19th century
1800 to 1899.
Showing 1–100 of 151 resultsSorted by latest
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Derby Porcelain Teapot with English Imari Design and Cobalt Ground Ca. 1815
$400.00This five cup Derby porcelain teapot is decorated in the English Imari palette on a rich cobalt ground.
The decoration is lavish.
The saturated blue anchors the bold Regency design.
The iron red and gilding stand out clearly against the saturated blue ground.
They are enhanced by green leaves and small light blue panels.
The compact, slightly rectangular body is raised on toupie feet, which lift the teapot from the surface and give the form a strong presence.
The confident cobalt ground, architectural profile, and refined construction place it circa 1818 to 1822, during a period when Derby produced some of its most assured English Imari designs.Marks: The iron red crowned crossed batons mark confirms Regency period Derby porcelain.
Dimensions: Height: 6.25″ tall Length: 10.5″ Width: 5″
Condition: Very good with two hard to find defects: a faint hairline on the underside of the teapot (see last image), and the gilt is touched in one spot on the underside of the tip of the spout.
Decoration: English Imari palette with iron red, cobalt blue ground, and hand-applied gilding.
Material: Porcelain.
Style: Regency.
Origin: Derby, England.
Date: Circa 1818 to 1822. -
Dutch Delft Blue White Garniture Set Hand Painted Birds 19th C
$3,700.00Hand-painted at the Three Bells Factory in the Netherlands circa 1830–1840, this Dutch Delft garniture set features birds and flowering branches painted in deep cobalt blue.
The arrangement of three covered jars and a pair of fluted beaker vases creates a complete and balanced display, with a strong visual rhythm.
The decoration carries real energy.
Birds move across the surfaces, creating a sense of animation.
Their forms are defined by confident brushwork, while flowering plants fill the field.
The cobalt shows tonal variation, moving from deep saturated passages to lighter washes, giving the scenes depth and visual movement.
As the eye travels across the set, the design feels continuous, each piece reinforcing the next.
The classic leopard finials add a lively silhouette and reinforce the set’s character.
This is a beautiful, elegant set that holds attention, offering detail up close and a strong, unified presence across a room.Dimensions: Jars 13.25″ Tall x 5.5″ Wide (across the top) x 4.5″ Deep; Fluted Vases 9.5″ Tall x 5.25″ Wide (across the top) x 5″ Deep
Condition: Excellent with tiny edge chips invisibly restored
Marks: Mark of the Three Bells Factory
Decoration: Hand-painted birds, florals, and scrolling foliage in cobalt blue
Material: Delft tin-glazed earthenware
Style: Crafted in the traditional 17th-century Delft style
Origin: Netherlands
Date: Circa 1830–1840 -
Worcester Porcelain Fence Pattern Cup and Saucer Hand Painted 1820
$320.00This Worcester cup and saucer features the Fence Pattern in a clear and well-defined version, with multiple points of interest.
The cobalt rockwork, the gilt fence, the pink flower, and the birds each assert themselves, creating an exciting, visually rich composition.
The scene unfolds across a garden setting with flowering branches and a pagoda, full of color and movement.
The overall effect is both lively and beautiful.
The palette is strong and balanced.
The cobalt is deep and glossy, set against iron red, pinkish tones, green, and touches of turquoise that bring freshness and variation.
Gilding fills the air throughout the scene, with the leaves on the tree painted in gilt, catching the light and giving the scene a magical quality.
On the cup, the decoration wraps cleanly around the body, holding its clarity through the curve.
The loop handle is fully gilded, adding a bright accent.
The saucer provides a broader field, allowing the pattern to open fully.
This is a confident Worcester interpretation of Chinese export taste, with rockwork, fencing, flowers, and birds held in clear relation across the surface.
The design feels lively and composed, with an exciting interplay of color and detail that remains grounded and beautiful.Dimensions: Saucer 5.5″ diameter, cup 2.5″ tall x 3.25″ diameter
Condition: Excellent antique condition with light wear consistent with age
Decoration: Fence Pattern with cobalt rockwork, gilt fence, birds, pagoda, and floral landscape in iron red, turquoise, and green
Material: Porcelain
Style: Regency, Chinese Export inspired
Origin: England, Worcester
Date: Circa 1820 -
Large Delft Blue and White Hand Painted Vases 20 Inch Floral Pair
$2,900.00This pair of 20-inch Delft vases features an elegant form with a flared neck and a full, rounded body.
They are decorated in deep cobalt blue on a soft white ground, the color applied with clarity and strength.
The decoration features stylized floral motifs, scrolling foliage, and basket and tulip designs framed by panel reserves.
The hand-painted surface is rendered with confident brushwork and tonal variation.
Vertical lappet decoration around the neck and base adds structure, while the 20-inch height gives the pair a strong decorative presence.
Crafted in the traditional 17th-century Delft style, the vases combine bold pattern, refined proportion, and classic blue-and-white contrast.Dimensions: 20 inches tall x 8.5″ wide x 7″ across the base
Condition: Excellent condition
Decoration: Hand-painted blue and white floral basket panels with stylized reserves
Material: Delft tin-glazed earthenware
Style: Delft in the traditional 17th-century style
Origin: Netherlands
Date: 19th century -
Wedgwood Creamware Plate Hand Painted Purple Flower England c1765
$380.00This Wedgwood creamware plate, made in England circa 1765, is hand-painted with a finely drawn purple flower at the center, surrounded by a delicate neoclassical garland border.
This plate is part of Wedgwood’s early creamware production.
The creamware has a soft, luminous warmth that allows the enamel painting to read clearly.
The central flower is rendered in a rich purple tone, with careful shading through the petals and a naturalistic lift in the leaves, giving the composition both clarity and movement.
The border introduces a different rhythm.
A repeating chain of berries and elongated pendants moves around the rim, following the gentle undulation of the scalloped edge.
The thin dark purple line at the rim defines the form cleanly and gives the plate a finished edge.
The combination of restrained painting in the central flower and controlled border ornament reflects the shift from Rococo toward neoclassical taste in the mid-18th century.
Balance and spacing begin to replace earlier, denser decorative styles.
Wedgwood pieces of this type rely on proportion and surface quality, and this example holds that balance well.
Attribution to the Wedgwood decorator James Bakewell is consistent with the style of monochrome botanical painting seen here, particularly in the handling of the purple enamel and the naturalistic floral study.
As expected for this early date, the plate is unmarked.Dimensions: 9.75 inches diameter
Condition: Excellent with tiny flaws in the 18th-century creamware
Decoration: Hand-painted purple botanical with neoclassical garland border
Material: Creamware pottery
Style: Early Neoclassical, Georgian
Origin: England, Staffordshire, Wedgwood
Date: Circa 1765 -
Worcester Porcelain Dragons in Compartments Cup and Saucer Hand Painted
$650.00This Worcester porcelain cup and saucer features the celebrated Dragons in Compartments pattern, hand-painted circa 1815.
The design unfolds across carefully structured panels, each containing a vivid scene of mythical beasts or stylized vases set within a geometric framework that gives the composition order and energy.
The central medallion draws the eye onto the scenes around it, while the cup features similar decoration in a continuous band that wraps around the body.
The palette is particularly strong. Bright iron red, rich cobalt blue, and a clear green are set against a crisp white ground, with gilt accents.
The creatures, dragons, and kylins are rendered with lively posture and expressive detail, standing on stylized groundlines that give them presence without weight. Around them, foliage painted in gilt softens the geometry and visually connects the compartments.
The cup form is lightly fluted with a shaped rim, allowing light to move across the surface and animate the painted decoration.
The handle is elegantly drawn and proportionate.
The saucer has a wide border enclosing the central design.
The Dragons in Compartments pattern reflects Worcester’s interpretation of Chinese export porcelain from the Kangxi period, rendered in English style with greater structural control and color density.
The result is a design that feels exotic and deliberate, combining narrative imagery with a disciplined layout.
Dragons in Compartments stands out for its complexity and strong visual identity, making a single cup and saucer feel complete and self-contained.Dimensions: Saucer 5 inches diameter, Cup 3.5 inches diameter x 2 inches tall
Condition: Excellent
Decoration: Hand-painted Dragons in Compartments pattern with gilt and floral borders
Material: Porcelain
Style: Early 19th-century English, Chinoiserie influence
Origin: Worcester, England
Date: Circa 1815 -
Chinese Blue and White Porcelain Mantel Vases Pair Landscape
$1,200.00This pair of Chinese blue and white porcelain mantel vases is decorated with landscape panels in deep cobalt, set within a molded dotted ground.
The tall cylindrical bodies rise to gently everted rims.
The scale and proportion give the pair immediate presence, and the consistent decoration allows them to read clearly at a distance, making them well suited for mantel or console display.
The landscape panels are softly rendered, creating an atmospheric effect as if viewed through mist, with distant pavilions and riverside scenes emerging from a dreamlike horizon.
The dotted surface introduces a controlled texture, catching light across the body and framing each panel.
The design draws on Kangxi-period blue and white decoration, here interpreted through later production with an emphasis on consistency and balanced visual impact.
The result is a pair of Chinese blue and white vases where form, color, and surface work together cleanly.Dimensions: Height 12 inches with wood stands 13.25 inches; diameter 6.5 inches across the top
Condition: Excellent
Decoration: Blue and white with landscape panels on molded dotted ground
Material: Porcelain
Style: Kangxi style
Origin: China
Date: Early 20th century -
Chinese Blue and White Porcelain Covered Vases Set of Four Hand Painted
$2,800.00This set of four Chinese blue and white hand-painted porcelain covered vases, made circa 1860, is arranged as two complementary pairs sharing a tall, elegant form and unified cobalt palette.
The first pair is densely painted with scrolling foliage and blossoms, the design moving continuously across the surface in a controlled, fluid hand.
Within the pattern, small dragons emerge gradually, integrated into the ornament rather than isolated.
The cobalt varies from soft washes to deeper tones, giving the surface depth and movement.
The second pair is more open in composition, decorated with fish swimming among aquatic plants and scattered blossoms, creating a light, animated surface. The contrast between the two pairs gives the set visual range while maintaining cohesion through form and color.
All four vases share the same architecture: a spreading foot rising into a tall, tapering body, narrowing at the neck beneath a domed cover.
The lids are finished with pointed finials, reinforcing the vertical line. Bands of geometric ornament at the shoulder and foot anchor the decoration and provide a clear visual framework.
The cobalt tone is consistent across all four pieces, tying the grouping together.
As a set, the combination of dense pattern and open ground creates a balanced, highly decorative arrangement that reads clearly across a room while offering strong visual interest at close range.Dimensions: Each vase is 15.5 inches high
Condition: Excellent overall condition; fish pair with minor firing imperfections
Decoration: One pair with scrolling foliage, blossoms, and integrated dragon motifs; one pair with fish and aquatic elements
Material: Porcelain
Style: Qing Dynasty blue and white
Origin: China
Date: Circa 1860 -
Antique English Porcelain Dessert Plates Set of 8 Hand Painted Hexagonal Floral
$700.00On this set of eight dessert plates, form and decoration work together.
The hand-painted floral bouquets introduce beauty and variation, while the hexagonal shape gives each plate a clear, structured presence.
Made in England by Coalport circa 1825, the form is late Regency.
Each facet is framed by a molded border that adds texture.
The white ground keeps the design clean and allows the plate’s structure to hold the eye.
The emphasis on geometry reflects an early nineteenth-century design approach in which form carries equal weight with decoration.
The floral painting is lively, lovely, and varied.
Each plate features a different arrangement of hand-painted garden flowers.
Light gilding at the rim provides definition and completes the design.
This set was designed for dessert service, where each plate stands on its own while working as part of a group.
The individual floral bouquets give each plate its own character.
The shared hexagonal form and consistent style of hand-painted decoration unify the set.Dimensions: 8.75 inches across
Condition: Excellent
Decoration: Hand-painted floral bouquets with scattered sprigs and light gilding
Material: Porcelain
Style: Late Regency to early Victorian, hexagonal paneled form
Origin: England, Coalport
Date: Circa 1825 -
Chinese Famille Noire Stoneware Plate Late Qing Circa 1880
$330.00This Chinese Famille Noire stoneware dish, hand-painted in the Late Qing dynasty, circa 1880.
The strength of this piece lies in its color harmony, the depth of the black field, and the confident late nineteenth-century enamel work.
It features a dramatic black ground and balanced radial design hand-painted in soft yellow, celadon green, white, and iron tones.
The surface is divided into panels filled with lotus, chrysanthemum, plum blossom, and leafy branches, all hand-painted in soft yellow, celadon green, white, and iron tones.
The central roundel draws the eye inward, while the mint-green border frames the composition and sharpens the contrast against the dark glaze.
The base bears a four-character underglaze blue Da Qing Nian Zhi mark within double circles, apocryphal and typical of late Qing decorative wares.
