Set of 3 Large Antique Dutch Delft Blue and White Peacock Chargers, c. 1800

$2,700.00

This beautiful group of three large Dutch Delft chargers was hand-painted circa 1800 in the celebrated Peacock’s Feathers pattern, one of the most admired designs in traditional Dutch Delftware.
The decoration is particularly striking. At the center of each charger, an elegant vase filled with stylized flowers supports a magnificent fan-shaped arrangement of radiating peacock feathers.
The feathers spread dramatically across the white ground, creating a rich and beautifully balanced composition in deep cobalt blue.
Surrounding the central design are elaborate borders filled with bold floral cartouches, scrolling ornament, and intricate hand-painted details. The deep cobalt decoration contrasts beautifully with the white tin glaze, while a narrow yellow-painted rim provides a lively finishing touch.
The three chargers are closely coordinated, although each has subtle differences in its hand-painted decoration.
Displayed together, their generous size, rich blue-and-white coloring, and elaborate Peacock’s Feathers pattern create an impressive decorative arrangement, particularly when hung as a group on a wall.
Two chargers bear marks attributed to De Vergulde Bloempot (The Gilded Flowerpot), and the third bears a mark attributed to De Klaauw (The Claw), two established Delft pottery factories associated with the production of traditional Dutch tin-glazed earthenware.
Dimensions: Two chargers measure 13.5 inches in diameter; the third measures 14.25 inches in diameter.
Condition: Excellent, with minor edge frits to the yellow-painted rims invisibly restored.
Origin: Delft, Netherlands
Date: Circa 1800
Material: Tin-glazed earthenware
Decoration: Hand-painted Peacock’s Feathers pattern in cobalt blue with yellow-painted rims

 

In stock

Notable Details:
Three large coordinating Peacock’s Feathers pattern chargers
Two marked for De Vergulde Bloempot
One marked for De Klaaw
Deep cobalt blue hand-painted decoration

Background of Dutch Delft

The technique of making Delft was first described in writing by Gerrit Paape in “The Delft Pottery Maker,” written in 1794 and dedicated to Lambertus Sanderus, the owner of De Porceleyne Claeuw (The Porcelain Claw). Delft faience began in the 17th century.
Much of the most beautiful Delft was produced in the Dutch city of Delft.
The Delft potters began to coat their pots thoroughly in a white tin glaze.
They then began to cover the white tin glaze with a clear glaze, giving depth to the fired surface and smoothness to cobalt blues.
Over time, they created a good resemblance to porcelain.
By approximately 1650, the technical skills of potters and painters had significantly improved, and Delft entered its golden age.

 

 


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