
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Pair Blue and White Delft Chargers 18th Century Circa 1770
$2,350.00Made in the Netherlands in the 18th century, circa 1770, this lovely pair of Delft chargers is hand painted in cobalt blue.
In the center, we see a traditional Dutch Delft floral design of scrolling vines, tulips, and tulip buds.
The border shows nine panels, each featuring a single tulip.
One of the pair of chargers has an in-the-factory mark “16” in underglaze blue on the reverse.Dimensions: 13.75″ diameter
Condition: Excellent with small edge frits invisibly restored
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Meissen Porcelain 18th Century Leaf Dish Hand Painted Circa 1770
$520.00This large 18th century Meissen porcelain leaf form dish incorporates the prevailing artistic trends of the time. Rococo art was known for its emphasis on asymmetry and naturalistic motifs inspired by nature, such as flowers. Meissen porcelain, in the Rococo style, was characterized by delicate and intricate designs. This dish was hand painted with vibrant hues, including pinks, yellows, greens, orange and purple. The colors were applied in a soft and blended manner, creating a sense of delicacy and elegance. The composition of the floral bouquets is arranged in an informal, loose style. The flowers appear as if they were casually gathered together, creating a sense of spontaneity and natural beauty.
Dimensions: 13″ long x 9.5″ wide x 2″ deep
Condition: Excellent with slight rubbing to the outer edge gilt in one place (seen best in close-up image #3)
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Blue and White Delft Charger Hand Painted 18th Century Netherlands Circa 1780
$1,160.00This beautiful blue and white hand painted charger was made in The Netherlands in the last quarter of the 18th century, circa 1780. It is decorated with an eye-catching floral design that encircles a central medallion. We see floral bands showing flowers and scrolling vines. The vibrant cobalt blue decoration draws your eye from the center outward.
Dimensions: 12.25″ diameter
Condition: Excellent with small edge frits invisibly restored
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Pair Blue and White Delft Tobacco Jars Delft Netherlands 18th Century Circa 1770
$3,400.00This outstanding pair of Dutch Delft blue and white tobacco jars were made circa 1770 to hold a type of tobacco named “DÜÎNKERKER.”
Made in the city of Delft circa 1770, the cobalt blue decoration on the jars is outstanding.
Framing the title of the jar is a lovely floral decoration of leaves, small flowers, and scrolling vines.
At the top of the floral decoration, we see a vase bursting with leaves and flowers.
The covers are 20th century.Dimensions: 8.75″ tall (11″with covers) x 7.25″ diameter at widest point
Condition: Excellent
Provenance
One of the pair has the mark of The Blompot on the underside. The Blompot factory operated from 1654 until 1841.
In addition, the Philadelphia Museum of Art has an almost identical tobacco jar made by a competing contemporary Dutch Delft factory. The museum notes the name on the jar, “DÜÎNKERKER,” refers to a type of tobacco that was more commonly known as DÜÎNKERKEN, spelled with an “N” at the end. Duinkerken is a type of chewing tobacco.
(For more details from the Philadelphia Museum of Art listing, see ** below) -
Blue and White Delft Jars and Vases 18th and 19th Centuries 3 pairs 4 Singles
$21,060.00This collection of exquisite blue and white Dutch Delft jars and vases spans the 18th and 19th centuries. The largest is 23.5″ tall, and the smallest is 10.5″ tall. Five of the items are 18th century. The two largest jars were made in the late 19th century. The total price for the group is $21,060.
1) Made circa 1780, this 18th century Dutch Delft vase was hand painted with floral decoration of flowers and scrolling vines. A beautiful deep cobalt blue covers most of the surface. The vase has a traditional Dutch Delft shape; an octagonal base rising to the main body, a slim neck ending in a flower bulb shape, and an everted mouth. Dimensions: 10.5″ tall x 4.75″ diameter Condition: Excellent with small edge chips invisibly restored Price: $1,480
2) Pair Blue and White Delft Vases Hand Painted 18th Century circa 1770 Netherlands This large pair of blue and white Dutch Delft vases were hand painted in beautiful deep cobalt blue. They were made in The Netherlands in the 18th century, circa 1770. The main body of each vase is fully decorated with six cartouches, three showing birds and three showing flowers. In addition, the flower bulb-shaped mouth of each vase is decorated with scrolling vines and flowers. Finally, the neck and the top edge are decorated with designs of stiff leaves. Dimensions: 16.25″ tall x 7″ wide. The base measures 5.75″. Condition: Excellent with small edge chips invisibly restored
3) Antique Delft Blue and White Jar Made by The Claw Netherlands Circa 1790 This hand-painted jar and cover from circa 1790 boast beautiful Dutch Delft floral artwork. The intricate design features a stunning array of blooms and vines in deep and medium cobalt blue. The shoulders of the jar are adorned with lappets filled with flower heads, and its octagonal form is topped with a simple, deep blue knop. Dimensions: 12.75″ tall x 6″ at widest point x 4.75″ across base Condition: Excellent with small edge frits invisibly restored Price: $960
4) Pair Blue and White Delft Jars Hand Painted 18th Century Netherlands, Circa 1780 This pair of 18th-century Delft jars has a lovely distinctive style taken from nature. The cobalt blue designs are hand-painted. We see a young woman seated in a garden. Budding peonies and a songbird surround her, and a majestic stag evokes a sense of wonder and enchantment as if you were peering into a fairy tale. The lovely flower-form skirts on the tops add sophistication and elegance to the overall appearance of the jars. The lobed shape of the jars adds life to the decoration as light plays over the curving surface. Everything works together to create a beautiful effect. The underglaze blue “in the factory” mark “10,” and the paper label for the Thomazeau Collection provide authenticity and provenance. Dimensions: 14.5″ tall x 7.25″ diameter at the widest point x 5″ diameter at the base, Condition: Excellent with small edge chips invisibly restored Price: $ 3,820
5) Pair Blue and White Delft Mantle Jars Hand Painted Netherlands, Circa 1770 This pair of Dutch Delft mantle jars show a delightful rococo scene hand-painted on blue and white Delft. We see a pair of cows resting in a fenced area with a flock of birds in the sky, the background fields, and mountains. The finial on the cover is in the form of the traditional spotted lion. Dimensions: 14.5″ tall x 6.5″ diameter at the widest point x 4″ diameter at the base. Condition: Excellent with small edge chips invisibly restored Price: $2,800 6) Large Blue and White Delft Jar Made in Belgium Circa 1890 Price: $2700
6) This large Delft jar has a traditional bird and flower decoration painted on a white tin-glazed ground. The decoration captures the beauty of a garden with birds amidst a sea of vibrant flowers. The design on the shoulders and cover is a classic Delft style. We see panels decorated with blue flowers on white ground, separated by a blue background adorned with delicate leaves and vines. The traditional lion finial on the cover adds a regal touch to the piece. The jar’s octagonal shape and light pink tone add an elegant touch. Made by Boch Frères Keramis in La Louvière, Belgium, this jar was created by skilled artisans from a factory that has a rich history. Boch Frères Keramis was established in 1844 and won a gold medal at the Exhibition of Belgian Industry in 1847. The jar is marked on the underside, allowing us to date it to circa 1900. It is an imposing piece. Dimensions: 23.5″ tall x 11″ across x 6.1″ across the base Condition: Excellent, with some faint lines in the glaze from the making Price: $2,800
7) Very Large Blue and White Delft Jar Belgium circa 1880 This fabulous Delft jar is painted with traditional deep cobalt blue on a tin-glazed ground. The jar has six panels, alternating between flowers in a basket and ferns with scrolling vines. Large blue lappets decorate the shoulders and cover. The jar was made by Boch Frères Keramis in La Louvière, Belgium, circa 1880. Belgium was part of The Netherlands until 1831, and many early workers at Boch Frères Keramis were hired away from Dutch Delft factories. Begun in 1844, Boch Frères Keramis won a gold medal at the exhibition of the Belgian industry In 1847. The underside of the vase is marked BFK. Dimensions: Height 19.5″ x 9.25″ diameter at the widest point x 5.5″ diameter at the base Condition: Excellent Price: $2,800
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Blue and White Dutch Delft Five Piece Garniture Hand Painted 18th Century C-1760
$9,800.00This exquisite Delft five-piece garniture from mid-18th century Holland, circa 1760, is a masterpiece. The hand-painted panels on the front and back of each jar are decorated with a tranquil scene showing a deer and butterfly in a clearing, set against a backdrop of charming pagodas. In addition, the two side panels on each jar feature a large peony and a delightful songbird perched on a garden fence, adding natural beauty and elegance to the set.