The heavy stoneware body and glossy black glaze are consistent with commercial production of the Guangxu period, when the Famille Noire style enjoyed renewed popularity for both domestic use and export.Dimensions: 8.25 inches in diameter
Condition: Excellent
Decoration: Famille Noire style overglaze enamels with lotus, chrysanthemum, and plum blossom on black ground
Material: Glazed stoneware
Style: Late Qing decorative ware
Origin: China
Date: Circa 1880 -
Pair Dragons in Compartments Porcelain Compotes Chamberlains Worcester Ca.1820
$2,400.00This pair of Chamberlain’s Worcester porcelain compotes, made in England circa 1820, is decorated in the Dragons in Compartments pattern, one of the most sought-after and visually commanding patterns produced by the factory in the Regency period.
The form is sculptural and well-proportioned, with scalloped oval dishes raised on molded pedestal bases that give the pair strong presence on a table or cabinet.
The elevated structure allows the decoration to read clearly, reinforcing their role as display pieces as much as functional wares.
The interiors are organized into four shaped compartments around a central floral rosette.
Each panel is distinctly articulated, giving the design both order and energy.
Two compartments feature stylized mythical creatures, a dragon and a kylin, painted with animation and clarity.
They are set against finely worked gilt flamework that radiates outward, bringing movement and intensity to the composition.
The opposing panels introduce garden scenes with vases and floral groupings.
These quieter scenes stabilize the design and offset the more animated creature panels.
The decoration is chinoiserie interpreted through the confident decorative language of Regency porcelain.
Color is a central strength here. Iron red, deep cobalt blue, pink, and apple green are anchored by extensive gilding.
The tones are clean and saturated, and the gilding remains bright, reinforcing the clarity of the painted work.
The borders are densely structured with geometric diaper patterns, scrolling elements, and iron red reserves enriched with gold.
This framing device contains the interior decoration while strengthening the symmetry and rhythm of the design.
The pedestal bases continue the decorative program, with additional painted elements and a repeating triangular border that visually anchors the form and gives the pair a cohesive, fully resolved appearance.
With surfaces crisp, decoration sharply defined, and gilding bright, the Dragons in Compartments pattern on this pair stands among the most commanding expressions of Chamberlain’s Worcester at its Regency peak.
Dimensions: 12.25 inches by 8.75 inches; heights 3.75 inches and 4 inches
Condition: Very Good, with some craquelure to the glaze on the foot
Decoration: Hand-painted Dragons in Compartments pattern with extensive gilding
Material: Porcelain
Origin: England, Chamberlain’s Worcester
Style: Regency
Date: Circa 1820 -
Pair Large Chinese Export Porcelain Blue & White Covered Jars 1870 Hand Painted
$4,900.00This pair of large Chinese Export porcelain blue and white covered jars stands out for its assured hand-painted decoration, balanced proportion, and commanding scale.
Dating to the late Qing dynasty, circa 1870, the jars rise to nearly twenty-seven inches, a scale that allows the painting and form to read clearly across a room.
The decoration is arranged in alternating framed panels, a disciplined format that brings rhythm and clarity to the surface.
Songbirds perch among dense flowering branches, while companion panels depict rockwork and water plants rendered with steady, deliberate brushwork.
The spacing between motifs is measured, allowing each vignette to remain distinct.
Crisp geometric borders at the base, shoulders, and cover rims define the panels and reinforce the form’s strength. The original covers and disciplined panel decoration give the pair a strong and settled presence.Dimensions: Height 26.75 inches; Diameter 14.75 inches
Condition: Excellent, with expected light wear to the glaze
Decoration: Hand-painted blue and white panels with birds, butterflies, rockwork, and foliage
Style: Late Qing dynasty Chinese export style
Origin: China
Date: Circa 1870
Notable Details:
Nearly twenty-seven inch height with commanding scale
Well-matched pair retaining original domed covers and finials
Alternating bird and landscape panels framed by geometric borders
Assured hand-painted decoration with measured spacing between motifs -
Pair of Small English Pierced Creamware Baskets Early 19th Century
$380.00This pair of small English creamware pierced baskets was handcrafted circa 1820.
One basket is round, and the other is oval; together, they show two variations on the same refined idea: shaping clay to evoke woven basketwork.
The striking openwork design is highly decorative.
Radiating molded ribs rise from the base and curve outward to form openwork sides, creating lightness while maintaining structural strength.
A delicate beaded rim finishes each basket with quiet precision.
The round basket has a smooth central base that emphasizes the geometry of its radiating ribs.
The oval basket has an elongated shape that contrasts nicely with the round basket’s symmetry.
On both baskets, the warm creamware glaze enhances the modeled detail and reflects light across the pierced surfaces.
Small in scale but sculptural in presence, these baskets reflect the Georgian interest in translating domestic forms into refined ceramic objects.
They display beautifully and are equally suitable for serving sweets or small fruit.Dimensions: Round 4.25″ diameter x 2″ height; Oval 6.5″ x 5″ x 2″ height
Condition: Excellent
Decoration: Pierced basket form with molded ribs and beaded rim
Material: Creamware pottery
Style: Georgian, Early 19th Century
Origin: England
Date: Circa 1820 -
Antique Worcester Porcelain Dragons in Compartments Plate Circa 1820
$320.00This Chamberlains Worcester porcelain plate, made circa 1820, is decorated in the highly sought-after Dragons in Compartments pattern, one of the outstanding patterns produced by the factory in the late 18th and early 19th century.
The design is divided into four shaped compartments arranged around a central floral rosette.
Each panel is hand-painted with stylized dragons, fantastical creatures, and ornamental devices drawn from Eastern sources but interpreted through an English Regency lens.
The palette is rich and confident, combining iron red, deep cobalt blue, pink, apple green, and extensive gilding, with precise brushwork throughout.
The border is densely ornamented with geometric diaperwork, scrolling foliage, and alternating red reserves heightened with gold.
It creates a strong visual frame that complements the interior scenes.
The combination of colors with the bold design is fabulous!Dimensions: 8″ diameter x 1.25″ height
Condition: Very good, with a fine line visible only on the reverse (shown in the final image)
Decoration: Hand-painted Dragons in Compartments pattern with extensive gilding
Material: Porcelain
Style: Regency
Origin: England, Chamberlains Worcester
Date: Circa 1820 -
Pair of Antique English Porcelain Flight Barr Barr Worcester Dishes Circa 1820
$320.00This pair of antique English porcelain dishes was hand painted by Flight, Barr & Barr Worcester circa 1820, a period when the factory held a royal appointment as porcelain manufacturers to the Prince Regent, later George IV.
The oval forms are finely hand-painted with delicate green floral sprigs, arranged with a restraint typical of Regency taste.
The edges are beautifully gilded, a detail that adds quiet architectural interest while catching the light along the rim.
The presence of a crown mark on the underside confirms the firm’s royal patronage, reinforcing the status and quality associated with Worcester porcelain in the early 19th century.
The combination of the soft oval forms, restrained floral decoration, and crisply defined gilding exemplifies the sophistication of early 19th-century Worcester porcelain.Dimensions: 12 x 9 inches and 14 x 10.75 inches
Condition: Excellent, with very slight wear to the gilded gadrooned edge
Marks: Impressed FBB under a Royal Crown
Decoration: Hand-painted green floral sprigs with gilt rims
Material: Porcelain
Style: Regency
Origin: Worcester, England
Date: Circa 1820 -
Golden Coalport Plate Hand Painted England Circa 1825
$280.00This Coalport plate was hand-painted and hand-gilded in England circa 1825.
It showcases bouquets of pink roses and other beautiful flowers in shades of orange, yellow, and purple, all alongside green leaves.
The center displays a large bouquet, surrounded by six cartouches with smaller bouquets.
The lavish gilding, featuring a variety of golden designs, creates a dazzling backdrop around the bouquets.
The combination of brilliant gilt with the beautiful flowers is stunning!Dimensions: 9.25″ diameter
Condition: Excellent
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Pair Delft Blue and White Antique Hand Painted Jars with The Claw Mark Ca. 1820
$1,800.00This pair of Delft blue and white antique lidded jars, marked for The Claw** and dating to circa 1820, is hand-painted in the traditional Delft style.
Each jar features a cover topped with the classic Delft Bird and Ball finial, a hallmark of Dutch workshop tradition.
The bodies are gracefully modeled, rising from a shaped foot to a well-balanced shoulder and neck that frame the fitted lids.
The main decoration is the celebrated Delft Peacock pattern, in which fanned fern fronds spread outward in a manner recalling a peacock’s unfolding tail, a motif prized for its symmetry and beauty.
The cobalt palette is rich and consistent, with carefully composed foliate scrolls completing the design.Dimensions: 11.5″ tall x 4.5″ wide x 3″ deep
Condition: Excellent
Decoration: Blue and white Peacock pattern featuring fanned fern motifs recalling a peacock’s tail
Material: Delft earthenware
Style: Traditional 17th century Delft style
Origin: The Netherlands
Date: Circa 1820
Notable Details:
**Mark of the Claw, a recognized Delft factory in operation from 1658 to 1840.
Classic Bird and Ball finial on octagonal covers
Beautiful cobalt palette with the distinctive Delft Peacock pattern
Elegant, well-proportioned bodies with strong visual presence
Traditional decoration associated with 17th and 18th-century Delft workshops -
Antique French Porcelain Plate Hand Painted in England by Caroline Leigh C. 1825
$320.00The decoration on this French hard-paste porcelain plate was hand-painted in England circa 1825 by Caroline Leigh, who signed the plate’s underside.
The neoclassical design centers on a beautiful roundel showing three putti gathered around a classical tazza filled with fruit, a composition that reads as an allegory of Plenty.
The overflowing tazza is a classical symbol of prosperity, while the putti embody the lightness and delight associated with abundance.
The wide border is arranged in alternating panels of gilt arabesques and miniature scenes.
Each scene is animated with putti engaged in lively mythic or symbolic activities — shooting arrows, gathering coral, riding fantastical sea creatures, or carrying emblems of abundance.
These designs reflect the imaginative vocabulary favored by English decorators of the early 19th century, many of whom were women working at home.
This cottage industry specialized in embellishing high-quality French porcelain blanks for the British market.
The bright lemon-yellow grounds, scrolling gilded foliage, and soft pastel tints of the figures create a particularly English combination of color and narrative charm.
Leigh’s signature on the underside adds a rare personal touch, linking the piece directly to its original decorator.Dimensions: 9.25″diameter
Condition: Excellent antique condition with very slightest, minor wear to the gilding.
Style: English Regency.
Origin: Porcelain made in France, decorated in England by Caroline Leigh.
Date: Circa 1810–1830.
Notable Details:
Signed on the underside by decorator Caroline Leigh
French blank of hard paste porcelain with English Regency decoration
Central putti roundel forming an allegory of Plenty
Eight finely painted border scenes with distinct narrative elements
Alternating lemon-yellow gilt scroll panels
A richly detailed example of English Regency taste for symbolic and neoclassical ornament -
Pair Blue and White Porcelain Vases Royal Worcester Circa 1870
$2,800.00This pair of Royal Worcester vases captures the Aesthetic Movement’s fascination with Japanese art, expressed here through crisp blue landscapes of cranes and bamboo rendered on soft white porcelain.
Crafted in England by Royal Worcester circa 1870, the vases feature a square, architectural form, enlivened by raised blue decoration that adds depth to the painted scenes.
Each vase shows a crane poised beneath bamboo or flowering branches, a serene world shaped in the spirit of Japonism.
At the shoulders, expressive lion-dog masks feature bold ring handles.
The vases rise from deep blue, pierced-style feet that anchor the composition with elegance.
Cranes have long symbolized happiness and renewal.
In ancient Greece and Rome, the crane dance was associated with vitality and the joy of life, while across Asia the bird symbolized harmony and enduring youth.
This shared cultural reverence makes the imagery especially fitting for Aesthetic Movement design, where beauty, nature, and refined symbolism converged.
Background of the Aesthetic Movement: The Aesthetic Movement was a late-nineteenth-century artistic philosophy advocating pure beauty and “art for art’s sake.” Designers emphasized the visual and sensual qualities of objects, favoring refined forms, exquisite craftsmanship, and motifs drawn from nature and global artistic traditions over narrative or moral themes.Dimensions: 11.5″ tall × 4″ across shoulders × 3″ mouth diameter × 3.5″ base
Marks: the Impressed mark for Royal Worcester
Condition: Excellent
Decoration: Raised blue decoration with cranes, bamboo, flowering branches, and pierced-style dark blue bases
Material: Porcelain
Style: Aesthetic Movement, Japonism influence
Date: Circa 1870 -
Antique Spode Drabware Tray, Gilt Rim, English Earthenware Circa 1825
$380.00The underside of this tray bears the impressed Spode mark of the period, together with an old dealer’s label noting a previous price of $2,900 (see image #4).
