Pair Antique Dutch Delft Cows Hand Painted in Polychrome Colors Circa 1780

$1,400.00

This charming pair of small Delft cows was made in Holland around 1780 and painted in the rare and delicate Petit Feu palette.
Each cow, modeled in a recumbent pose, is beautifully expressive with soft brown forelocks, painted eyes, horns, and tails, and a lively spotted hide. Around each neck is a garland of hand-painted flowers, while across each back rests a bright floral blanket that adds gentle animation to the form.
The palette, though soft, has remarkable vibrancy, showing the full range of colors achieved by the Petit Feu firing process.
Both figures rest on grassy green bases shaped to their forms, each side further embellished with decorative marbling in hues of red, yellow, and blue.
The cows’ peaceful expressions give them a touching charm, bridging folk artistry and fine decorative tradition.
Dimensions: 3 inches tall x 3.5 inches across the base
Condition: Excellent, with small chips to the ears invisibly restored
Price: $1,400 for the pair
Decoration: Polychrome enamels in Petit Feu colors, featuring garlands, floral blankets, and marbleized bases
Material: Delft earthenware, tin-glazed
Style: Dutch Delft polychrome figural pottery
Origin: Holland
Date: Circa 1780

In stock

Background of Delft Cows

In the seventeenth century, the butchers guild held an annual parade with prize-winning cows and bulls lavishly adorned with flowers, floral wreaths, and gilded horns. The potters of Delft began to make cows painted with floral wreaths just like those seen in the parade. Between 1740 and 1790, Delft cows were produced by many of the factories in Delft.

Background of Petit Feu colors

Japanese Imari porcelains reached the Netherlands in the mid-17th century. They became very popular and inspired Delft potters to emulate their colorful designs. In particular, Delft potters began experimenting with various color and firing techniques to achieve the Japanese style. The low-temperature firing of enamel colors (petit feu) was one technique that allowed delft potters to expand their color palette. This technique was first used at the beginning of the 18th century. It requires three firings, allowing the potter to use colors that could not withstand the high temperatures in the kiln during the second firing (grand feu). With the low-temperature colors on top of the glaze, the objects were fired again at a lower temperature. “For more information on Petit Feu Delftware, see {Decorations in “Petit Feu” Colors} by Aronson Antiquairs.
Notable Details:
Painted in the delicate Petit Feu palette allowing for expanded color range through low-temperature enameling
Each cow modeled with lifelike expression and individuality
Distinctive marbled base decoration, hand painted in multiple hues
Inspired by Japanese Imari porcelains that influenced Dutch Delft design
Comparable examples discussed in Decorations in “Petit Feu” Colors by Aronson Antiquairs


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