The canted corners of each piece in the garniture are beautifully decorated with small cartouches depicting serene water scenes. The upper band of decoration showcases intricate floral designs and shell shapes.
Condition: Despite its age, the garniture is in very good condition, with only a few small chips that have been expertly and invisibly restored. Dimensions: the pair of covered trumpet shapes and three covered jars are perfectly proportioned, measuring 14.5″ tall x 6″ wide x 5.5″ deep and 13.85″ tall x 5.25″ wide x 5.25″ deep, respectively. -
Delft Blue and White Vase Hand Painted 18th Century Circa 1780 Netherlands
$1,280.00Made Circa 1780, this 18th century Dutch Delft vase was hand painted with floral decoration of flowers and scrolling vines.
A beautiful deep cobalt blue covers most of the surface.
The vase has a traditional Dutch Delft shape; an octagonal base rising to the main body, a slim neck ending in a flower bulb shape, and an everted mouth.Dimensions: 10.5″ tall x 4.75″ diameter
Condition: Excellent with small edge chips invisibly restored -
Pair Blue and White Delft Vases Hand Painted 18th Century Circa 1770 Netherlands
$6,400.00This large pair of blue and white Dutch Delft vases were hand painted in beautiful deep cobalt blue. They were made in The Netherlands in the 18th century, circa 1770.
The main body of each vase is fully decorated with six cartouches, three showing birds and three showing flowers.
In addition, the bulbous mouth of each vase is decorated with scrolling vines and flowers.
The neck and the top edge are decorated with designs of stiff leaves.Dimensions: 16.25″ tall x 7″ wide. The base measures 5.75″.
Condition: Excellent with small edge chips invisibly restored -
Pair 18th Century Blue and White Gilded New Hall Dishes England Circa 1790
$660.00The New Hall China Manufactory made this pair of late 18th-century blue and white gilded dishes in Stoke-On-Trent, England, circa 1790. On the border, the deep blue has exceptional depth with many lovely highlights of lighter blue (see image #2). The blue is fabulous! The blue ground is gilded with golden acorns and oak leaf decorations. The lavish gilding is magnificent. The combination of exquisite blue and lavish gilt is perfect. This is a beautiful pair of dishes!
Dimensions: 8″ in diameter, 1.25″ tall
Condition: Excellent
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Set Six Large Blue and White Chinese Porcelain Plates Hand-Painted Kangxi Era
$9,600.00This set of six blue and white Chinese porcelain dishes was hand-painted 300 years ago, circa 1700, during the Kangxi dynasty. According to Sir Harry Garner, author of Oriental Blue and White, “The Kangxi blue and white reached a technical excellence that has never been surpassed.” These dishes are of the rare “double dinner” size, 11″ in diameter. The dishes are each hand painted in a vibrant deep cobalt blue. We see a rocky outcropping with a pair of songbirds, beautiful peonies in full bloom, and a delicate flowering plum tree. The effect is gorgeous! The crisp cobalt blue border has intricate patterning with panels showing a single peony separated by scrolling vines and floral decoration.
This decorative style was especially popular during the early Kangxi period.*
On the underside, the dishes have the Chinese Kangxi Era square or “Fret” mark inside a double circle in underglaze blue. A traditional Chinese scene can be beautiful and also convey symbolic meaning. Peonies symbolize female beauty, royalty, wealth, and honor in Chinese tradition and have long been adored for their bold size and beautiful colors. The plum tree flowers early in the spring, announcing the end of winter and the rebirth of nature. Hence, it symbolizes endurance and hope.Dimensions:11″ in diameter x 1″ tall
Condition: Excellent
* Blue and white shards painted with rocks and floral subjects have been excavated from Kangxi era Jingdezhen private kiln sites and early 18th-century Chinese shipwrecks sunk in the South China Sea.
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Antique Dutch Delft Charger Made Circa 1780
$780.00This lovely Delft charger shows a hand-painted scene with a seated young lady holding a horn of plenty. Dressed in cobalt blue, she is surrounded by iron red flowers with forest green leaves. The image is a traditional joyous symbol of harvest and abundance. The polychrome colors work together perfectly to create a beautiful scene. The charger’s wide border is filled with similar flowers, leaves, and scrolling vines.
Dimensions:13.35″ in diameter x 2″ tall
Condition: Excellent with small edge frits invisibly restored
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Blue and White Delft Charger Hand Painted Netherlands 17th Century, Circa 1685
$680.00This blue and white Delft charger was hand-painted with a chinoiserie scene in the late 17th century. The decoration style was taken directly from Kraak porcelain chargers exported from China to Europe in the 17th century. In the center, we see a vase sitting on the garden terrace, overflowing with beautiful flowers. Among the flowers is a scroll, one of the Eight Treasures often depicted in Chinese decorative art of this period. Two butterflies hover around the flowers. The wide border has panels showing sunflowers and traditional Chinese objects of good fortune.
Dimensions: 12.75″ in diameter
Condition: Very good, with small chips invisibly restored
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Six Blue and White Dishes Chinese Porcelain Hand Painted Kangxi Era, circa 1700
$5,800.00This set of six blue and white Chinese porcelain dishes was hand-painted 300 years ago, circa 1700, during the Kangxi dynasty. According to Sir Harry Garner, author of “Oriental Blue and White,” “The Kangxi blue and white reached a technical excellence that has never been surpassed.” The dishes are hand painted in tones of cobalt blue. Flowers are everywhere! Delicate flowering plum trees, beautiful peonies, and lotus flowers in full bloom, The effect is gorgeous! On the underside, the dishes have the Chinese square “Fret” mark or the artemisia leaf mark inside a double circle in underglaze blue.
Dimensions: 9.7″ diameter
Condition: Small edge frits invisibly restored
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Antique Delft Charger 18th Century Polychrome Colors Netherlands Circa 1770
$800.00This antique Dutch Delft charger was hand painted in the 18th century, circa 1770. The center of this large Dutch Delft charger shows a lovely chinoiserie scene painted in vibrant polychrome colors, including blue, green, yellow, purple, and iron red. The scene depicts charming houses with exotic oriental-style roofs, picturesque mountains coming down to the waterside, a single majestic tree, and other foliage. The border of the charger is elegantly decorated with a pattern of iron red darts and delicate blue cross-hatching.