This rare Spode drabware tray, made in England circa 1825, is a beautifully conceived piece of early 19th-century utility ware, fashioned in a mellow, naturally toned earthenware and shaped to hold bread slices or small breakfast rolls.
The rectangular form rises gently at the corners.
The softly curved rim is adorned with hand-applied gilt, adding a quiet glow to the surface.
A high arched handle spans the center, giving the piece both presence and practical charm.
The handle is intact and original, a notable survival for a form often found damaged or repaired.
The deep color is characteristic of true drabware, its hue the result of naturally colored clays rather than added pigments or painted effects.Dimensions: 7.75″ x 6.5″, handle height 4″
Condition: Very Good, with a small glaze pop (see images)
Marks: Impressed Spode mark of the period (hard to see in the last image)
Decoration: Gilt rim
Material: Drabware earthenware
Style: Early 19th-century English pottery
Origin: England
Date: Circa 1825
Notable Details:
• Authentic drabware made from naturally colored clay
• Intact original handle
• Subtle gilt rim enhances the warm drab body
• Classic Spode impressed mark
• Old dealer’s label recording a $2,900 price -
Pair Small Antique English Porcelain Vases Hand Painted Fruit & Gilt Decoration
$400.00This pair of English porcelain spill vases, hand-painted circa 1840, shows the charm and refinement of mid-19th-century decorative wares, where ornamental brilliance and practical form came together with effortless confidence.
Each vase rises in a flared shape that recalls classical urns, yet the scale is intimate enough for a mantel or writing table.
The bodies are painted in warm tones and enriched with hand-painted fruit reserves framed by deep cobalt roundels.
The colors remain vivid after nearly two centuries, the peaches, grapes, cherries, and foliage rendered with the soft luminosity characteristic of English enamel painting of this era.
Gilded scroll handles complete the silhouette, their bright surface catching the light and adding visual rhythm to the compact form.
The reverse side of each vase offers a quieter presentation with scrolling gilt arabesques on a cream ground, a thoughtful contrast that allows the pair to be enjoyed from any angle.
The interplay between rich gold, soft ground color, and the lively fruit panels creates a pleasing harmony that reflects the mid-Victorian taste for decoration that was both cheerful and refined.
Their excellent condition is notable, as the pair survives without restoration, chips, or losses to the gilding.
Pieces of this type were often used for spills—small rolls of paper or wood slivers used to transfer flame.
Surviving examples in this state are increasingly uncommon.
At just over four inches in height, they offer immediate decorative impact without overwhelming a space.
The vases present beautifully as mantel garnitures, on open shelving, or among a larger group of 19th-century English porcelain.Dimensions: 4.5″ tall x 3.75″ diameter across the top x 2.5″ diameter at base.
Condition: Excellent antique condition
Decoration: Hand-painted fruit reserves, gilt scrollwork, cobalt roundels, gilded handles.
Material: Porcelain.
Style: Mid-19th-century English, with classical urn influence and Victorian decorative taste.
Origin: England.
Date: Circa 1840.
Notable Details:
Compact classical urn form with flared rim
Vivid hand-painted fruit reserves framed in cobalt
Bright gilding in excellent condition
Ornamental gilt scrollwork on the reverse side
Sculptural gilt handles adding visual balance -
Chinese Blue and White Ginger Jar Hand Painted Double Happiness Motif
$2,100.00This jar brings together two strong decorative elements.
The surface is fully worked in hand-painted blue and white, with a dense ground of scrolling peonies, lotus blossoms, and butterflies.
The color is a rich, saturated cobalt. Set within this field are Double Happiness symbols reserved in white against the blue, their crisp panels standing out clearly against the darker ground.
The body is full and rounded, rising to a domed cover with a pointed finial.
The decoration moves evenly across the surface.
The cobalt is applied with control, with slight variation in tone where the brush loads and releases, giving the surface energy.
The Double Happiness symbols are integrated into the design, working as part of the overall pattern.
They traditionally signify joy, harmony, and fertility, adding meaning to the decoration.
The glaze is bright and even, reinforcing the clarity of the painting and the strength of the cobalt.
This jar stands out for the depth of its cobalt, the clarity of its brushwork, and the strength of its design.
Dimensions: 9.5″ tall x 9″ diameter at the widest point x 5″ diameter at base
Condition: Excellent
Price: $2100
Decoration: Hand-painted in underglaze blue with floral scrolls, butterflies, and Double Happiness symbols
Material: Porcelain
Style: Qing Dynasty, Tongzhi period
Origin: China
Date: Circa 1860–1870 -
Large Mochaware Mug
$480.00This mochaware mug was made to hold a quart of beer or lager.
It was made in England circa 1870-1880. The dark mochaware “trees” are applied by hand (see below for the details of the process).
The colors are soft. The attractive design follows a pattern for English mochaware made for export to the European continent.
Near the top of the mug is a band of medium blue slip. Below are two thin bands of midnight brown slip, followed by a broad band of colored slip in moss green.
This single wide band is sparsely decorated with midnight brown mocha ‘Trees”.
The elegant spacing of the mochaware “Trees” enhances the mug’s beauty.Dimensions: is 6.5″ tall x 4.25″ in diameter
Condition: Very Good. There is a chip professionally restored on the inside of the mug.
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Set 8 Antique English Worcester Porcelain Hand Painted Strawberry Pattern C.1820
$600.00This antique Worcester porcelain dessert set was hand-gilded in England during the Regency period, around 1820.
Created by Flight Barr Worcester, the set features the distinctive “Strawberry” pattern, which showcases golden strawberries and vines against a rare peach background.
The combination of peach and gold creates a luminous effect, beautifully reflecting light with elegance and warmth.
The rich colors, delicate botanical design, brilliant gilding, and lobed edges of several pieces convey the luxury and sophistication that made Worcester porcelain a favored choice among English nobility during the Regency era.
The centerpiece is especially noteworthy.
Worcester’s “Strawberry” pattern was admired as a polished alternative to Chinese porcelain.
Unlike imported porcelain, Worcester offered a whiter body, a brighter color palette, and imaginative designs, solidifying its position at the forefront of fashionable taste in early 19th-century England.The set comprises:
A large standing centerpiece, 14″ x 10.25″ x 4″ tall
A pair of square serving dishes, 9″ x 9″
A pair of oval serving dishes, 11″ x 8″
A pair of round saucer dishes, 8″ diameter
A single dish with gadrooned gilt edge, 10″ diameterMarks: Each piece is marked on the underside with an impressed crown over FBB (denoting royal patronage), identifying Flight Barr Barr Worcester as appointed purveyors to their Royal Majesties.
Condition: Excellent
Decoration: Hand-gilded with strawberries and vines in gold on peach ground
Material: Porcelain
Style: Regency
Origin: Worcester, England
Date: Circa 1820 -
Set of Twelve Antique Wedwood Dinner Plates with Yellow Borders
$880.00This set of twelve Wedgwood dinner plates, impressed with date marks for 1879, is distinguished by its cheerful yellow borders and elegant band of stylized fleur-de-lis.
The combination of radiant color and refined ornament gives these plates a lively presence at the table, perfectly balancing warmth with sophistication.
The design captures the traditional neoclassical taste that inspired Wedgwood’s finest tablewares, here enlivened by a bright and optimistic yellow palette.Dimensions: 10.25″ diameter
Condition: Excellent, with only the very slightest signs of age
Marks: Impressed Wedgwood mark and date letters for 1879
Decoration: Fleur-de-lis and line borders on a soft yellow ground
Material: Refined Earthenware
Style: Neoclassical Revival
Origin: England
Date: 1879
Notable Details:
• Cheerful yellow borders with stylized fleur-de-lis pattern
• A beautiful harmony of warmth, brightness, and classical design
• Excellent condition
• Classic late 19th-century Wedgwood interpretation of neoclassical motifs -
Set of 6 Pieces Antique English Creamware 18th & Early 19th Century w Brown Trim
$730.00This rare six-piece set of antique English creamware, with elegant hand-painted brown trim, was made between the late 18th and early 19th centuries.
The highlight of the group is a marked Wedgwood creamware basket with a matching stand, circa 1800, both of which are impressed with the Wedgwood mark.
The basket features a pierced, arcaded border and delicate, upturned handles, while the stand complements it with matching details.
Another exceptional piece is the leaf-shaped dish, circa 1785, featuring a rare paper label for Wynn Sayman, a well-respected 20th-century dealer in early English pottery, which adds provenance to its charm.
Completing the set are two small round plates with brown trim, circa 1810, an oval dish with impressed basketweave design and pierced arcaded border, circa 1810, and a shell-shaped dish by Spode, circa 1810, marked on the reverse.
Together, this collection highlights the variety, craftsmanship, and elegance of English creamware.Condition: Excellent
Date: Circa 1785–1810
Origin: EnglandDimensions:
Wedgwood basket (circa 1800, impressed Wedgwood): 9″ long x 5″ wide x 4″ tall
Wedgwood stand (circa 1800, impressed Wedgwood): 9.25″ long x 8″ wide
Leaf-shaped dish (circa 1785, Wynn Sayman label): 5.5″ long x 5″ wide
Shell-shaped dish by Spode (circa 1810, marked): 9.25″ long x 8″ wide
Oval dish (circa 1810, basketweave with arcaded border): approx. 9″ long x 8″ wide -
Five Antique Worcester Porcelain Plates in the Fence Pattern England Circa 1820
$1,630.00These antique English porcelain plates were made at the Royal Porcelain Works, Worcester, by Barr, Flight & Barr between 1807 and 1813.
Each plate is hand-painted in Worcester’s celebrated “Fence” pattern, a chinoiserie garden scene of blossoming flowers, a gnarled tree, and stylized fencing, executed in vivid enamels of cobalt blue, iron red, and green, enriched with finely applied gilding.
The plates are bursting with color!
The set comprises one large plate (10″ diameter), three smaller plates (8″ diameter), and a shell-shaped dish (7.75″ x 7.5″).
The rare shell-shaped form adds variety and visual interest, enhancing the group’s appeal.
Renowned for their refinement and artistry, Barr, Flight & Barr produced porcelain that succeeded in transforming functional objects into true works of art.
The plates reflect Regency taste and demonstrate the exceptional skill of Worcester’s early 19th century painters.Dimensions: Largest plate 10″ diameter; three plates 8″ diameter; shell-shaped dish 7.75″ x 7.5″
Condition: Excellent
Decoration: Hand-painted in Worcester’s “Fence” pattern with chinoiserie garden scenes and gilded accents
Material: Porcelain
Style: Chinoiserie, Early 19th Century English Porcelain
Origin: England, Worcester Royal Porcelain Works
Date: 1807–1813
Reference:
John Sandon — The Dictionary of Worcester Porcelain, Vol. I 1751–1851 (1993).
Sandon gives a dedicated entry and illustration of the Fence pattern; the Winterthur Museum’s catalog specifically points to p. 154 for the description/illustration. -
Antique English Pottery Plate Scenic Landscape Red Transfer Country Scene c.1825
$245.00This antique English pottery plate, made at Don Pottery circa 1825, is crafted from buff earthenware with a clear glaze that enriches its warm, earthy tone.
The surface is printed in red with a scenic country landscape: tall trees frame a distant estate while figures walk along a winding path.
The design captures the calm beauty of rural life in early 19th-century England.
On this earthenware body, the red transfer takes on a rich, tonal depth, adding warmth and character to the scene.
Just a beautiful plate!Dimensions: 9″ diameter
Condition: Excellent
Decoration: Red transfer landscape with estate, trees, and strolling figures
Material: Buff earthenware with clear glaze
Style: Georgian
Origin: England
Date: Circa 1825 -
Pair Antique Flight Barr Barr Worcester Porcelain Plates Apple Green & Gold 1825
$385.00This pair of Flight, Barr, Barr Worcester porcelain plates was hand-painted at the Worcester factory, in England, circa 1825.
They feature a vibrant apple green complemented by lavish gold details.
The central medallion is finely hand-painted in gold and framed by elegant gold scrollwork.
The edges are both scalloped and gadrooned.
The apple green enamel remains fresh and vivid, with only the very slightest fading visible on close inspection.
These plates are a beautiful example of early 19th-century English neoclassical porcelain, blending bold color with masterful gilding in a timeless, sophisticated design.Dimensions: 8.75″ diameter
Condition: Excellent, with only the very slightest fading of the green enamel
Decoration: Apple green enamel with gilt scrollwork cartouche, central gilt medallion, and gadrooned gilt rim
Material: Porcelain
Style: Neoclassical / Early 19th Century English porcelain
Origin: England
Date: Circa 1825The Flight, Barr, and Barr period marked one of the most refined chapters in Worcester’s history.
Operated by Martin Barr Jr., his brother George Barr, and Joseph Flight, the factory was celebrated for its technical precision, elegant shapes, and sophisticated decoration.
