Pair Antique Blue and White Delft Ginger Jars Hand Painted Netherlands C. 1790

$2,300.00

This pair of late 18th-century Dutch Delft jars has strong form, true pairing, and confident hand-painted decoration.
They read as a substantial pair of mantle jars.
The ovoid bodies rise to a stepped neck and a wide projecting flange, creating a silhouette with clear architectural presence.
That flange gives the form its authority, separating the body cleanly from the cover and giving the jars a more structured profile than simpler forms.
The domed covers complete the shape, each finished with a tiered knop finial banded in cobalt.
The decoration is hand-painted in tones of cobalt blue on a soft white tin-glazed ground.
Stylized landscape elements, flowering plants, and rockwork are arranged across the bodies with confidence.
A drapery-like border at the shoulder creates a clear visual break, allowing the form to read distinctly beneath the decoration.
On the reverse, each jar is finished with a butterfly, introducing a lighter, more informal element.
The pair is closely matched without being identical.
The hand-painted scenes relate to one another but vary in detail, giving the jars a natural dialogue.
Dimensions: 10.75 inches tall x 4.75 inches diameter at widest point x 3 inches diameter at base
Condition: Excellent, with small edge chips invisibly restored
Decoration: Hand-painted blue and white landscape and floral motifs
Material: Tin-glazed earthenware, Delft
Style: Traditional 18th-century Delft style
Origin: Netherlands
Date: Circa 1790

In stock

   Notable Details:
True pair with closely matched form and complementary hand-painted decoration
Ovoid bodies with stepped neck and wide projecting flange
Domed covers with tiered knop finials banded in cobalt blue
Stylized landscape, floral, and butterfly decoration
Strong cobalt tone against a soft white tin-glazed ground
Background of Delft

The technique of making Delft was first described in writing by Gerrit Paape in “The Delft Pottery Maker,” written in 1794 and dedicated to Lambertus Sanderus, the owner of De Porceleyne Claeuw (The Porcelain Claw). Delft faience began in the 17th century. Much of the most beautiful Delft was produced in the Dutch city of Delft. The Delft potters began to coat their pots thoroughly in a white tin glaze. They then covered the white tin-glaze with a clear glaze, giving depth to the fired surface and smoothness to cobalt blues. Over time they created a good resemblance to porcelain. By circa 1650, the technical skills of the potters and painters were much improved, and Delft began its golden age.


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