Dimensions: 13.75 in diameter x 1.75″ tall
Condition: Excellent
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Antique Dutch Delft Charger 18th Century Polychrome Colors Circa 1770
$630.00This Dutch Delft charger features a hand painted garden scene with large bright yellow flowers, green leaves, small iron red plum blossom flowers, and touches of cobalt blue. The decoration is simple and unsophisticated. The border with five yellow tulips and green leaves.
Dimensions: 12.25″ diameter x 1.75″ deep
Condition: Excellent
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Blue and White Delft Dish Hand-Painted, 18th Century, Circa 1780
$465.00This beautiful blue and white Dutch Delft plate was hand-painted with deep cobalt blue in the Netherlands by “The Axe” in the 18th century, circa 1780. In the center, we see a lovely chinoiserie garden scene with a flowering tree and rockwork. The border has four panels with blue floral decoration on a white ground separated by smaller blue and white panels decorated with a traditional Delft diamond pattern. The edgeof the dish is painted with traditional yellow slip.
Dimensions: diameter 9.1.”
Condition: Excellent with tiny edge frits invisibly restored
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Pair Antique Chinese Porcelain Plates Famille Rose Made Circa 1770
$1,230.00This pair of lovely Chinese porcelain plates were hand painted in the Famille Rose style in the mid-18th century. The center of each plate is painted in delicate colored enamels and gold. Small green leaves enhance lovely peonies and other flowers painted in purple, pink, orange, and gold. The border of each plate has four pairs of cranes looking at each other in mid-flight. In Chinese tradition, cranes were believed to live for centuries. The pairs of cranes convey a wish for longevity to the owner of the plates.
Dimensions: 9″ diameter
Condition: Excellent
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Antique Pair Chinese Porcelain Plates 18th Century Qianlong Era Circa 1770
$1,230.00This pair of beautiful Chinese porcelain plates were hand painted in the Famille Rose style in the mid-18th century. The center of each plate is painted in delicate colored enamels. Many small green leaves enhance lovely flowers painted in purple, pink, blue, and orange. The border of each plate has floral decorations, and along the edge, a band of deep green with a wave pattern design.
Dimensions: 9″ diameter
Condition: Excellent
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Pair Blue and White Delft Jars Hand Painted 18th Century Netherlands, Circa 1780
$3,620.00This pair of 18th-century Delft jars has a lovely distinctive style taken from nature. The cobalt blue designs are hand-painted. We see a young woman seated in a garden. Budding peonies and a songbird surround her, and a majestic stag evokes a sense of wonder and enchantment as if you were peering into a fairy tale. The lovely flower-form skirts on the tops add sophistication and elegance to the overall appearance of the jars. The lobed shape of the jars adds life to the decoration as light plays over the curving surface. Everything works together to create a beautiful effect. The underglaze blue “in the factory” mark “10” and the paper label for the Thomazeau Collection provide authenticity and provenance.
Dimensions: 14.5″ tall x 7.25″ diameter at the widest point x 5″ diameter at the base
Condition: Excellent with small edge chips invisibly restored
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Delft Charger Hand Painted Polychrome Lambeth, London, England, circa 1750
$730.00This exquisite delft charger offers a glimpse into the artistic and cultural history of mid-18th century London. It was carefully crafted by hand at the High Street Lambeth factory, founded by Henry Hodgson Jr in 1732 within the historic Hereford House. The building had once served as the London residence of the Bishops of Hereford, adding an extra layer of historical resonance to this charger. Dating back over 250 years to circa 1750, the charger depicts a garden scene with a unique design. The colorful palette features hues of purple, yellow, medium blue, green, and orange under a light blue glaze creating a harmonious effect. At the center, a blue lozenge-shaped hollow rock is shown sprouting flowers and leaves, with five mountains sketched into the background, adding depth and complexity to the image. The rim of the charger is adorned with four groups of flowers, each centered on a yellow sunflower, adding a touch of whimsy and charm to the overall design.
Dimensions:13.5 inches in diameter and 1.5 inches in height. Condition: Excellent with tiny edge frits invisibly restored to preserve its beauty.
Reference: See English Delftware in the Bristol Collection, by Frank Briton, pg 194, plates 12.39, where Briton states, ” In the centre a lozenge-shaped hollow rock sprouting flowers and leaves outlines in blue and shaded red. Round the rim, four groups of flowers centred on a sunflower face. The decoration in blue, red, green, and yellow on a pale blue glaze”.Probably (made) London.”
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Six Blue and White Dutch Delft Plates Netherlands, circa 1800
$3,240.00This set of six gorgeous blue and white Dutch Delft plates was created in the Netherlands circa 1800.
Each dish is a small work of art, with dimensions ranging from 8.75″ to 9.25″ in diameter.
Despite their age, these plates are in excellent condition, with only very small edge chips that have been expertly and invisibly restored.
Price for the set: $3,240
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Antique Blue and White Delft Charger Hand Painted Netheralands Circa 1780
$930.00Hand painted circa 1780, this eye-catching blue and white Delft charger is hand painted in shades of cobalt blue with black accents. The artist has captured a vibrant garden scene transporting the viewer to a world of beauty. In the center, we see a pine tree, to one side, a sizeable blossoming peony, and on the other side, a budding peony, all framed by a garden fence that serves as a graceful boundary, enhancing the harmony and balance of the overall design. The border is decorated with four groups of leaves and a single peony bud.
Dimensions: 11.75″ in diameter x 1.75″ deep
Condition: Excellent with slight edge frits invisibly restored
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German Prints Birds Series Ornithological Engravings Martinet-Buffon C-1790 (1)
$660.00These are small, gem-like, Individual bird scenes.
They are beautifully drawn, detailed prints of hand-colored copperplate engravings from one of the most important ornithological works of the 18th century.
These hand-colored engravings were printed in Germany on original 18th-century rag paper taken from the Histoire Naturelle des Oiseaux by Georges Louis Leclerc, le Comte de Buffon (1708-1788), with engravings by Francois Nicholas Martinet (1731-1804), published in Paris 1770-1786.Dimensions: 6 inches x 3.5 inches (8 inches x 10 inches including the matte)
Condition: Excellent.
Price: $660 for the set of four
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German Prints Birds Series Ornithological Engravings Martinet-Buffon C-1790 (2)
$660.00These are small, gem-like, Individual bird scenes.
They are beautifully drawn, detailed prints of hand-colored copperplate engravings from one of the most important ornithological works of the 18th century.
These hand-colored engravings were printed in Germany on original 18th-century rag paper taken from the Histoire Naturelle des Oiseaux by Georges Louis Leclerc, le Comte de Buffon (1708-1788), with engravings by Francois Nicholas Martinet (1731-1804), published in Paris 1770-1786.Dimensions: 6 inches x 3.5 inches (8 inches x 10 inches including the matte)
Condition: Excellent.
Price: $660 for the set of four
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Dutch Delft Charger Hand Painted 18th Century Circa 1770
$780.00This antique Dutch Delft charger was made in the 18th century, circa 1770. It features a beautiful flower-filled garden hand painted in beautiful polychrome colors. We see a single large, bright yellow peony, other flowers painted in shades of purple, flower buds painted red, green leaves, a pierced rock painted deep cobalt blue, and the garden fence painted red and yellow. The border of the charger is decorated with a ring of flower buds in purple and red with green leaves. The overall effect is lovely!
Dimensions: 12.25 diameter x 1.75″ tall
Condition: Excellent with slight edge frits invisibly restored
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Strasbourg Faience Dish by Paul Hannong, circa 1755
$520.00This 18th-century faience dish was hand-painted in the factory of Paul Hannong in Strasbourg, France. The flowers are exquisite!