This era is especially noted for vibrant enamels, lavish gilding, and neoclassical ornament, which attracted an elite clientele in Britain and abroad.
Pieces from this period are now prized for their exceptional craftsmanship and rich color palettes. -
Antique Porcelain Centerpiece Hand Painted in Red Chrysanthemum Pattern C-1820
$680.00This porcelain centerpiece was hand-painted by Coalport in Shropshire, England, circa 1820.
It features an exquisite design in the Red Chrysanthemum pattern with iron-red blossoms and scrolling foliage, intricately detailed with lavish gold accents.
The gilding is an essential component of the design, seamlessly integrated into the branches and leaves to create a fabulous combination of gold and deep red.
The elegant shape of the elongated oval form is supported by a footed base with a fully gilded rim.
This Coalport centerpiece is an opulent display of early 19th-century English porcelain.Dimensions: 12.25″ x 8.25″ x 4″ tall
Condition: Excellent
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Set of Six English Porcelain Coffee or Espresso Cups 18th Century
$380.00This set of six English porcelain espresso cups was hand-painted in the late 18th century.
Traditionally known as coffee cans, they were made by the Derby factory circa 1790.
Each cup is decorated with diamond-shaped panels with delicate pink roses framed within gilt lines and richly gilded scrollwork.
The artistry and detail reflect the refined Neoclassical taste that defined Derby porcelain of the George III era.
With their straight-sided form and elegant proportions, these cups are perfectly sized for a modern double espresso.
The delicate handles and lightweight porcelain make them a pleasure to use, blending antique charm with practical function.
Dimensions: 2.25″ tall x 2.5″ diameter
Condition: Excellent, with only the very slightest rubbing to the gilt -
Dragons in Compartments Plate Chamberlains Worcester Porcelain England Ca.1820″
$760.00This Chamberlains Worcester porcelain plate is hand-painted with the vibrant “Dragons in Compartments” pattern, also known as the “Bengal Tiger” pattern.
Made in England circa 1820, the design features four lozenge-shaped panels outlined in gilt.
Surrounding the central pink rosette, two panels depict mythical beasts in swirling foliage, while the other two show vases filled with flowers on tables, all set against a crisp white ground.
The wide border is richly decorated in orange, green, and gold, echoing the Famille Verte palette of Chinese porcelain.
The pattern originated at Worcester in the late 18th century as an English interpretation of Kangxi-era Chinese export porcelain, reimagined with Regency flair.
The overall effect is bold and beautifully exotic.Dimensions: 9.5″ diameter
Condition: Excellent
Marks: “Chamberlain’s Worcester 75” in iron red
Key Features
• Hand-painted with “Dragons in Compartments” pattern
• Strong Famille Verte color palette with bold gilt detailing
• Influenced by Kangxi period Chinese porcelain
• Made by Chamberlains Worcester, circa 1820
• Excellent condition with a clear iron red Chamberlain’s mark
• Large 9.5″ size -
Set of Four Antique English Porcelain Bowls in Imari Style by Coalport Ca. 1825
$380.00This set of four antique porcelain bowls was made by Coalport in England, circa 1825.
Each bowl is hand-painted in a vibrant interpretation of the Imari style, with rich orange floral motifs surrounded by swirling gilt leaves on a white ground.
The orange flowers are stylized lilies, specifically reminiscent of tiger lilies or daylilies.
However, the design emphasizes decorative flourish over botanical accuracy.
The wide cobalt blue border is embellished with hand-applied gilt decoration in a foliate pattern, featuring tulip-like blossoms and curving tendrils.
This elegant gilded design adds elegance and visual rhythm, enhancing the contrast between the deep blue border and the bright central motif.
The pattern reflects the early 19th-century English taste for luxurious, exotic styles drawn from Japanese Imari wares.
This striking color palette of the center is also inspired by Japanese Imari ware, and was a hallmark of early 19th-century English porcelain.
The set comprises two slightly larger bowls measuring 8.75 inches in diameter by 1.75 inches tall, and two slightly smaller bowls measuring 8 inches in diameter by 1.5 inches tall.
They were originally made as complementary pieces for serving or display.Dimensions: A pair of bowls measuring 8.75″ in diameter x 1.75″ tall, and another pair measuring 8″ in diameter x 1.5″ tall.
Condition: The porcelain is in excellent condition, there is slight rubbing to the gilt
Key Features
• Made by Coalport, England, circa 1825
• Hand-painted in traditional Imari palette with rich gilt decoration
• Striking cobalt blue borders with scrolling gilt details
• Two pairs of bowls in a matching pattern
• Classic example of English porcelain inspired by Japanese Imari ware -
Set of 24 White and Gold Dinner Plates and Soup Dishes by Royal Epaig C. 1935
$800.00This elegant set of twelve porcelain dinner plates and twelve matching soup dishes was made by Royal Epiag in Czechoslovakia circa 1935.
It includes twelve dinner plates and twelve matching soup dishes, each richly decorated in the neoclassical style.
Along the wide gilt border, etched and raised is a procession of golden putti—some play instruments, others twirl garlands or lift small torches, their gestures full of life and celebration.
They are commonly associated with themes of love, playfulness, innocence, and joy.
The pale yellow inner band is decorated with delicate swags of roses.
The blend of soft color and brilliant gold makes this beautiful set ideal for formal dining.
Marks: Royal Epiag with a wreathDimensions: Dinner plates 9.65″ diameter, Soup dishes 9.75″ diameter
Condition: Excellent
Decoration: Etched and raised gilt putti, yellow ground with floral swags, and geometric gilt band
Material: Porcelain
Style: Neoclassical Revival
Origin: Czechoslovakia
Date: Circa 1935**Key Features**
– Set includes 12 dinner plates and 12 soup dishes
– Made by and Marked “Royal Epiag”
– Wide gilt border with etched and raised paste gilding
– Classical putti, floral swags, and geometric accents
– Elegant neoclassical design in excellent condition -
Pair Antique Wedgwood Blue and White Soup Tureens Mared Pattern Circa 1840
$3,400.00This exquisite pair of Wedgwood blue and white Mared pattern soup tureens was made in England circa 1840.
The design features a loop of delicate “pearls” encircling the center, complemented by a beautiful blue shell edge.
The rippled surface of the shell edge adds visual interest as light plays across it (see images).
Josiah Wedgwood supervised the creation of this pattern in the latter half of the 18th century.
Similar to our set, the original 18th-century Mared pattern was made of pearlware, also known as pearled creamware.
Blue enamel was applied for decoration, and the pearlware was then glazed with a slightly blue-tinted glaze to permanently seal the design.
This glazing protects the decoration from scratches, flaking, and general wear, keeping it as fresh today as when it was first applied.
The tureens would look fabulous on a side table in a dining room.
Marks: The reverse of both the underplates and the tureens features the impressed “WEDGWOOD” mark of the period.
Dimensions: The tureens measure 12 inches across the handles, 8.5 inches wide, and 7 inches tall.
Condition: Excellent -
Antique Porcelain Sugar Box Money Tree Pattern Hand Painted England Circa 1810
$780.00This antique English porcelain sugar box, made around 1810 by Coalport Porcelain, is hand-painted in the richly colored and intricate Money Tree pattern, also known as the Rock and Tree pattern.
The exquisite decoration features cobalt blue, iron red, and gold, with delicate touches of green and peach.
The central scene depicts stylized rocks, flowering trees, and exotic blooms set above a bright blue ground.
The lid is decorated with alternating panels of floral and geometric motifs that echo the vibrant colors of the box.
Made by John Rose at Coalport, this piece reflects the decorative flair typical of early 19th-century English porcelain.Dimensions: 5.5″ long x 3.5″ wide x 5.5″ tall
Condition: Excellent, with very slight rubbing to the gilt (see image #5)
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Pair Large Antique Blue and White Delft Jars, Fluted, Netherlands Circa 1880
$2,700.00This exquisite pair of large blue and white Delft jars was hand-painted in the Netherlands during the late 19th century, circa 1880.
The design features shaped panels, each depicting a scene of a vase filled with flowers and foliage, surrounded by more flowers and foliage, all rendered in deep blue.
The jars have a fluted body that adds visual interest as light reflects off the gracefully curving surface.
The shoulders of the jars are adorned with a band of stylized blossoms, leaves, and trailing vines.
The matching domed covers are decorated to complement the jars and are topped with traditional Delft lion finials painted in cobalt blue.
These jars are elegantly proportioned and beautifully decorated.
Dimensions: 17.25″ tall x 8.5″ wide x 5.25″ diameter at the base
Condition: ExcellentMaterial: Tin-glazed earthenware (Delft)
Style: Strong 17th-century design influence
Origin: Netherlands
Date: Circa 1880 -
Antique Pair Paris Porcelain Reticulated Baskets with Gilt, France Circa 1860
$2,400.00This exquisite pair of Paris Porcelain baskets was made in France circa 1860.
Each basket features a gracefully flared reticulated body, highlighted with hand-applied green enamel and enriched with finely detailed gilt.
The open lattice design adds an airy elegance, while the gleaming pedestal bases and square plinths provide balance and refinement.
The combination of crisp white porcelain, vivid green trim, and rich gilding exemplifies classic French taste of the mid-19th century.
Baskets of this form first gained popularity in the 1830s during the reign of King Louis Philippe and remained a staple of Parisian decorative arts.
These baskets are particularly striking when filled with fresh or silk flowers, as the openwork design allows blossoms and greenery to be beautifully framed by the porcelain lattice.
Dimensions: 9″ tall x 8.8″ diameter across the top
Condition: ExcellentDecoration: Reticulated white porcelain with green enamel trim and gilt detailing
Material: Porcelain
Style: Neoclassical / Louis Philippe
Origin: France
Date: Circa 1860
Key Features
– Pair of antique Paris Porcelain baskets
– Reticulated openwork design with flaring rims
– Green enamel with hand-applied gilt
– Pedestal bases on square plinths
– Especially beautiful when filled with flowers
– Classic French style, circa 1860 -
Nine Antique Porcelain Dessert Dishes White and Gold with Matching Cookie Plate
$380.00This set of nine antique porcelain small dessert dishes with a matching cookie or serving plate was made in France circa 1870.
The porcelain is white with finely detailed gilt decoration: each piece features a central starburst motif framed by scrolling arabesques and a delicate band around the rim.
The gold work is hand-applied and richly reflective, typical of high-quality French porcelain of the Belle Époque period.
Elegant and refined, these pieces are ideal for entertaining or display.Dimensions: The dessert plates are 6.3″ in diameter, the cookie plate is 8.3″ in diameter
Condition: Excellent
Decoration: White ground with hand-applied gold decoration
Material: Porcelain
Style: Belle Époque / Neoclassical
Origin: France
Date: Circa 1870
Key Features
– Set of 9 dessert dishes with matching cookie plate
– French porcelain with gilt neoclassical motifs
– Central starburst and arabesque scrollwork
– Elegant white and gold color scheme
– Belle Époque period, circa 1870 -
Set of 3 Antique Blue and White Delft Plates Hand Painted Netherlands Ca. 1800
$1,180.00This set of three antique Delft plates was hand-painted in the Netherlands circa 1800.
Each plate measures approximately 9 inches in diameter and features a unique blue and white design painted in cobalt oxide under a clear glaze.
The central motifs include stylized beautiful floral arrangements and a pastoral scene with deer, all framed by floral borders.
The rims are finished with a warm yellow line, a traditional touch in late 18th- and early 19th-century Dutch faience.
These plates embody the Folk Art charm and decorative style that made Delftware prized throughout Europe.Dimensions: 9 inches in diameter
Condition: Excellent
Decoration: Hand-painted in blue with stylized flowers and landscape scenes
Material: Tin-glazed earthenware (Delftware)
Style: Folk Art / Dutch Delft
Origin: Netherlands
Date: Circa 1800
Key Features
– Set of three antique Delft plates
– Hand-painted cobalt blue designs
– Yellow rim highlights
– Decorative floral and scenic motifs
– Dutch tin-glazed earthenware, circa 1800 -
Seven Antique Worcester Cups Hand Painted in the Fence Pattern England Ca. 1810
$360.00This rare set of seven antique Worcester porcelain cups was hand-painted in the iconic Fence pattern by the Barr Flight Barr Worcester factory in England, circa 1810.
Each cup features a finely detailed chinoiserie garden scene with a golden fence, exotic birds, a pagoda, stylized rockwork, and flowering trees.
The vivid palette—featuring iron red, cobalt blue, and gold with pink, green, turquoise, and purple accents—distinguishes these pieces as exceptional examples of early 19th-century English porcelain.
The cups are marked on the base with an impressed crowned “BFB” or “B,” identifying them as Worcester pieces made before 1814.
This is an ideal set for lovers of Regency porcelain and chinoiserie design.
