Dutch Delft Blue & White Large Plate Hand Painted Circa 1780
$900.00
This Dutch Delft blue and white large plate was hand painted in the Netherlands circa 1780 and stands out for the strength and clarity of its radial design. At nearly fourteen inches in diameter, the scale allows the central floral rosette to command the surface with authority.
Radiating foliate scrolls and small blossoms fill the well in a disciplined, symmetrical arrangement. The pattern expands outward in measured intervals, creating movement without crowding. The border alternates stylized leaves with geometric panels, providing structure and contrast to the flowing interior decoration.
The brushwork is fluent and assured, with natural tonal variation where cobalt gathers and softens beneath the glaze. The blue remains clear against the warm tin-glazed ground, allowing the pattern to read distinctly across the full diameter.
The balance of symmetry, scale, and confident hand-painted brushwork gives the plate a strong and composed presence.
Dimensions: Diameter 13.75 inches
Condition: Excellent with small edge chips, invisibly restored
Decoration: Hand-painted blue and white floral and foliate design
Material: Tin-glazed earthenware
Style: Dutch Delft, late 18th century
Origin: Netherlands
Date: Circa 1780
In stock
Notable Details:
• Nearly fourteen-inch display scale
• Strong central rosette with radial symmetry
• Alternating leaf and geometric border panels
• Assured hand-painted brushwork with visible tonal variation
Background of Dutch Delft
The technique of making Delft was first described in writing by Gerrit Paape in “The Delft Pottery Maker,” written in 1794 and dedicated to Lambertus Sanderus, the owner of De Porceleyne Claeuw (The Porcelain Claw). Delft faience began in the 17th century.
Much of the most beautiful Delft was produced in the Dutch city of Delft.
The Delft potters began to coat their pots thoroughly in a white tin glaze.
They then began to cover the white tin glaze with a clear glaze, giving depth to the fired surface and smoothness to cobalt blues.
Over time, they created a good resemblance to porcelain.
By approximately 1650, the technical skills of potters and painters had significantly improved, and Delft entered its golden age.
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