Paul Hannong, and his brother Joseph, were known for the fabulous flower painting on their faience. This finely painted plate was decorated with gorgeous flowers in the mid-18th century, circa 1755. The border of the dish is molded with six slightly lobed panels. The edge is painted dark brown.
French faience of this type was used at the court of Louis XV as part of elaborate meals and displays.
.The dish’s underside is marked in underglaze blue with Paul Hannong’s “IH” cipher over “90” written in brown (see images).
An oval dish decorated with similar hand-painted flowers can be found in Christie’s auction on May 29, 2001, Auction 2507 EUROPEAN CERAMICS, DUTCH DELFTWARE, AND GLASS Lot 165. It is attributed by Christie’s to Paul Hannon.
Dimensions: Diameter 9.5.”
Condition: Excellent
Price: $520
Background of French Faience
Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and eighteenth centuries.
Faience is distinguished by the opaque white color achieved by adding tin oxide to the glaze. French faience is typically divided into two types. Grand feu (high fire) describes pieces decorated with glaze and metallic oxides before being fired a single time at a high temperature of around 1650°F (900°C). Petit feu (low-fire) faience refers to a process whereby the clay body is fired before glazed, decorated with metallic oxides, and then fired at a lower temperature. The lower firing temperature of petit feu faience enabled greater precision in painting techniques and greater variety in the range of colors. -
Pair of 18th Century English Creamware Dishes With Silver Form Edge
$480.00This pair of 18th-century English creamware dishes were made in the style of silver dishes of the period. This elegant neoclassical style is known as the “silver edge.” The borders are gently lobed, have lovely raised edges, and are divided into six panels.
Dimensions: 7.5″ diameter x 1″ tall
Condition: Excellent
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18th Century Creamware Pepper Shaker England Circa 1780
$280.00This 18th Century creamware pepper shaker was made in either Yorkshire or Staffordshire, England circa 1780.
It has a simple, elegant form and a lovely creamy color.
Dimensions: 5″ tall x 2″ diameter at the widest point
Condition: Very good with light craquelure to the pierced top.
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18th Century Creamware Dish Made England Circa 1785
$330.00This is a beautiful creamware dish with a feather edge design, pierced diamonds and dots, and tiny pearls along the inner edge of the border. The cavetto is fluted. The overall effect is lovely. The dish is described in Creamware and Other English Pottery at Temple Newsam House, Leeds, by Peter Walton, on page 144, Ill 573, where he describes this dish as “Circular, with moulded borders, the walls of the central recess fluted, the rim pierced with a band of openwork pattern.” Made in “Staffordshire or Yorkshire 1780s-1790s”.
Dimensions: 8″ diameter x .5″ height
Condition: Excellent
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18th Century Small Pierced Creamware Dish England Circa 1785
$285.00This 18th-century creamware plate was made in Staffordshire, England, circa 1785. It is a little gem with beautiful piercings on the border and angled fluting in the cavetto. The hand piercings are in the shape of diamonds, stars, and hearts. The fluting in the cavetto adds visual interest as light plays across the fluting.
Dimensions: 6″ in diameter x .5″ deep
Condition: Excellent with minimal defects due to impurities in the clay when the plate was fired.
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18th Century Pierced Creamware Dish England Circa 1780
$560.00The border of this 18th-century creamware dish has exquisite piercings in the form of diamonds, dots, and hearts. The piercings were done by hand. Along the rim beyond the piercings is a band of impressed tiny “pearls.” The overall effect is lovely!
Dimensions: 9″ diameter x .75″ height
Condition: Excellent with a small spot on the edge where the glaze didn’t take when the piece was fired (see images).
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Wedgwood 18th Century Pierced Creamware with Painted Decoration England C-1785
$580.00This Wedgwood pierced creamware dish was made at the Wedgwood factory in Stoke-on-Trent, England, circa 1785. The elegant piercings are hand-made. The cavetto is decorated with a band of eye-catching red up-down squiggles. The edge of the plate is decorated with a thin band of brown slip. The overall effect is exquisite! This plate is one of my favorites.
On the underside is the impressed mark “WEDGWOOD.”
Dimensions: 9″ in diameter
Condition: Excellent
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Two 18th Century Pierced Creamware Dishes Oval Shaped Made England Circa 1785
$770.00Both of these creamware dishes have beautiful piercings in the form of hearts, dots, and diamonds. Made in eighteenth-century England circa 1785, they have lovely impressed neoclassical decoration on the border. The main image shows that the lower dish has a “Silver Edge” and the upper dish has a “Feather Edge.” The upper dish also has a pair of female portraits, and both dishes have vine-form decoration.
Dimensions: the upper dish measures 10.5″ x 9″ x .75″ in height, and the lower dish measures 11″ x 9.75″ x .75″ in height
Condition: Excellent with some original light mineral staining on the edge of both dishes
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Blue and White Delft Dish Hand-Painted 18th Century, England, Circa 1760
$560.00This Delft blue and white dish was hand-painted in England in the 18th century circa 1760.
The painting is quite naive but eye-catching.
In the center, we see a large blue ground before three homes, each with a chimney.
To the left, we see a large peony, and to the right, a pine tree.
The wide border shows six flower buds on the vine, and along the edge are scrolling vines.
Dimensions: 9.25″ diameter
Condition: Excellent
Price: $560
Background of English Delft:
The art of making Delft began in England in the Mid-1500s. An English delftware jug has been found in East Malling, Kent, with a silver mount hallmarked 1550, which is presumed to be the earliest date of English delftware manufacture. John Stow’s Survey of London (1598) records the arrival in 1567 of two Antwerp potters, Jasper Andries and Jacob Jansen, in Norwich, where they made “Gally Paving Tiles and vessels for Apothecaries and others…”
The production of Delft reached its high point in the mid-1700s around the time this pair of chargers were made; after that, creamware pottery began to replace Delft as the useful pottery of the English middle class.
See: Caiger-Smith, Alan, Tin-glazed Pottery in Europe and the Islamic World: The Tradition of 1000 Years in Maiolica, Faience and Delftware, Faber and Faber, 1973, ISBN 0-571-09349-3. -
18th Century Leeds Pottery Creamware Tureen Yorkshire, England Circa 1780
$2,800.00Leeds Pottery made this perfectly proportioned large 18th-century creamware tureen in Yorkshire, England, circa 1780. It is embellished with elegant rope handles that end in sprigged* wheat sheaf terminals. The beautiful cover is decorated with an elegant rope knop and delicate sprigged flowers and leaves. Three bands of crisply molded Feather Edge design encircle the body’s base and midline and the cover’s outer edge. The quality of the material and workmanship is equal to the work of the best porcelain factories of the period.
For an image and description, see Creamware and Other English Pottery at Temple Newsam House, Leeds p.94, by Peter Walton where Walton states that the tureen has “Pale cream with a greenish-yellow glaze. Oval, four-lobed with bowed sides, spreading foot, moulded feather borders and a pair of double-terminals, the domed lid with a cord loop handle with straggling terminals of flowers, stems and leaves.”
Dimensions: 14″ across the handles x 10.25″ wide x 10.25″ tall
Condition: Excellent with one small chip on the inside flange professionally restored
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Dutch Delft Pancake Plate Lightning Pattern by De Paeuw ‘The Peacock’ Circa 1730
$930.00This extraordinary Dutch Delft pancake plate was made in the early 18th century. Beautifully hand-painted, it features bold zigzag lighting bolts, Bliksemborden, which seem to flash across the plate. Between the lightning bolts, we see clouds painted yellow with red decorations and flowering plants painted blue, green, yellow, and orange. This is one of the very best Dutch polychrome designs. Made by the De Paeuw (The Peacock) factory circa 1730, the decoration on this plate was inspired by Japanese Imari porcelains.