Dimensions: 2.5″ tall x 3.25″ diameter
Condition: Excellent
– Key Features:
– Set of seven antique Worcester cups
– Hand-painted chinoiserie “Fence Pattern”
– Rich gilding and enamel in a refined Regency palette
– Impressed crowned “BFB” or “B” Worcester marks
– English porcelain ca. 1810 -
Antique Coalport Porcelain Plate in Imari Palette with Pagoda Design, Circa 1820
$285.00This antique porcelain plate was hand-painted by Coalport in England around 1820.
It features a lovely central scene of a two-tiered pagoda set within a garden, surrounded by flowering branches.
The decoration is rendered in a vibrant English Imari palette of iron red, deep cobalt blue, with brilliant gilding.
The wide border is divided into alternating panels of stylized flowers and landscape vignettes, all enriched with scrolling gold foliage.
The pattern reflects the Regency-era fascination with Asian motifs, reinterpreted through English porcelain design.Dimensions: 9″ diameter
Condition: Excellent
Decoration: Hand-painted Imari palette with pagoda and garden scenes, gilt highlights
Material: Porcelain
Style: Regency / English Imari
Origin: England
Date: Circa 1820
– Made by Coalport circa 1820
– Central motif of pagoda and flowering trees
– Imari palette: cobalt, iron red, and gilt -
Set of 14 Antique Wedgwood Creamware Soup Plates with Grapevine Border 1855–1859
$1,200.00Wedgwood made this lovely set of fourteen creamware soup plates in England between 1855 and 1859.
The border features a continuous grapevine motif with clusters of red and purple grapes, scrolling tendrils, and green leaves.
The design was transfer-printed and then colored by hand-applied coloring with enamel, a technique characteristic of mid-19th-century Wedgwood.
Narrow brown enamel bands frame the border, adding a crisp finish to the design.
The plates are potted in a warm-toned light creamware body typical of Wedgwood’s production in this period.
Marks: WEDGWOOD mark of the period
Dates 1855-1859Dimensions: 10″ diameter
Condition: Excellent
Decoration: Hand-painted enamel coloring on outline of transfer-printed grapevine border
Material: Creamware
Style: Neoclassical
Origin: England
Date: 1855–1859
– Set of 14 matching soup plates
– Made by Wedgwood circa 1855–1859
– Printed grapevine border with hand-painted enamel detail
– Brown enamel line framing adds definition
– Excellent example of mid-19th-century English creamware -
4 Antique Worcester Porcelain Cups & Saucers Hand Painted Fence Pattern c.1810
$780.00This exquisite set of four antique English porcelain cups and saucers was hand-painted by Barr Flight Barr at the Worcester factory in England between 1800 and 1813.
The decoration, known as the Fence pattern, is both vibrant and intricately detailed.
It features a whimsical chinoiserie landscape that includes a golden garden fence, stylized flowers, exotic birds, rockwork, a pagoda, and a bridge.
The color palette is particularly refined and unique, blending iron red, deep cobalt blue, and gold with striking accents of pink, turquoise, green, and purple enamels.
Marks: The pieces are marked with the impressed Worcester “BFB” or “B” mark, indicating their manufacture before 1814.
Dimensions: Saucers 5.5″-5.75″, the tea cups 2.5″ tall x 3.25″ diameter
Condition: ExcellentDecoration: Hand-painted chinoiserie scenes in the “Fence” pattern with a richly enameled and gilded palette
Material: Porcelain
Style: Regency Era / Chinoiserie
Origin: England
Date: Circa 1810
**Key Features**
– Set of four cups and saucers
– Hand-painted with a golden fence, stylized birds, blossoms, and landscape details
– “Fence Pattern” — a Bardith favorite
– Especially refined and unexpected color palette
– Impressed crowned BFB or B Worcester marks -
Drabware Trio by Don Pottery with Sepia Landscapes England Circa 1810
$185.00This rare drabware trio comprising a tea cup, coffee can, and saucer was made by Don Pottery in England around 1810.
Drabware is a warm-toned, refined stoneware first introduced at Wedgwood in 1807.
Each piece in this trio features a sepia-toned transfer landscape, rendered with the delicacy and tonal depth of an India ink drawing.
The circular scenes are printed in a warm iron-red hue and framed by thin brown lines for clarity and definition.
Don Pottery’s drabware is known for its unusually light buff body.
The interiors of both cups are coated with a blueish-white slip, creating a subtle contrast with the exterior.
This trio exemplifies early 19th-century English taste for classical landscapes and monochrome transfer decoration on refined earthenware bodies.Dimensions: Saucer 5.25″ diameter; Tea cup 3.25″ diameter x 2.25″ high; Coffee can 2.45″ diameter x 2.45″ high
Condition: Excellent with minimal wear on the sepia panels
Reference: For a description and image of this trio, see pages 167–169 of The Don Pottery 1801–1893 by John D. Griffin.
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Set of 8 Antique English Porcelain Plates with Hand Painted Flowers Circa 1825
$780.00This set of eight antique English porcelain plates features vibrant hand-painted floral decoration.
Made at Derby circa 1825, each plate features an exuberant bouquet of garden flowers including roses, tulips, and forget-me-nots in rich shades of pink, yellow, orange, purple, and blue.
The delicately painted blossoms are arranged with naturalistic flair and accented by fine green foliage.
Each plate is finished with a narrow gilt rim.
The style reflects early 19th-century English porcelain design, with its emphasis on colorful, painterly floral compositions and elegant detailing.Marks: The Derby mark of the period, hand-painted in iron red with a “D” under a Crown
Dimensions: 8″ diameter
Condition: Excellent
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Antique Creamware Plate Poor Jack the Sailor’s Lament Made by Herculaneum C-1820
$185.00This antique creamware plate was made in Liverpool, England, by Herculaneum Pottery, circa 1820.
At the center, a transfer-printed scene titled Poor Jack shows a sailor bidding farewell to a young woman, with a fully-rigged ship in the background and a coastal town beyond.
The imagery, drawn from popular early 19th-century ballads and prints, evokes the bittersweet sentiment of parting and the perils of maritime life.
The black transfer print is finely detailed, clearly capturing the figures’ clothing and the ship’s rigging.
Around the border, a garland of delicate floral sprays adds a decorative frame to the emotionally charged scene.
Plates like this served as sentimental tokens.
This plate, printed on creamware with restrained floral decoration, reflects both the emotional resonance and elegance of early 19th-century English pottery.Dimensions: diameter 10″
Condition: Excellent—minor wear and expected glaze speckling from age
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Antique Creamware Mustard Pot with Lid and Stand, England Circa 1810
$385.00This antique creamware mustard pot was made in England around 1810.
The pot features an elegant, barrel-shaped, rounded body with an integrated stand, a gracefully shaped handle, and a domed lid with a cut-out notch for a spoon.
The attached base—an uncommon and desirable detail—served both functional and decorative purposes, protecting table linens while enhancing the overall silhouette of the piece.
Mustard pots like this one were standard fixtures on Georgian dining tables, often included as part of a cruet or condiment set.
The clean lines and restrained ornament reflect the neoclassical aesthetic of the early 19th century, emphasizing balance, utility, and refined simplicity.
The mustard pot is a fine example of English creamware serving ware from the late Georgian period.Dimensions: 4″ tall x 3.5″ diameter across the base
Condition: Excellent
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Antique Creamware Horse Hand Painted English Folk Art Animal c.1800
$2,300.00This antique English creamware horse was hand-painted at St. Anthony’s Pottery in Newcastle, around the year 1800.
This charming figure is modeled in a standing position on a green-glazed rectangular base.
It features upright ears and expressive facial characteristics, exuding a sense of alertness and charm.
The mottled gray and black body is enhanced with vivid orange-red patches, which contrast beautifully with a boldly painted saddle in ochre, cobalt, and yellow, showcasing a touch of folk-art brilliance.
The use of sponged and brushed decoration, along with the vibrant yet earthy palette, is typical of the period and the regional pottery traditions of Newcastle upon Tyne, where St. Anthony’s Pottery was active.
Our horse is a rare example of early 19th-century English folk art depicting animals.
It embodies the colorful and inventive spirit of regional potters who worked outside the major Staffordshire centers.
Dimensions: 6″ tall x 6″ long x 2″ wide
Condition: Good. Restored chips to ears and expertly restored legs.
**Key Features**
Antique creamware folk art animal figure, c.1800
Hand-painted with mottled sponging
Made at St. Anthony’s Pottery, Newcastle
Green-glazed rectangular base
Distinctive example of early English ceramic folk artA rare early 19th-century English creamware pottery horse, made at St. Anthony’s Pottery, circa 1800.
This charming figure is hand-painted in mottled gray and black. Vivid orange-red patches flank a boldly painted saddle in ochre, cobalt, and yellow, adding a touch of folk-art brilliance.
It stands on a rectangular green-glazed base with gently rounded corners.
The horse’s modeled features are expressive and full of character, with upright ears and subtly defined musculature.
The use of sponged and brushed decoration, along with the vibrant yet earthy palette, is typical of the period and the regional pottery traditions of Newcastle upon Tyne, where St. Anthony’s Pottery was active.Dimensions: 6″ tall x 6″ long x 2″ wide
Condition: Good, with small chips at the ears restored, and excellent invisible restoration on the legs.
It’s a distinctive piece that reflects the artistry and imagination of early 19th-century potters working outside the major Staffordshire centers.
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Set of Six Antique Worcester Dishes English Imari Pink & Blue 1792–1803
$560.00This set of porcelain dishes was hand-painted by Flight Barr Worcester between 1792 and 1803.
Each of the six dishes can be seen in one of the first three images.
The pattern features delicate floral sprays in soft strawberry pink, orange, and rich cobalt blue, accented with gilt highlights.
The design is an English interpretation of the traditional Imari palette.
A stylized central bouquet anchors the composition, while four large floral sprays around the border create a balanced design.
The beautiful decoration is heightened by a finely painted gilt rim.
The pattern reflects the neoclassical taste for symmetry and delicacy, as well as the broader English fascination with East Asian decorative themes, which are reimagined here as English Imari.
Worcester porcelain from this period is renowned for its high-quality body, precise painting, and understated elegance.Dimensions: 8.35″ diameter
Condition: Excellent
Marks: The late 18th century Flight Barr Worcester mark “FB under a crown is lightly impressed on the reverse of one of the dishes
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Antique English Ironstone Bowl Decorated in the Imari Palette, Circa 1830
$285.00Made by Spode in England circa 1830, this oval ironstone bowl is decorated with flowers in a rich Imari palette of cobalt blue and iron red, with accents of green foliage.
The floral and foliate design was first transfer-printed and then hand-colored in enamels, blending crisp graphic detail with painterly warmth.
The flowers are rendered in vivid colors with delicate precision, set against a light blue glaze that lends the surface a soft, luminous glow.
A border of geometric trellis with floral cartouches frames the composition.
This bowl is an ironstone gem!Dimensions: 10.75″ x 7.25″ x 2″ tall
Condition: Excellent
The bowl reflects the early 19th-century English fascination with Japanese and Chinese Imari porcelain.
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Pair of Antique Wedgwood Creamware Sauce Tureens with Original Ladles
$750.00Made in England circa 1820, this pair of Wedgwood creamware sauce tureens retains its original attached underplates and matching spoons.
The low rounded bodies, domed covers, and finely modeled floral finials establish a composed Neoclassical design.
Each element is controlled and deliberate, forming a continuous silhouette from the base through the dome to the finial.
The attached stands extend the line outward and anchor the form, while the integrated ladle notch is handled cleanly within the profile.
The warm cream tone allows the form to read clearly without reliance on painted decoration.
Wedgwood creamware of this period reflects the Neoclassical preference for balance and restraint.
In this pair, that approach is handled with precision.
The set presents with clarity and completeness.
Dimensions: 8.5″ x 6″ x 5″ tall
Condition: Very good, with light kiln burn along the top edge of each tureen, not visible when the covers are in place and does not interrupt the presentation
Decoration: Plain creamware with molded floral finials and subtle leaf detail
Material: Creamware
Style: Neoclassical, Regency
Origin: England
Date: Circa 1820 -
Napoleonic Porcelain Soup Plates Set of 10 by Nast with French Imperial Decoration
$2,800.00This set of ten beautiful French porcelain soup plates was made by Nast, the Parisian factory renowned for producing porcelain for Napoleon and his imperial court. During the Napoleonic era, the Nast factory rose to prominence with major commissions from the Imperial state and direct support from the Emperor himself.
These plates were created during the height of his reign, 1800–1815, and reflect the opulent Imperial style favored during the period.
Each plate features a crisp white ground bordered by rich, colorful enamel bands and classical gold motifs associated with the Napoleonic Empire.
The exquisite neoclassical decoration and superb quality of the porcelain reflect Nast’s prominence among the leading French porcelain manufacturers of the Napoleonic Era of the early 19th century.
