Dutch Delft Blue and White Garniture of Eight Pieces The Claw Factory Ca. 1820

$6,600.00

This exceptional eight-piece Dutch Delft garniture was hand painted circa 1820 in cobalt blue and bears the mark of De Klaauw, known as “The Claw.”
The garniture consists of five covered vases and three open beaker vases.
Each piece has a strongly modeled, faceted form rising from a hexagonal foot.
The covered vases have domed lids surmounted by traditional bird-and-ball finials.
The three beaker vases have lean, flaring forms that introduce contrast and balance within the complete arrangement.
Each piece is extensively hand painted with the celebrated Peacock’s Feathers pattern, a well-known Dutch Delft design widely used during the 18th and early 19th centuries.
The large stylized flowers and radiating leaves resemble the spreading feathers of a peacock’s tail.
Deep cobalt blue is balanced by lighter blue shading and areas of fresh white glaze, giving the decoration depth and movement.
The unusual eight-piece composition allows the garniture to be displayed in several arrangements.
Shown together, the graduated forms create an impressive and highly decorative grouping.
De Klaauw, meaning “The Claw,” was one of the historic pottery factories of Delft.
The factory began production in Delft, The Netherlands, in 1661 and remained active into the early 19th century,
Condition: Excellent
Marks: Factory marks for De Klaauw
Dimensions: The covered jars measure 12.5″ tall x 5.75″ wide x 4″ deep. The beaker vases measure 9″ tall x 5.25″ wide x 4″ deep.

 

In stock

Notable Details: An unusually extensive eight-piece garniture comprising five covered vases and three open beaker vases, all hand painted with matching cobalt-blue floral decoration and raised on hexagonal feet.

Background of Delft

The technique of making Delft was first described in writing by Gerrit Paape in “The Delft Pottery Maker,” written in 1794 and dedicated to Lambertus Sanderus, the owner of De Porceleyne Claeuw (The Porcelain Claw). Delft faience began in the 17th century. Much of the most beautiful Delft was produced in the Dutch city of Delft. The Delft potters began to coat their pots thoroughly in a white tin glaze. They then covered the white tin-glaze with a clear glaze, giving depth to the fired surface and smoothness to cobalt blues. Over time they created a good resemblance to porcelain. By circa 1650, the technical skills of the potters and painters were much improved, and Delft began its golden age.


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