For an image and more information on this plate, see Delft Ceramics at the Philadelphia Museum of Art by B Schaap pg. 52.
Dimensions: 9″ in diameter x 1″ tall
Condition: Excellent with tiny edge frits invisibly restored
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Pair of Hand-Painted Dutch Delft Imari Plates 18th Century Circa 1780
$1,230.00The lovely scene on this pair of Dutch pancake plates is hand-painted in bold Imari colors of cobalt blue and iron red, highlighted by forest green and bright yellow, which takes the place of gilding. A pair of long-tailed songbirds fly amid the flowers of an imaginary garden that rises above the garden fence. As is traditional with Dutch pancake plates, the scene covers the entire surface. There is no decorative border. The effect is marvelous!
This pair of plates was made in the Netherlands circa 1780.Dimensions: 8.85″ in diameter x 1″ deep
Condition: Excellent with very small edge frits invisibly restored
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Pair Large Blue and White Chinese Porcelain Chargers Kangxi Era, circa 1700
$12,500.00This pair of extraordinary chargers is hand-painted in a combination of beautifully soft and dark cobalt blue. In the center, we see a pair of splendid phoenixes, a male and a female, chasing each other across the sky. The male flies above with his head turned to look at the female. Peonies float between them. This dynamic mythical scene is exciting and exquisite.
In Chinese tradition, both peonies and phoenixes have important symbolic meanings. Peonies symbolize royalty, rank, wealth, and honor and are much loved for their bold size and colors. A phoenix is said to appear only during the reign of a righteous emperor. That association with peaceful and benevolent times means that a phoenix symbolizes a wish for prosperity and righteousness.*
A band of dark blue bat-form design encircling the central scene reinforces the symbolic wish for good fortune and happiness.
The underside of each dish has the Artemesia leaf mark and is of the Kangxi period (see images).Dimensions: 13.8″ in diameter x 2.5″ in height
Condition: Excellent with the very, very slightest rubbing to the edges
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Creamware Heart Shaped Dish England Late 18th Century Made by Wedgwood and Co
$240.00The first popular use of the heart shape as a symbol of love is often attributed to the importance of courtly romance in late-medieval life. At a time when chivalrous knights and damsels in distress made for romantic tales, tokens of love were deeply significant and very popular.
This creamware heart-shaped dish was made in late 18th century England, circa 1790 by Wedgwood & Co.*
The decoration is elegant: a floral swag of green, blue, and orange echoes the heart shape of the dish. The border is decorated with cobalt blue dots, accentuating the dish’s outline. At the center is a single small flower.
With its warm creamware body and elegant decoration, this would also be a perfect “Hello” dish when placed near the front door of the home. It would also prove useful for holding keys and other small things.
The underside of the dish is marked WEDGWOOD & Co.Dimensions: 10.5″ across x 7.5″ from point to top x 1.5″ deep
Condition: Excellent with very small original firing defects in the creamware material, which can be seen when the images are enlarged.
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Blue and White Dutch Delft Charger Netherlands Circa 1780 Chinoiserie Design
$900.00Made in the factory of “The Axe” circa 1780, this blue and white Delft charger shows a lovely chinoiserie garden scene hand-painted in cobalt blue.
In the center, we see a pine tree, a garden fence, and a large peony.
The border is decorated with a delicate scrolling vine.
The edge is painted with traditional ochre colored slip.
The charger’s underside has the “The Axe” mark in underglaze blue.Dimensions: 13.75″ in diameter x 2″ deep
Condition: Excellent with slight edge frits invisibly restored
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Large Blue and White Arras Porcelain Round Soup Tureen French 18th Century
$2,200.00This late 18th-century French soup tureen is decorated with an elegant design of delicate cornflower sprigs. The color of the porcelain body is a warm creamy white. The cornflower sprigs, handles, and border edging are decorated with beautiful deep blue enamel. The combination of the creamy white ground and the blue decoration is splendid. The makers of Arras porcelain specialized in porcelain painted in this entrancing twilight blue called “Bleu d’Arras.” Natural forms like the tree branch handle and the blue cornflower decorations were the height of French fashion in the last quarter of the 18th century. This tureen was made at the Arras porcelain factory circa 1780. The underside of the tureen is marked with the letters “AR” and the flying bird symbol of the Arras factory.
Dimensions:10.25″ diameter x 9″ height
Condition: Excellent, with some small original firing cracks along the outer edge of the cover (see image #3).
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Blue and White Delft Charger Made by The Claw in the Netherlands circa 1780
$830.00This beautiful blue and white Dutch Delft charger was hand-painted in deep cobalt blue in the factory of “The Claw” in the late 18th century, circa 1780. The decoration in the center shows a vase filled with sunflowers and ferns. The design is reminiscent of a peacock displaying its feathers. Since the 18th century, the pattern has been known as the “Peacock” pattern. The crisp yellow of the slip-painted rim brings out the color of the cobalt blue.
Dimensions: diameter 12.5 inches
Condition: Excellent with small edge chips invisibly refinished
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Chelsea Red Anchor Porcelain Dish Mid-18th Century England 1752-1756
$1,140.00The wares of the Chelsea red anchor period (1752-1758), when this dish was made, are generally thought to be the finest work produced by the factory.*
The charm of this Chelsea soft paste porcelain dish lies in the quality of the soft paste porcelain itself, the warm white glaze, and the soft colors of the fabulous hand-painted flowers and insects. The flowers and insects are painted in exquisite soft colors, which seem to sink into the soft paste porcelain.
The painting is at the highest level of artistry. In the center, we see a loose bouquet of scattered flower sprigs, the largest sprig with a gorgeous purple rose, and a hairy caterpillar nearby. The border has crisp flowerhead and lattice molding reserving eight small panels painted with beautiful flowers and insects, one showing a butterfly and one a butterfly next to a ladybug. Along the rim, the dish has a brown line traditional to Chelsea.
Begun in 1743, the Chelsea porcelain factory was England’s first important porcelain manufacturer. The factory made soft paste porcelain which is different than “true” hard paste porcelain and does not require the high firing temperatures or the unique mineral ingredients needed for “true” hard paste porcelain. Soft paste originated in the attempts by European potters to replicate hard paste Chinese porcelain.
A dish decorated similar to ours and marked with the Chelsea red anchor is in the British Museum, accession number 1940,1101.70.Dimensions: 9.5″ wide (24cm)
Condition: Excellent
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Pair Delft Cows 18th Century Made De Porceleyne Lampetkan Netherlands Circa 1785
$3,400.00This beautiful pair of cows was made around 1785 in the city of Delft.
Since the late seventeenth century, Dutch Delft cows have adorned mantelpieces, furniture, and window sills. They were always produced in pairs, with their heads turned towards each other and their tongues lapping.
This pair of cows are hand-painted with lavish floral garlands draped around their necks and backs. The garlands are painted in polychrome colors: yellow, orange, blue, green, and purple. Their hooves are painted purple, their horns yellow. Their tails wrap around their bodies. They stand on rectangular “grassy” bases. Both cows are marked on the underside with LPK in underglaze iron-red.Dimensions: 6.5″ long x 3″ wide x 6″ tall
Condition: Some excellent invisible restoration
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Large Blue and White Porcelain Soup Tureen French 18th Century
$3,400.00Decorated with an elegant design of delicate blue cornflower sprigs, this soup tureen was made in Arras, France, in the late 18th century.