These plates exemplify the elegance and symbolism of Napoleonic design, combining historical significance with timeless visual appeal.
Dimensions: 9.75″ diameter
Condition: Excellent
Price: $3,800
Decoration: Enamel and gold Napoleonic-style border on white ground
Material: Hard-paste porcelain
Style: Napoleonic / Empire
Origin: France
Date: Circa 1800–1815 -
Antique American Mochaware Pitcher, Slip-Decorated Creamware, Circa 1830
$560.00This antique Amercian pitcher, dating to circa 1830, is a rare example of slip-decorated creamware that evokes the spirit of mochaware but diverges from its typical look.
Rather than featuring the dendritic or banded motifs common in mochaware, this piece is dipped in a deep chocolate-brown slip and hand-decorated with a naïve yet charming grapevine motif.
The decoration, applied over the dark ground, includes a wavy line in ochre and iron red, interspersed with stylized clusters of orange grapes outlined in ochre, and leafy green vines.
This folk art approach to surface decoration is rustic and expressive, created by a potter experimenting beyond standardized designs.
The pitcher’s spout and handle are accented with hand-painted cobalt blue, adding another distinctive touch.
Though it shares mochaware’s use of colored slip and lathe-turning techniques, its painterly, organic decoration sets it apart.
Dimensions: 6.5″ tall x 4.5″ diameter
Condition: Excellent -
Pair Antique Caneware Baskets and Stands England Circa 1815
$920.00This lovely pair of English caneware baskets and stands was made circa 1815.
Each piece is finely modeled with an all-over low-relief basket-weave pattern featuring delicately pierced details.
The oval stand has a pierced looped edge, while the basket is adorned with a crisply molded lattice rim.
With their understated elegance, these baskets embody the refined neoclassical aesthetic and craftsmanship characteristic of English stoneware of the period.
The warm, cane-colored body is unglazed, with a smooth, matte surface typical of caneware—a form originally developed by Josiah Wedgwood in the 1770s and later emulated by leading Staffordshire potteries.
Intended for serving bread, fruit, or confections, today they are decorative.Dimensions: Basket: 8″ x 5.5″ x 3.75″ tall, Stand: 9.75″ x 7.75″
Condition: Very good antique condition with minimal wear consistent with age and use. There is a light stain from use on one stand (see images).
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Antique Coalport Porcelain Platter Red Chrysanthemum Pattern England Circa 1820
$530.00This exquisite Coalport porcelain platter was hand-painted in England circa 1820.
It features the Red Chrysanthemum pattern, which showcases a bold, Imari-style design.
The intricate design features a profusion of swirling vines and stylized flowers in deep red, creating a striking visual effect against the crisp white porcelain ground.
The rim is finished with delicate gilding, adding a refined touch.
This early 19th-century English porcelain platter exemplifies Coalport’s mastery of intricate decoration.
It draws inspiration from Japanese Imari porcelain while reflecting the elegance of the British Regency period.Condition: Excellent, with very minimal wear to the gilding, consistent with age
Dimensions: 13.75″ x 10.25″
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Pair Black and Gold Staffordshire Pottery Vases Circa 1880
$780.00This pair of black Staffordshire pottery vases has a bold, architectural presence.
The glossy black ground and burnished gold handles create immediate contrast, while mythological scenes of Zeus and Hera in chariots introduce movement and narrative across the surface.
The tall amphora form, rising from a pedestal base, gives the pair a structured neoclassical silhouette that reads clearly across a room.
Made circa 1870, they reflect the Victorian appetite for classical imagery, yet their strong black and gold palette feels surprisingly modern.
At 13.5 inches tall, they have enough scale to command attention without overwhelming a mantel or console. The decoration remains crisp, the gilding bright, and the overall impression is confident and dramatic rather than delicate. This is a pair that works through presence and contrast.
Dimensions: 13.5 inches tall x 5 inches diameter
Condition: Excellent antique condition with very minimal wear
Decoration: Mythological scenes of Zeus and Hera in chariots with gold ornament
Material: Staffordshire pottery with polychrome enamel and gilding
Origin: Staffordshire, England
Date: Circa 1870 -
Antique English Porcelain Plate Hand-Painted with Greek Key Design Circa 1810
$380.00This hand-painted Derby porcelain plate from circa 1810 is centered on a bold Neoclassical Greek Key design, one of the most sought-after classical motifs of the Regency period.
The crisp gilded key border encircles a striking twelve-pointed golden star, framed by concentric bands of red and gold and a row of white “pearls” set against a rich red ground.
Around the rim, scrolling foliate forms in purple, blue, green, and iron red create vibrant contrast against the luminous white porcelain.
Lavish gilding unifies the composition, balancing geometric precision at the center with fluid movement at the edge.
The strong classical geometry, combined with saturated color, gives the plate a real decorative presence.
The reverse bears the iron-red Derby crown mark used between 1800 and 1825.
Dimensions: 10.25 inches diameter
Condition: Excellent with light knife marks to the center gilt
Price: $380
Decoration: Hand-painted enamels with extensive gilding and Greek Key border
Material: Porcelain
Style: Neoclassical, Regency
Origin: Derby, England
Date: Circa 1810 -
Pair Antique Wedgwood Creamware Baskets and Stands England Circa 1840
$480.00This pair of antique Wedgwood creamware baskets and stands was made in England circa 1840.
The baskets and their stands feature an impressed basketweave pattern and arcaded borders.
This style mimics the woven texture of a reed basket, reflecting a neoclassical style that was popular in England from the late 18th century to the mid-19th century.
The baskets and stands are made from fine creamware, a type of earthenware developed by Wedgwood in the 18th century.
It is known for its light, ivory-like tone and smooth, glossy glaze.
The arcaded borders create a delicate, elegant effect.
The accompanying stands provide both stability and a coordinated aesthetic, sharing the same molded basketweave decoration and arcaded borders.Marks: each piece with the impressed “Wedgwood” mark of the period.
Dimensions: The baskets measure 9″ x 7″ x 3″ tall, and the stands measure 10.25″ x 8.5″.
Condition: Good. There is a single half-inch line invisibly restored at the edge of one basket
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Set of Three Chinese Figures, Laughing Boys, Hand Painted Porcelain circa 1800
$1,600.00Our friend and client Mario Buatta, the renowned interior designer, owned a dozen Chinese Laughing Boys in his private collection—figures he loved for their charm, personality, and symbolism. We had the privilege of acquiring and selling them several years ago (see last image). These three antique Chinese figures would have fit in perfectly beside Mario’s set. At one glance, you can see the unique personality of each boy—each one joyful and distinct.
This charming set of three antique Chinese export porcelain figures, known as Laughing Boys or “HoHo boys”, was hand-painted in vibrant enamels around 1800.
The seated figures wear brightly colored floral jackets in yellow, turquoise, and green.
The robes are richly hand-painted with flowers, contrasting beautifully with reddish-brown bases that evoke stylized rockwork or drapery.
Their faces are delicately painted, capturing a sense of animated cheer.
The Laughing Boys are traditionally seen as emblems of happiness, harmony, and prosperity.
Their joyful expressions and childlike appearance make them enduring symbols of good fortune.
In Chinese tradition, these figures often represent the wish for a large, successful family.
Popular among both Chinese patrons and Western collectors, figures like these were part of the flourishing export porcelain trade during the Qing Dynasty.
Dimensions: height ranging from 6″ to 7″ tall x 4″ across x 2.25″ deep
Condition: Excellent
Price: $1,600
Key Features:
• From a tradition admired by interior designer Mario Buatta
• Set of three antique Chinese export porcelain figures
• Hand-painted in vivid enamel colors with floral robes
• Known as “HoHo Boys” or Laughing Boys
• Symbols of happiness, harmony, and prosperity
• Associated with the wish for family success
• Finely modeled Chinese figures from the Qing Dynasty
• Made circa 1800 for the export marketDimensions: height ranging from 6″ to 7″ tall x 4″ across x 2.25″ deep
Condition: Excellent
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Chinese Export Mug Hand Painted Mid 19th Century Circa 1860
$780.00This attractive Chinese mug is hand-painted with beautiful flowers.
This mug dates to the second half of the nineteenth century circa 1860.
It was crafted in a southern Chinese porcelain workshop and decorated in Guangzhou.
In this commercial and shipping hub, international traders were given official residency permissions by Qing emperors.Dimensions: Diameter 4″, height 5.5″
Condition: Excellent
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Antique Staffordshire Deer Spill Vase Stag and Fawn Circa 1860
$280.00This large Staffordshire spill vase features a proud stag with a fawn at its side, modeled in a naturalistic Victorian pastoral style.
The deer are hand-painted in warm orange-brown tones with gentle shading that gives depth and life to the figures.
A hollow tree trunk forms the spill holder behind them, finished with a subtle gilt rim.
The shaped white base is edged with a fine gilt line.
The decoration is concentrated on the front, as is typical for Staffordshire figures of this type.
Dimensions: 11.75 inches tall x 7.25 inches long x 2.75 inches wide
Condition: Excellent, with slight rubbing to the gilt on the rim of the tree trunk
Reference: A. & N. Harding, Victorian Staffordshire Figures 1835–1875, Book 2, p. 243
Decoration: Hand-painted with gilt accents
Material: Glazed earthenware
Style: Victorian pastoral
Origin: Staffordshire, England
Date: Circa 1860
Notable Details:
Classic stag and fawn grouping
Tree trunk spill holder form
Warm naturalistic coloring
Referenced in Harding, Victorian Staffordshire Figures 1835–1875 -
Pair Wedgwood Creamware Baskets & Stands with Pierced Openwork England Ca. 1820
$1,400.00This pair of Wedgwood creamware baskets and stands is defined by its crisp design, with finely cut arcaded piercing and a continuous pearled border.
The eye is drawn to the rim, where the arcaded piercing and pearled border define the outline of each basket.
Below the pearled border, the body is molded with a basketweave pattern that adds texture and reinforces the clarity of the form.
The baskets sit securely on their matching stands, completing the intended presentation.
Each piece is impressed with the Wedgwood mark, and the pair remains intact with both baskets and stands.
The precision of the piercing, the consistency of the pale ivory glaze, and the survival of all four pieces make this an excellent set.Dimensions: Baskets 10″ x 6″ x 5″ high to handles; Stands 11″ x 8″
Condition: Excellent
Decoration: Arcaded openwork, molded basketweave, pearled border
Material: Creamware pottery
Style: Late Georgian
Origin: England, Staffordshire, Wedgwood Etruria
Date: Circa 1820 -
Pair Antique Blue and White Dutch Delft Jars Netherlands Circa 1860
$2,200.00The decoration on this pair of blue and white Dutch Delft jars features intricate floral patterns, scrolling foliage, and a central vase, all hand-painted in two shades of rich cobalt blue.
The painting has great energy as if the flowers were growing wildly as we watched.
Elegant curves frame the design, adding to the visual appeal.
The covers are topped with lion finials that are traditional to Dutch Delft.
Made in the Netherlands circa 1860, jars like this would have been placed on a fireplace mantle or a pair of brackets.Dimensions: Height 13.5″ x 6″ at the widest point x 5″ deep at the deepest point
Condition: Excellent with very small edge chips invisibly restored. -
Pair Antique Paris Porcelain Botanical Dishes Hand Painted Flowers Ca. 1850
$320.00This pair of Paris porcelain botanical dishes is hand-painted with finely observed flowering plants rendered in soft purple-pink tones with fresh green leaves.
Each dish presents a single botanical study at the center of the white porcelain ground, allowing the plant’s natural beauty to stand out clearly within the composition.The flowers are painted with careful shading and delicate brushwork, capturing the structure of the blossoms and the varied tones of the petals. A simple gilt line encircles the rim, framing the botanical studies while keeping the focus on the painting itself.
These dishes were made by the Paris porcelain maker Jean-Pierre Feuillet and retailed by the well-known Paris luxury shop Chevet during the mid nineteenth century.
Botanical subjects were popular decorative themes in Paris porcelain of this period, reflecting contemporary interest in natural history and botanical illustration.
Both dishes are marked. One bears a printed black mark for Feuillet, the maker, and the other carries the iron-red mark of the Paris retailer Chevet.
Dimensions: diameter 8.15 inches
Condition: Excellent with extremely slight wear to the gilt
Decoration: Hand-painted botanical studies with gilt rim
Material: Hard-paste porcelain
Style: Mid-19th century Paris porcelain
Origin: Paris, France
Date: Circa 1850 -
Antique Cup and Saucer English Porcelain Greek Key Pattern Blue Ground Ca.1820
$240.00This elegant antique porcelain tea bowl and saucer were hand-painted at Spode in England circa 1810.
They are decorated in the Regency style with a band of gilded Greek key design on a beautiful, deep royal blue ground.
This is a gorgeous example of neoclassical design.
