Dutch Delft Blue and White Garniture of Eight Pieces, De Klaauw, Circa 1820

$6,600.00

This exceptional eight-piece Dutch Delft garniture creates an impressive display of graduated blue and white forms.

Hand painted circa 1820 and bearing the mark of De Klaauw, known as “The Claw,” the garniture comprises five covered vases and three open beaker vases, an unusually complete and highly decorative arrangement.
Each piece has a bold faceted form rising from a hexagonal foot.
The covered vases have domed lids surmounted by traditional bird-and-ball finials, while the three beaker vases have lean flaring shapes that introduce contrast and rhythm within the grouping.

The garniture is extensively hand painted in cobalt blue with the celebrated Peacock’s Feathers pattern.
Large stylized flowers rise above urn-shaped motifs, surrounded by radiating leaves and scrolling foliage that suggest the spreading feathers of a peacock’s tail. Deep passages of cobalt are balanced by lighter blue shading and areas of fresh white glaze, giving the decoration depth, movement, and a richly layered appearance.
The unusual eight-piece composition allows the garniture to be arranged in several ways.
Displayed together, the alternating covered and open forms create a beautifully balanced progression of height, shape, and decoration.
The result is both architectural and exuberant, with the scale and completeness needed to command a mantel, sideboard, or large table.
De Klaauw, meaning “The Claw,” was one of the historic pottery factories of Delft. Founded in 1661, the factory remained active into the early 19th century and produced blue and white wares in the long tradition of Delft pottery.
Condition: Excellent
Marks: Factory marks for De Klaauw
Dimensions: Covered jars measure 12.5 inches tall x 5.75 inches wide x 4 inches deep. Beaker vases measure 9 inches tall x 5.25 inches wide x 4 inches deep.

In stock

Notable Details: An unusually extensive eight-piece garniture comprising five covered vases and three open beaker vases, all hand painted with matching cobalt-blue floral decoration and raised on hexagonal feet.

Background of Delft

The technique of making Delft was first described in writing by Gerrit Paape in “The Delft Pottery Maker,” written in 1794 and dedicated to Lambertus Sanderus, the owner of De Porceleyne Claeuw (The Porcelain Claw). Delft faience began in the 17th century. Much of the most beautiful Delft was produced in the Dutch city of Delft. The Delft potters began to coat their pots thoroughly in a white tin glaze. They then covered the white tin-glaze with a clear glaze, giving depth to the fired surface and smoothness to cobalt blues. Over time they created a good resemblance to porcelain. By circa 1650, the technical skills of the potters and painters were much improved, and Delft began its golden age.


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