The cornflower sprigs, handles, and border edging are decorated with beautiful deep blue enamel.
The makers of Arras Porcelain specialized in porcelain painted in this entrancing twilight blue called “Bleu d’Arras.”
The color of the porcelain body is a warm creamy white.
The combination of the creamy white ground and the blue decoration is splendid.
Natural forms like the tree branch handle and the blue cornflower decorations were the height of French fashion in the last quarter of the 18th century.
Made at the Arras porcelain factory of the Delemers family circa 1780, both the tureen and its stand are marked in underglaze blue.
The underside of the tureen is marked with the letters “AR” for the Delemers family Arras factory.
The underside of the stand is marked “Dele AR” for the Delemers family Arras factory.Dimensions: 16″ wide x 13″ deep x 9.5″ tall
Condition: Excellent, with some hard-to-see rubbing to the clear glaze on the stand
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Pair Large Blue and White Delft Jars Made Netherlands 18th Century Circa 1780
$7,400.00A pair of blue and white Dutch Delft covered vases octagonal and fluted with a deep cobalt blue all-over design of flowers and scrolling vines.
The shoulder and base are decorated with acanthus leaves.
Traditional lion finials top the covers.Dimensions: 16.75″ tall x 8.5″ across the widest point x 5″ across the base.
Condition: Excellent with small edge chips invisibly restored
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Group Blue and White Delft Chargers 18 Pieces Netherlands, Circa 1760-1780
$29,340.00This group of blue and white Delft chargers has beautiful deep cobalt blue coloring. The white tin glaze is relatively uniform in its color. The sizes, colors, and designs make a harmonious group. The chargers were hand-painted between 1760 to 1780 and have wide borders with decoration around a central panel.
They all measure between 13.25″ and 14″ in diameter.
Condition: All are in excellent condition, with minimal edge frits invisibly restored.
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Pair Dutch Delft Dishes Hand Painted 18th Century Celebrating the Dutch Republic
$720.00This pair of Delft dishes was hand-painted in the Netherlands in the 18th century circa 1780. We see a lion and the motto Nu Rust ik Veilig, “Now I Rest Safe.” The lion has a happy, friendly face. He is a symbol of the Netherlands. The words above him refer to the formation of the Dutch Republic. The seven arrows held together in the lion’s paw symbolize cooperation between the seven provinces of the Netherlands. Individually, the provinces were vulnerable, but together in the Dutch Republic, they became strong. The dish is painted in the polychrome colors of 18th-century Delft. The lion is painted in manganese. He rests on a moss-green grassy ground. The border is decorated with apples painted yellow and iron-red.
Dimensions: 9″ diameter x 1″tall
Condition: Excellent with small edge frits invisibly restored
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Pair French Faience Dishes Made circa 1780
$700.00We are pleased to offer these two 18th-century French faience light-hearted dishes painted with figures. The first plate, mustard yellow on a white ground, features an amusing stylized bird. The second plate light green on white ground shows the “Walking Man” a favorite theme of 18th-century European faience and Delft. Both plates have scalloped rims and similar floral motifs throughout. While not a true pair, the two dishes work well together as they are identical in size, the colors compliment each other and the style of painting is similar. They are an amusing and eye-catching pair. Our plates share many of the attributes of faience painted in Southwest France between 1730-1840: the natural scenes decorated in a chinoiserie style, the camaieu colors, and the flanking motifs around a central figure. Like our dishes, most of this type of faience was not signed, and the makers have remained anonymous. References: “French Faience” by Jeanne Giacomotti, page 178. Dimensions: diameter 9.75 inches Condition: Excellent. Price: $700 for the pair. Each plate can be purchased individually for $400 each.
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Pair Blue and White Delft Mantle Jars Hand Painted Netherlands, Circa 1770
$2,700.00This pair of Dutch Delft mantle jars shows a delightful rococo scene hand-painted on blue and white Delft. We see a pair of cows resting in a fenced area with a flock of birds in the sky and in the background fields and mountains. The finial on the cover is in the form of the traditional spotted lion.
Dimensions: 14.5″ tall x 6.5″ diameter at the widest point x 4″ diameter at the base.
Condition: Excellent with small edge chips invisibly restored
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Antique Blue and White Delft Group Jars and Vases
$11,600.00The jars and vases in this group were made in the 18th and 19th centuries. All are in excellent or very good condition, with slight edge chips invisibly restored. They range in size from 10.5″ tall to 23.5″ tall. They are well matched for color, with the largest single jar made in the late 19th century showing a bit of the pink body under the glaze.
Condition: Very Good to Excellent
Price for the group: $11,600
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Blue and White Delft Mantle Jar Netherlands circa 1780
$1,640.00This charming blue and white Dutch Delft jar is decorated in shades of cobalt blue. Hand-painted in the late 18th century circa 1780, the jar mixes rococo and chinoiserie design elements. We see a modest house with blossoming fruit trees and pine trees. Beyond the house, we see water and a pagoda on the far shore. The cover is decorated with flowers. The finial on the cover has traditional blue stripes. On the reverse side of the jar is a single artemisia leaf, a Chinese symbol of wishes for good health. The shape of the jar is a traditional Dutch Delft round form rising from a round foot.
Dimensions: 11.5″ tall x 6″ diameter at the widest point x 3.5″ diameter at the base
Condition: Excellent
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Pair of Blue and White Delft Shallow Bowls Netherlands circa 1770
$830.00This charming pair of hand-painted blue and white Dutch Delft bowls is decorated in two tones of cobalt blue. The decoration is delicate, simple, and informal. At the center, we see a bird atop flowers, some in full bloom, others budding or partially open. The border is decorated with additional flowers, buds, and an all-around vine. The edge of the bowl is painted with a traditional Delft ochre-colored slip.
Dimensions: 9″ diameter x 1.75″ deep
Condition: Excellent
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Blue and White Delft Dish Netherlands Circa 1800
$430.00At the center of this lovely hand-painted blue and white Delft dish is a traditional chinoiserie view of a garden. We see an oversized peony, a willow tree, and rockwork. The wide border shows water lilies and flower buds. The artist used cobalt blue in various shades to enhance the beauty of the design. The dish was made circa 1800.
Dimensions: 9″ diameter x 1″ height
Condition: Excellent.
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Blue and White Delft Plate with Bird Made Netherlands 18th Century Circa 1780
$740.00This Delft dish is hand-painted in fabulous, bright cobalt blue. Its center shows a lovely garden with a songbird among flowers in full bloom and a willow tree with its branches hanging over the garden. The border of the dish is filled with floral decoration and scrolling vines. The edge is painted with a traditional yellow slip.* This dish was made in the Netherlands in the last quarter of the 18th century, circa 1780.
Dimensions: 8.75″ diameter x 1.5″ height
Condition: Excellent
*For an image of an 18th-century blue and white Delft dish with this yellow slip, see L-P van Geenen, Dutch Delftware, Marks and Factories page 237
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Blue and White Delft Charger Made Netherlands circa 1770 Chinoiserie Decoration
$960.00This blue and white Dutch Delft charger shows a chinoiserie scene in a lovely naive style. The chinoiserie scene in the center of the charger includes three unique viewpoints. On one side, we see a flower and buds in a vase. On the other side, we see stacks of water with pagodas at the water’s edge. The third image is a pair of mountains sketched below the two scenes. Seeing the three viewpoints at the same time is exciting.