The gilding is fabulous, and the blue is beautiful.
Dimensions: diameter of saucer 5.25″, diameter of tea bowl 3.5″ x height of tea bowl 2″
Condition: Excellent -
Antique Chamberlains Worcester Porcelain Dish in Kakiemon Style England Ca. 1810
$285.00Painted at Chamberlain’s Worcester around 1810, this dish draws inspiration from 17th-century Japanese Kakiemon palette and design.
The style showcases enamels in a distinctive Kakiemon palette, featuring iron red, blue, yellow, or gilt and touches of turquoise green.
The design is asymmetric yet well-balanced.Marks: Under a royal crown, “Chamberlains Worcester No. 155 New Bond Street London”
Dimensions: 9.5″ x 7.75″ x 1.25″
Condition: Excellent
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Pair of Pottery Plates in the “Old Chelsea” Pattern Made United States Ca. 1890
$285.00This pair of pottery plates in the “Old Chelsea” pattern features a vibrant central design of birds surrounded by pink, orange, and yellow roses, along with green leaves.
A wide rim adorned with flowers encircles the central scene, and the edge is highlighted with brown trim.Marks: Over a royal crown “OLD CHELSEA Ceramic Art Company Crown Pottery (see image).
Dimensions: 9″ diameter x 1” tall
Condition: Excellent
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Antique Staffordshire Pottery Cat England Victorian Era Ca. 1860
$580.00This antique Staffordshire cat features a beautiful coat that is white with large black spots. Created around 1860, this cat is hand-painted with enamels in a pattern resembling the fur of a typical household cat.
Dimensions: 5.75′ tall x 5.75″ long x 3.25″ wide. Condition: Some light craquelure in the antique glaze
This charming cat is searching for a cozy home. As many cat lovers know, a home without a cat is simply not a home. -
8 Antique Blue and White Staffordshire Large Soup Plates by Don Pottery Circa 1820
$400.00This set of eight large soup or pasta plates was made by Don Pottery circa 1820.
The design is part of Don Potery’s series of dishes, ” Italian Views”.
The center is decorated with a neoclassical scene of couples relaxing near a ruin while a pair of cupids fly above.
The wide border is filled with flowers and leaves, which overflow into the dish’s well.
The dishes are made of pearlware, most of which was produced in England from 1790 to 1830.Dimensions: 9.75″ diameter x 1.25 deep
Condition: Good. The dishes have small original firing faults and very little wear to the enamel (see images).
For an image of this Don Pottery pattern, see page 143 of the Dictionary of Blue & White Printed Pottery 1780-1880, Vol. II
by A. W. Coysh and R. K. Henrywood | Jun 1, 1989. -
Large Antique Worcester Porcelain Cup & Saucer England Circa 1820
$320.00This large cup and saucer were hand-painted by Flight Barr and Barr Worcester at the Worcester Porcelain factory around 1820.
The vibrant blue ground features an extraordinary shade of blue with just the slightest hint of purple.
The blue ground is decorated with lavishly gilded floral designs.
In the center of both the cup and the saucer, there is a single iron-red flower accompanied by bright green leaves and tiny buds painted in lighter blue.
The decoration also features panels of Kakiemon-style floral designs, hand-painted in iron red, green, and this lighter shade of blue.
These colors and the lavish gilding beautifully complement the blue ground, enhancing its intensity.
The shape is elegant.
Large cups like this were usually used for breakfast when coffee and milk were mixed.Marks: Impressed with FBB under a Royal Crown
Dimensions: The saucer 5.75″ diameter, the cup 4.5″ diameter
Condition: Excellent
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Antique Staffordshire Porcelain Leopard Figure Samuel Alcock & Co. Circa 1835
$680.00This antique porcelain figure of a leopard is small but ferocious.
It is modeled grappling with something in its jaws, recumbent on a rocky base that is picked out in green and edged with a gilt line.
The leopard’s coat is washed in yellow with black markings,
It was made by Samuel Alcock in Burslem, Staffordshire, England, circa 1835.
Alcock was renowned for producing fine-quality porcelain animals, and this leopard figure is one of the best.
It is a quality piece with good attention to detail, a little gem!
Dimensions: 3.5 inches long x 1.8″ wide x 2″ tallMarks: an impressed factory mark and # “256.”
Condition: Excellent
Ref: Geoffrey Godden illustrates a very similar pair of leopards, noting the excellent quality of the porcelain and coloring, in his chapter on Alcock in Staffordshire Porcelain (1983), p.308, fig.471.
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Pair Antique Spode Green Grapes Pattern Dishes England Circa 1820
$480.00This pair of Spode pearlware shell-shaped dishes features the exquisite “Grapes” pattern.
Rich purple grapes, ochre/brown branches, and gorgeous two-tone green leaves cover the entire surface of each dish.
In the 1820s, Spode was renowned for its colorful patterns.
One of their most beautiful was this “Grapes” pattern.Dimensions:9.5″ long x 8″ wide
Condition: Excellent
Stands: A pair of stands is included (see image # 4).
Marks: the underside of the dishes shows the “Spode” mark of the period in underglaze blue as well as an impressed mark “SPODE 42.”
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Antique Imari Dishes Hand Painted with Lavish Gilding England Circa 1820
$400.00These two dishes were crafted at Spode in Stoke-on-Trent, England, circa 1820.
The Imari pattern is Spode pattern 1495. It is hand-painted in shades of orange, blue, and gold.
The dishes feature a traditional flower basket filled with peonies and a charming garden fence.
The wide borders of the dishes display four cartouches, each showcasing a songbird amid flowers.
It is the exquisite gilding that makes these dishes exceptional!Pattern #: Spode pattern 1495
Dimensions: diameters 7.25″ and 8″
Condition: Excellent
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18th C Royal Crown Derby Porcelain Set Prince of Wales Roses Hand Painted
$520.00This collection of platters and dishes is hand-painted in the beautiful Prince of Wales Roses pattern.
The porcelain was crafted at the Derby factory in Derby, England, in the late 18th century, around 1790.
Each piece features a unique hand-painted rose at its center, surrounded by a peach-colored and gilded border.
The Prince of Wales, who later became King George IV, visited the Derby Porcelain Factory in 1773.
This royal visit was significant as it led to the factory being granted a royal warrant, authorizing it to use the title “Royal Crown Derby.”
The Prince of Wales Roses service was created by Derby for the Prince of Wales in 1787.Marks: Each of the four pieces is marked in puce with the Derby factory mark (see last image).
Dimensions: The dishes measure 9.25″ in diameter, the platters 13.75″ x 10.25″
Condition: Very Good with the very slightest rubbing to the enamels and gilt and a single minor restoration to the edge of one platter
(see second to last image). -
Seven Creamware Dishes With Gilt Herringbone Decoration England Circa 1810
$760.00This lovely set of seven creamware dishes is decorated on the border with a band of brightly gilded leaves and berries within blue lines.
The creamware has a rich, creamy color which is complemented by the beautiful gilded border.
The set consists of two dinner dishes, four soup/pasta dishes, and an oval serving platter.Dimensions: the dinner dishes and the soup/pasta dishes measure 9.5″ in diameter, and the oval serving platter measures 12.5″ x 9.5″
Condition: Excellent with tiny original marks to the creamware and very minor wear to the gilt
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Set 15 Pcs English Antique Dinner Plates Soup Dishes & Platter Ca. 1860
$780.00This set of nine dinner plates, six matching soup dishes, and a platter painted in Spode’s “Peacock” pattern was made by Copeland Spode circa 1860.
The “Peacock” pattern was first made by Spode circa 1820.
The pattern features two peacocks in a flower-filled garden.
The wide border is decorated with flowers on scrolling vines.
Chinese export porcelains from the 18th century influenced this chinoiserie pattern.
The dishes predominantly feature greens and pinks, with accents of turquoise, blue, purple, orange, yellow, and beige.
The combination of colors is beautiful!Dimensions: Dinner plates 9.75″ diameter, Soup dishes 9.75″ diameter, Platter 12″ x 9.5″
Condition: Excellent
Marks: The Copeland Spode impressed mark of the period “Copeland ” under a crown, and the mark “Copeland Spode Spode’s Peacock, England.”
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Dozen Antique Porcelain Plates 9″ Dia. Hand Painted England C-1815
$1,100.00This set of twelve luncheon or large dessert plates was hand-painted at Derby in England, circa 1815.
The plates are decorated with gorgeous summer flowers painted in bright polychrome enamels.
The central bouquet features a pink rose, a purple and yellow tulip, and other blue and orange flowers, all complemented by green leaves.
The exceptionally bright palette of pinks and yellows contrasts beautifully with the purple, orange, and green.
Additional bouquets extend from the center up onto the border of each plate, creating visual interest.
The plates also have a lobed gilt line rim, adding a beautiful touch to the edge.
Each plate is a delight to see!
Dimensions: 9″ diameter
Marks: Each of the twelve plates has the iron red Derby mark of the period with “D” under a crown.
This mark was in use at Derby from 1782 to 1825.
Condition: Excellent with the very slightest wear -
Pair Antique Porcelain Cups and Saucers by FBB Worcester Hand Painted Circa 1820
$430.00This pair of Worcester Porcelain cups and saucers was hand-painted in the Kakiemon style “Dejeuney” pattern by Flight Barr Barr Worcester circa 1820.
The pattern was inspired by 17th-century Kakiemon porcelains of Japan.
Both the cups and saucers have gorgeous borders painted with a deep royal blue ground and are decorated with amazingly lavish gilding in foliate designs.
The borders feature oval cartouches with a pattern of trellised flowers painted in vibrant red, green, gold, and blue.
The edges are gadrooned and boldly gilded.
The colors and the gilding make a gorgeous combination!Marks: FBB impressed on the reverse of both the saucers
Dimensions: diameter of saucer 6″ height of cups 3″ diameter of cups 3.25″
Condition: Excellent
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Worcester Porcelain Plates Hand Painted with Shells Set of Five, Ca. 1820
$1,800.00This exceptional set of five antique porcelain plates was made by Flight, Barr & Barr Worcester in England circa 1820.
Each plate features a finely hand-painted shell centered within a roundel and framed by coral and delicate seaweed fronds.
The design reflects the era’s fascination with marine biology and natural history.
The plates feature a soft aquamarine ground and wide gilt borders, decorated with a repeating motif of shells and small white pearls, which reinforces the nautical theme and neoclassical elegance.
One of the plates from this set is featured in The Dictionary of Worcester Porcelain, Volume I, 1751–1851, by John Sandon (see color plate 76, page 300).
Sandon attributes the shell painting to John Barker, a noted landscape artist who also specialized in shell decoration during the Barr, Flight & Barr period.
While no signed examples are known, Sandon writes:
“There remains a large group of pieces… painted with shells seemingly by a single hand… grouped into tiny clumps of filaments in contrast to the more dendritic treatment of Samuel Smith. It is reasonable to conjecture that these pieces are the work of John Barker.”
The seaweed background on these five plates closely matches that description, suggesting they are the work of Barker himself.
Dimensions: 8.35″ diameter
Condition: Excellent, with only the very slightest fading of the aquamarine enamel -
Antique English Pottery Horse with Sponged Decoration Circa 1800
$2,400.00This pottery figure of a horse is sponge-decorated in shades of pink and brown.
It was made at St. Anthony’s Pottery, located in Newcastle Upon Tyne, England, between 1800 and 1810.
The coat’s colors were created using oxides painted and covered in a clear glaze.
The figure features a hand-painted white and red saddle decorated with wavy light blue lines, a light brown “leather” strap, and a mane and tail painted midnight brown.
The horse stands on a green-mottled “grassy” base.
This charming figure has an elegant stance.Dimensions: 7” long x 5.75” tall x 2.5” wide at the base
Condition: Some good professional restoration (Restoration is perhaps inevitable on figures with such fragile legs).
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Nine Coffee or Espresso Cups English Porcelain Dollar Pattern Ca. 1820
$600.00Perfect for a double espresso!
Made in the early 19th century, these nine Dollar Pattern porcelain coffee or espresso cups are decorated in the exquisite “Dollar” pattern.
Spode made this set in England circa 1820. In the Regency period, this shaped cup was known as a coffee can.
The decoration features hand-painted panels in brilliant red, orange, and gold on a clean white ground (the hand-painted variations are especially noticeable in the red “Dollar” pattern).
Around the panels, the cups are painted in a deep cobalt blue decorated with golden vines and flowers.
The rich blue ground is a beautiful complement to the bright red in the white panels.
The pattern is known as the “Dollar” pattern because the red decoration in the panels resembles a dollar sign (see image #2).Dimensions: 2.75″ tall x 2.75″ diameter
Condition: The condition is excellent; two cups have some rubbing to the gilt on the top rim (see last image).
