Pair of Large Dutch Delft Blue and White Plates, Axe Mark, Circa 1770

$2,100.00

This beautiful pair of large Dutch Delft plates was hand painted in cobalt blue during the 18th century, circa 1770.
At the center of each plate, a long-tailed crane stands among flowering plants in a stylized garden.
The bird is surrounded by large blossoms, layered foliage, and delicate insects, creating a lively scene filled with finely observed detail.
A broad scalloped band encircles the central garden.
Each radiating panel is painted with feathery leaves and flowering stems, forming a crisp, rhythmic frame around the crane.
Beyond it, the wide border is filled with scrolling vines and shaded flowers arranged across the gently lobed surface.
The cobalt blue ranges from deep, saturated passages to soft washes and fine linear brushwork.
This tonal variation gives the flowers, foliage, and feathers depth while allowing the intricate decoration to remain clear against the fresh white tin glaze.
Measuring 13.5 inches in diameter, the plates have impressive scale and a strong decorative presence.
Displayed together, their matching forms and closely related hand-painted scenes create a beautiful sense of symmetry.
Each plate bears the Axe mark of De Porceleyne Bijl, one of the respected Delft pottery factories active during the 18th century.
Dimensions: 13.5 inches diameter
Condition: Excellent antique condition with tiny edge frits invisibly restored.
Material: Tin-glazed earthenware
Maker: De Porceleyne Bijl, known as The Axe
Origin: Delft, Netherlands
Date: Circa 1770

In stock

Notable Details:
Pair marked with the Axe of De Porceleyne Bijl
Central crane motif rendered with strong, confident brushwork
Cohesive panel and border structure typical of mature Delft design
Gently lobed rims
Large 13.5″ scale suitable for wall display or table setting

Background on Delftware

In the 17th and 18th centuries, Delft potters in the Netherlands developed a distinctive style influenced by imported Chinese porcelain.
When Chinese exports declined in the mid-17th century, Dutch potteries filled the demand with their own interpretations, resulting in a flourishing industry centered in the city of Delft.
This pair of chargers reflects the mature phase of Delft production, when painters had mastered the synthesis of Eastern and Western styles, creating designs that were both elegant and highly decorative.

 

 


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