Dimensions: 13.5″ x 2.25″ height
Condition: Excellent with slight edge frits invisibly restored
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Antique Blue and White Delft Charger Hand-Painted in England circa 1765
$980.00This lovely Delft charger was hand-painted in England in the mid-18th century, circa 1765. The center shows a naïve garden scene with a willow tree, an oversized flower, and a large blue bud. The border decoration echoes the center scene. It is likely that a senior artist made the outlines and then handed the plate over to someone else to fill in the straight line decoration. Nevertheless, the result is beautiful.
Dimensions: 13″ in diameter x 2″ height
Condition: Excellent
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Blue and White Delft Charger Hand Painted Mid-18th Century, Circa 1765
$1,180.00This beautiful blue and white Dutch Delft charger shows a vibrant and detailed garden scene hand-painted in shades of cobalt blue. The decoration is crisp. The artist gave life to the well-painted scene by using a variety of shades of blue. Flowers spring from rockwork and fill the central space while a small butterfly hovers above. A butterfly with flowers is symbolic of love as butterflies love flowers. Along the border are five panels with simple floral decoration. The panels are separated by cross-hatching, known as “diamonds.”
Dimensions: 14″ in diameter x 1.5″ height
Condition: Excellent: with small edge frits invisibly restored
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Pair New Hall Porcelain Hand Painted Dishes Made England Circa 1800
$440.00This pair of New Hall Porcelain dishes features fabulous hand-painted flowers. The colors and the artistry are exquisite.
The beautiful flowers are encircled with a thin line of gilt. The borders are decorated with impressed fruits and flowers. On each dish, the edge is trimmed in a purple “ribbon” that ends in a “bow.” Overall they are beautiful and sweet.
Dimensions: 8.75″ long x 8″ wide.
Condition: Excellent with several firing spots from when the glaze was thin in the firing.
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Three First Period Worcester Brocade Pattern Dishes England circa 1775
$2,700.00Known as the “Brocade” pattern, the design on these exquisite eighteenth-century dishes is complicated yet delicate. The inspiration for this pattern comes from seventeenth-century Japanese patterns. We see dragons, flowering prunus, and bolts of fabric with mons. The center has a sizeable gilt chrysanthemum flower head, and the border has a golden rim line with a lobed edge.
Made by Worcester during the “First Period” when the factory was under the supervision of Dr. Wall circa 1770.
The reverse of each dish with the Worcester gold crescent mark.
Several years ago, we had in the shop a single dish in this model with the collection label for the Iman Smallwood Collection.
Also see: Simon Spero and John Sandon in Worcester Porcelain, 1751-1790, The Zorensky Collection image #273 pg. 234 for an example of this pattern in a shell-shaped dish.
Diameter: 8.25.”
Condition: Excellent
Price:
$2700 for the set of three dishes.
$1900 for the pair of round dishes.
$800 for the heart-shaped dish. -
Dutch Delft Garniture Five Pieces Polychrome Made Circa 1880
$3,200.00This charming Dutch Delft garniture comprises two beaker vases and three baluster-form jars with their covers.
It is in excellent condition.
We see a romantic countryside scene with a shepherdess and sheep. Sitting comfortably in the shade of a large tree, she holds her staff and looks out onto a spacious grassy meadow.
In the background, we see a castle turret to her left and a church and steeple on her right.
The scene evokes the romantic feeling of the 18th century.
To create the scene, the painter used soft earth tone colors: two shades of blue, green, iron-red, yellow, and manganese.
The scene is bordered with a molded bright yellow and manganese cartouche with manganese flowers at the head and base. The reverse side of each vase has green leafy branches and red flowers. Each cover is painted with a yellow flower and surmounted by a traditional lion finial.Dimensions: The covered vases are 15″ tall x 7″ wide x 4.25″ deep at the base. The open vases are 10″ tall x 5.5″ wide x 3.75″ deep at the base.
Condition Excellent: small edge frits are invisibly restored -
18th Century French Soft Paste Porcelain Mennecy Blush Pot Hand-Painted
$1,600.00We are pleased to offer this beautiful Mennecy blush pot ‘Pot à Fard’ made circa 1750.
It is decorated with sprays of flowers, the finial shaped as a single purple rose with green leaves.
The flowers are hand-painted in rich enamel colors, among them the distinctive Mennecy purple-rose hue, shown in figure #1, especially on the rose form finial. Another color associated with Mennecy is the most beautiful green found on the raised leaves of the rose finial and on the leaves surrounding the flowers.
This pot is particularly appealing because the painting of the flowers is so robust. Envisioning it in a woman’s toilette seems the epitome of femininity and Romanticism. In the 18th century, it would have been found on the vanity of an aristocratic lady, where it was primarily used to hold creams and lotions for the face.
The Mennecy Porcelain Manufactory was one of the first French porcelain factories. From 1735 until 1773, the factory produced Fine quality soft-paste porcelain wares. French soft-paste porcelains date to the early attempts by European potters to replicate Chinese porcelain by using mixtures of clay and glass frit. Like our pot, the body of the early Mennecy soft-paste wares has a creamy tone.
There was no gilding at Mennecy. Instead, like our pot, the rims were painted in tones of pink and purple.
The Mennecy, factory under the protection of the Duc de Villeroy, marked many of its porcelains with an incised “DV” on the underside.
Our pot is marked with an incised “DV”; however, an image of the “DV” mark does not have enough resolution to post here.Provenance: Estate of John F. Ball, Greenwich, CT.
Dimensions: 3.75″ tall x 3″ diameter
Condition: Excellent
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Antique Chinese Porcelain Blue and White Small Vase
$760.00This delicate Chinese blue and white bud vase was made in the early 18th century circa 1720. Hand-painted in shades of cobalt blue, it shows peonies emanating from rockwork. The vase has an elegant, slender form that rises to a flared lotus form rim. It is supported on an oval-shaped foot. The body has a milky-white glaze, which crackled when fired (see image #s 2.5.6)
Dimensions: 5″ in height x 2.6″ across x .8″ deep
Condition: Excellent with the very, very slightest roughness on the upper edge.
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Pair Mennecy 18th Century Soft-Paste Porcelain Pots France Circa 1765
$1,800.00Provenance: A New England Estate
Hand-painted in the 18th century circa 1765 these beautiful Mennecy Porcelain soft-paste pomade pots are rare. Pots like this held rich creams and lotions for the face. They would have been placed on the vanity of an aristocratic lady. Both the body and the cover have lovely spiral fluting and are decorated with flowers painted in exquisite enamel colors, especially the distinctive purple-rose hue seen on the body and the cover. Each cover is topped with a fabulous strawberry finial. The underside of both pots is marked with an incised “DV.”Dimensions. height 3.75 inches x diameter 2.35 inches
Condition: Excellent
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Blue and White Delft Charger 18th Century, Circa 1780
$1,100.00Made in the last quarter of the 18th century, this Dutch Delft charger is decorated with deep cobalt blue on white ground. It has a floral center that forms a five-pointed star. Around the center is an elaborate floral and foliate border. The eye-catching design radiates outward from the center to the two bands of floral decoration. On the reverse is a typical 18th century Delft blue factory mark showing the number “5”.
Dimensions: 13.5″ in diameter x 2″ height
Condition: Several very small glaze flakes restored to the rim; scattered age typical glaze lines and a glaze skip from the making (see image #5).