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Set Seven Derby Dishes Hand Painted with Pink Roses Early 19th Century Ca-1815
$500.00These lovely dishes were made in England around 1815.
They have hand-painted pink roses on bright white Derby porcelain, complemented by green and turquoise leaves.
During the late 18th and early 19th century, flower painting was a popular style for decorating English porcelain.
One possible reason for this trend is that porcelain, like a flower, is delicate and color is essential to enhance its beauty.
Therefore, it serves as an excellent medium to showcase the delicacy and freshness of flower painting.Dimensions: The four dessert dishes measure 8″ in diameter, the pair of heart-shaped dishes measure 10″ x 8″, and the lobed oval-shaped dish measures 11.5″ x 8.5″.
Condition: Excellent with slight rubbing to the edge gilt on one heart-shaped dish
Mark: Each dish is marked with the Derby mark of the period, showing the Derby underglaze iron red mark of crossed swords and “D” under a royal crown.
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Five Delft Dishes in the “Lightning” Pattern
$1,530.00This set of plates has a zigzag pattern, one of the favorite decorations for upscale Dutch Delft in the 18th century.
The hand painted Bliksem “Lightning” pattern was first made in Dutch Delft factories in the late 17th or early 18th century.
The center of the plate shows an irregularly shaped medallion around flowering water plants.
Zigzag lightning bolts shoot out from the center.
The lightning bolts reach out to three flower-filled circles.
The remaining space is filled with more flowering plants painted blue, green, yellow, and orange.
This set was hand painted in the Netherlands circa 1820. The Philadelphia Museum of Art has a plate in its collection in this pattern made at De Witte Ster, “The White Star,” between 1705 and 1723
Dimensions: 8.75″ diameter
Condition: Excellent with tiny edge frits invisibly restored -
Antique Mochaware Salt Shaker Made England Circa 1820
$380.00This mochaware salt shaker has an attractive design with four bands of intricate “diamond” impressions and six bands of light blue slip. One band of impressed decoration is colored with green slip, which adds to the salt shaker’s overall appeal.
It was made in England circa 1820 using a foot-powered, engine-turned lathe.
After shaping and impressing, the piece was fired and then returned to the lathe to be colored with the blue and green bands of slip.Dimensions: 5″ tall x 2.5″ diameter at the widest point
Condition: Excellent
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Pair of Colorful Ironstone Plates “Late Spode” England Circa 1835
$285.00This pair of dishes feature a lively design of waterlilies and songbirds in a lovely array of colors. The flowers are painted in shades of pink, yellow, and green, while the stems and leaves are adorned with gilt, deep blue, and grey. The border is filled with vibrant butterflies and songbirds in flight above orange blossoms and peach-colored rockwork. The gilded edge is elegantly curved. The dishes are simply beautiful.
Dimensions: 10″ diameter
Condition: Excellent
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Antique Botanical Print of Dahlia Flower, Framed
$260.00This print of a lifesize dahlia is gorgeous!
The artist has painted the pink and white petals to perfection. You
The delicate lacquered chinoiserie frame is a perfect match for the subject.
Made circa 1850, this botanical print displays the name of the flower written just below the green stem: “Royal Adelaide”
Dimensions: 10.5″ x 13.5″ x .5″ deep
Condition: Very Good with slight toningIn the Victorian era, when the language of flowers was all the rage, dahlias were given as symbols of devotion, love, beauty, and dignity.
Pink dahlias, in particular, symbolize grace, kindness, and beauty. -
John and William Ridgway Armorial Cabinet Plate Hand Painted England Circa 1850
$385.00This cabinet plate is a remarkable piece of hand-painted bone china from the John Ridgway factory in England, dating back to around 1850. Its intricate design is a testament to the craftsmanship of the time. The puce border, adorned with elaborate gilt details, along with the shaped and gilded edge, add opulence to this piece.
Condition: In excellent condition, consistent with age and usage.
Dimensions: 10” diameter.
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Pair French Opaline Vases Circa 1835
$460.00Pair of vases with beautifully hand painted flowers on opaline glass.
We see a bouquet of pink, purple, orange, lilac, yellow, and white flowers, all rendered in a naturalistic style.
The roses, daisies, and morning glory are marvelous!
The leaves are painted in several shades of green.
Made in the Louis-Philippe period of the 19th century, circa 1835.
The artist used colored enamels to create this work of art.Dimensions: Height 11.75″ x 6″ diameter at widest point x 6″ diameter across the top
Condition: Excellent with very slight rubbing to the gilt on the top edge
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Delft Plate or Dish Hand Painted Polychrome Colors Netherlands C-1800
$380.00This hand painted Dutch Delft plate features a lovely flower-filled vase painted with vibrant hues of lemon yellow, blue, iron red, and purple.
The bright yellow blossom captures your attention.
Stretching gracefully across the center are four delicate blue flowers, accompanied by a solitary iron red bloom, all elegantly framed by light green leaves on purple branches.
The effect is beautiful.
Circling the center is a band of yellow decorated with blue flowers and green leaves.
The border is decorated with dashes of purple set against a backdrop of lemon yellow.Dimensions: 9″ diameter
Condition: Excellent with minor edge frits invisibly restored
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Set of Four Chinese Porcelain Famille Rose Dishes Late 19th Century Circa 1880
$380.00This set of four Chinese porcelain dishes are hand painted in Famille Rose colors.
The center is filled with beautiful flowers separated by leaves in two tones of green.
The predominant colors are pink, orange, green, and turquoise with small touches of brown, and gray grisaille.
The Famille Rose color combinations are lovely, and the design is lively!
The colors were produced by mixing colored enamels with opaque white enamel.
Dimensions: 8.25″ diameter
Condition: Excellent
Price: $380 -
Pair Antique Porcelain Oval Dishes Regency Period Hand Painted England Ca-1820
$430.00This pair of brightly colored oval dishes are each decorated in the center with an exquisite rose hand painted in pink with green leaves. Around it are six pairs of smaller red flowers, also shown with their green leaves. The lively borders are filled with purple , blue, and yellow flowers, and lavish floral gilding.
The colorful borders accentuate the shape of the oval dishes.
The beauty of the center roses and the border bursting with color make this a classic example of English Regency Period porcelain.Dimensions: 10.5″ x 8″
Condition: Excellent with the very slightest wear to the gilded outline.
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Pair of Pearlware Pottery Baskets England Circa 1820
$800.00This pair of elegant oval-shaped pearlware baskets and stands were made by St Peter’s Pottery (also known as Thomas Fell & Co**), Newcastle upon Tyne, circa 1830. The baskets were made to hold bread or baked sweets. They also look great filled with flowers (see image #2)
The creamware body was pearled with a lovely blue-white glaze and painted with touches of purple enamel*.
We see decorative purple lines along the top and bottom of the baskets, and the strap handles are each painted with a purple floral design (see image #5)
The baskets have lovely, arcaded, openwork sides.
The stands also have a band of arcaded openwork.
The baskets and stands are decorated with three lines of purple enamel defining the border and the outer edge.
**One of the stands is impressed on the underside with the “F and “Anchor” marks of Thomas Fell & Co. St Peter’s Pottery, Newcastle upon Tyne, Northumberland, England.Dimensions: the baskets measure 5″ tall x 10.5″ from handle to handle
The stands 10.5″ wide x 8.25″ deepCondition: Excellent, with original light craquelure in the glaze
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Wedgwood Creamware Basket and Stand England Circa 1820
$330.00This elegant Wedgwood creamware basket and stand have matching pierced arcades.
The borders of the stand and the basket are decorated with midnight brown slip, as are the basket’s handles.
Pressed out in a mold, the basket has impressed horizontal bands of decoration.
Dimensions: The basket 4″ tall x 9.25″ long x 5″ wideCondition: Very good with small kiln burns where the original glaze didn’t take (see images)
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Staffordshire Porcelain Pitcher England Circa 1830
$285.00This simple, charming Staffordshire porcelain pitcher is perfect for flowers.
Made in England circa 1830, the pitcher has a beautiful hand painted bouquet on the front.
We see colors of pink, light blue, yellow, purple, orange, and two tones of green on the leaves.
Three horizontal gilt bands define the base, neck, and top of the pitcher.
The handle has an embossed decoration of leaves on the vine.Dimensions: 6.75″ tall x 6.5″ from the end of spout to end of handle x 4.75″ diameter at the widest point and 3″ diameter across the base
Condition: Very good, with slight wear to the painted enamels (see close-up images). The porcelain and gilding are perfect.
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Antique Paris Porcelain Pierced Basket with Gold Decoration France Circa 1840
$1,100.00This elegant Paris Porcelain pierced basket is oval shaped, with lavishly gilded latticework.
The Empire style is timeless, and the latticework of the baskets lends delicacy and light to the design.
The white line across the top of the base accentuates the richness of the gold, adding a touch of intensity to the overall design.
The long rectangular base of the basket harmonizes with its oval shape, creating a pleasing visual balance.
Filled with flowers, this is the perfect centerpiece for a formal dining room table, either oval shaped or rectangular.
It would also be exquisite on a sideboard in the dining room.Dimensions: 13.75″ long x 7.5″ wide x 10.75″ tall. The basket is 4.75″ deep.
Condition: Very Good, with some gilt invisibly touched in
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Antique Pair Golden Paris Porcelain Vases with Paris Porcelain Centerpiece
$1,400.00We are pleased to offer this elegant three-part group of Paris Porcelain in the Empire style crafted circa 1840.
The centerpiece is an oval-shaped pierced basket, lavishly gilded with delicate latticework. The golden Empire style lends an air of grandeur to the design, while the intricate latticework adds a sense of delicacy and allows light to play through. The white line across the top of the base further enhances the richness of the gold, creating a touch of intensity. The long rectangular base harmonizes beautifully with the oval shape, creating a visually balanced composition. With dimensions of 13.75″ long x 7.5″ wide x 10.75″ tall and a depth of 4.75″, this centerpiece is perfect as a centerpiece for a formal dining room table, be it oval-shaped or rectangular. It would also make an exquisite addition to a dining room sideboard.
Flanking the centerpiece is a pair of golden Paris Porcelain mantle vases in the Empire style and crafted circa 1840. The gilding on these vases is exquisite. Delicate bands of flowers and matte handles further emphasize the luxury of the gold. These vases stand 12.5″ tall and measure 6″ across the handles, with a depth of 4″. Their dimensions and captivating design make them ideal as companions to the centerpiece or for adorning a mantelpiece.
The pieces are in very good to excellent condition, with some small touches of gilt invisibly restored on the basket, while the vases are pristine.Dimensions of the basket: 13.75″ long x 7.5″ wide x 10.75″ tall. The centerpiece is 4.75″ deep.
Dimensions of the vases: 12.5″ tall x 6″ across the handles x 4″ deepCondition: Very Good, to Excellent with some touches of gilt invisibly restored on the centerpiece
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Silk Needlework Picture Showing Shepherdess and Her Flock, England, circa 1840
$245.00The shepherdess is lovely. She is seated near her flock under the shade of a leafy tree, wearing a green and white dress and a hat with red trim. Nearby we see a house with a fence.
The frame is later.Dimensions: 12.75″ height x 11″ wide x 1″ deep
Condition: The silk is faded.
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Blue and White Delft Plate or Dish Hand Painted Holland C-1800 w/ Mark of The Claw
$470.00This blue and white Delft plate was hand painted circa 1800 in the Netherlands. Provenance: On the reverse is the mark of De Porceleyene Claeuw, “The Claw” factory operated in Holland from 1658 to 1840. At the center of this lovely hand-painted dish is a traditional Dutch Delft view of a garden. The painting has a lovely touch; at the top of the garden view is a teapot!**( for more information on the Dutch history of tea see ** below) The artist used cobalt blue in various shades to enhance the beauty of the design. We see an oversized peony, a willow tree, and deep blue rockwork. The border is adorned with delicate flowers and intricate vines that add an elegant touch to the overall design The edge is painted with traditional yellow slip. The dish was made circa 1800.
Dimensions: 8.75″ diameter x 1″ height
Condition: Excellent.
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Set of 6 Late 18th Century English Ironstone Imari Dessert Plates
$1,100.00This set of six plates, crafted by John Turner circa 1795, features the exquisite Imari color palette of iron red, cobalt blue, and radiant gold.
The color combination creates a vibrant and striking look, and the design of a dragon soaring amidst a lush garden is captivating.
The pattern was inspired by the renowned Imari porcelain patterns of 17th and 18th century Japan.
John Turner, the inventor of ironstone, crafted the plates. He held the first patent for ironstone, which he manufactured from 1795 to 1805. The underside of each plate is impressed with the mark “Turner”.
The Turner family of potters was active in Staffordshire, England, from 1756-1829.
Their manufactures have been compared favorably with those of Josiah Wedgwood and Sons.
Josiah Wedgwood was a friend and a commercial rival of John Turner, the first notable potter in the Turner family.
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