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Six Blue and White Chinese Porcelain Dishes Kangxi Era Made c-1700
$5,800.00These six beautiful Chinese blue and white porcelain dishes were painted in the Kangxi era circa 1700. Hand-painted using both soft and dark cobalt blue, each dish is very slightly different from the others in the set. The decoration is exquisite. At the center of each dish, there are two flowering peonies emanating from rockwork. On the border surrounding the peonies are other flowers including chrysanthemums, and plum blossoms. These dishes have meaning in Chinese tradition. Peonies are much loved for their bold size and colors. They are known as the flower of “riches and honor.”* Chrysanthemums symbolize abundance, while plum blossoms symbolize endurance and hope*. The dishes are molded, and the border of each plate is fluted in a pattern similar to the petals on a flower. The total effect is delightful.
Dimensions: 8″ in diameter x 1” in height
Condition: Excellent with minor frits on the foot of each dish
*See “Chinese Art A Guide to Motifs and Visual Imagery” by P B Welch.
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Pair Creamware Dishes 18th Century England Painted in Pink & Purple Made c-1770
$420.00We are pleased to offer this lovely pair of 18th century English creamware dishes made circa 1780. Decorated in enamels, both plates
feature a chinoiserie scene. In conversation, we see two fashionably dressed women, a small child holding a pinwheel as he looks up, pointing to a group of chimes, and an older boy standing nearby. And at the far right, we see another boy seated with a parrot on his arm.
Dimensions: 9.5 inches diameter
Condition: Excellent
Price: $420 for the pair
History of creamware
Creamware was created in the 1760s by Josiah Wedgwood. He was the first of the English potters to produce a cream-colored earthenware with a light-colored body. Wedgwood marketed these wares as Queensware after Queen Charlotte gave Wedgwood the honor of ordering a set. As its popularity increased, many of the other English potters began to make creamware as well. It replaced saltglaze stoneware as the dinnerware of all but the high aristocracy, which most likely would have had a service of Chinese export porcelain dishes. -
Large Salt Glazed Charger 18th Century Made in England circa 1765
$760.00Provenance: The Collection of Sir Samuel Hoare*
This large and exquisite salt-glazed charger was made in Staffordshire, England, in the 18th century circa 1765. The design is elegant and straightforward: the only decoration is the lobed and gadrooned edge. Press-molded, salt-glazed chargers, plates, dishes, and other service pieces filled the cupboards and dining rooms of middle and upper-class English and American homes from the mid-1740s until the end of the 18th century. The advent of this white stoneware dinnerware instigated a tabletop revolution.Diameter: 15″
*A paper label on the back of the charger (see image #6)
**J Skerry “Salt-Glazed Stoneware in Early America.”
***For an image of this type of charger recovered archaeologically at Colonial Williamsburg, see J Skerry “Salt-Glazed Stoneware in Early America.” page 231. -
Sevres Porcelain Bottle Cooler Hand-Painted 18th Century, Circa 1773-1782
$3,100.00Sèvres was the royal factory of Louis XV and Louis XVI, Kings of France from 1715-1793. The Sèvres factory was known to have the best painters and gilders in 18th century France. This stunning Sèvres 18th century double bottle cooler was hand-painted with exquisite sprigs of spring flowers (see images). The underside is marked in underglaze blue with the Sèvres intertwined “L” and the letter “L” for painter’s mark for Michel-Louis Chavereaux, who was active at Sèvres from 1773-1782. The decoration is delicate, and the modeling and gilding are exceptional.
The cooler measures 12.5″ (31.75 cm) across the handles x 5.75″ (14.6 cm) deep x 4.75″ (12 cm) in height.
Condition: Excellent
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18th Century Italian Doccia Porcelain Dinner Service
$4,000.00A dinner service comprising six dinner dishes and six soup dishes made by the Doccia Porcelain Manufactory, circa 1750.
Italy was the site of Europe’s first porcelain production: in Florence between 1575 and 1587 under the patronage of Francesco I de’ Medici. The Doccia Porcelain Manufactory, founded nearly 200 years later, continued the tradition of Italian porcelain with a hard-paste body that was later glazed with a tin glaze. This dinner set is decorated with the al tulipano motif, a design that is one of the most prevalent in Doccia wares. The central flower is not a tulip but an interpretation of the peonies used in the Chinese Famille Rose porcelain.
Dimensions:
– Soup dishes: 9 1/4 in. diameter x 1 1/2 in. height (23.1 cm diameter x 3.8 cm height)
– Dinner dishes: 9 1/4 in. diameter x 1 in. height (23.1 cm diameter x 2.4 cm height)Condition: Excellent. Light wear to enamels throughout commensurate with age and use. Faint use marks visible on some dishes. One dinner plate with chip to underside of rim measuring 1 cm.
Note: 1 dinner dish and 2 soup dishes are not transparent, a characteristic of porcelain. These 3 dishes are porcelain with a tin glaze which makes them opaque and dates them to 1790-1800.
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Early Derby Porcelain Coffee Can att. to George Robertson, circa 1795
$3,200.00A green-ground porcelain coffee can made by the Derby Porcelain Factory circa 1795. This green-ground coffee can is a fine example of early Derby porcelain. The shipwreck scene, titled on the bottom “A Shipwreck after a Storm” in hand-written script, is attributed to the painter George Robertson. The gilding, executed by Joseph Stables, remains in pristine condition.
Condition: Excellent. Small rim chip measuring 0.4 cm with associated in-painting of gilt.
Dimensions: 2 1/2 in. H x 2 7/8 in. Dm (6.4 cm H x 6.9 cm Dm)
Provenance:
Private English collection
Mellors & Kirk, Nottingham, 4/30/2009, lot 106
Thence by family descent -
Set of Six Large Blue and White Delft Chargers Hand-Painted 18th-Century
$7,400.00This group makes a true blue statement. The deep cobalt blue is fabulous! This set of six Dutch Delft chargers are hand-painted in the “Theeboom” pattern showing a tea plant with a fan-shaped bouquet of leaves and flowers. This is one of the most exquisite hand-painted designs made on Delft chargers in the 18th century, which explains why it was so popular. The pattern is lush and full of color. The deep blue decoration fills the charger. On the border are floral decorations and scroll designs. The white edges are delicately scalloped, adding another beautiful dimension to each charger. The chargers have the mark of De Klaauw “The Claw” for Delft made in the last quarter of the 18th century, or for LPK for De Porceleyne Lampetkan 1778-1811. For an image and discussion of a group of Delft chargers with this pattern, see E B Schapp, Delft Ceramics at the Philadelphia Museum of Art pages 74 and 75.
Dimensions: 13.5″-14.25″ in diameter Condition: Excellent with very small edge frits invisibly restored Price: $7,400 for the group
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Wedgwood Creamware Platter or Charger 18th Century Made in England Circa 1785
$265.00This Wedgwood creamware round platter or charger was made in 18th century England circa 1785. The border is decorated with a traditional neoclassical design of iron-red flower heads connected by midnight brown “diamonds”.
Diameter: 12″
Condition: Excellent
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Blue and White Delft Mantle Jar Hand-Painted 18th Century Netherlands Circa 1780
$1,220.00A blue and white Dutch Delft mantle jar hand-painted in exquisite deep cobalt blue. We see a peacock in a garden filled with flowers and ferns. The cover is similarly decorated and topped with a traditional round knop covered in blue. Made in the Netherlands circa 1780, jars like this would have been placed on a mantle or a bracket.
Dimensions: Height 12.25″ x diameter at widest point 5.25″ x diameter at base 3.5″
Condition: Excellent with small edge chips invisibly restored. The underside is partially glazed, which was the tradition in many 18th century Delft factories.
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