Delftware

  • Antique Dutch Delft Blue and White Large Charger Plate c 1800

    Antique Dutch Delft Blue and White Large Charger Plate c 1800

    $640.00

    This Dutch Delft blue and white charger presents a strong, balanced garden composition centered on a stylized vase rising from a dark cobalt ground.
    The peony at right opens fully, its layered petals articulated in confident brushwork, while buds and feathery leaves create movement across the field.
    Rockwork and foliage anchor the design, giving the scene weight and structure.
    The cobalt is deep and saturated, shifting in tone where the brush passes more lightly over the tin-glazed surface.
    The wide border frames the center with a repeating pattern of buds and scrolling leaves, painted with clarity and control.
    At fourteen inches in diameter, the scale would give the piece presence on a wall.

    Dimensions: 14 inches in diameter

    Condition: Excellent with small edge frits invisibly restored

    Decoration: Hand-painted in cobalt blue with peonies, buds, foliage, and rockwork within a patterned border
    Material: Tin glazed earthenware
    Style: Dutch Delft
    Origin: Netherlands
    Date: Circa 1800
    Background of Dutch Delft:
    The technique of making Delft was first described in writing by Gerrit Paape in “The Delft Pottery Maker,” published in 1794 and dedicated to Lambertus Sanderus, owner of De Porceleyne Claeuw. Delft faience began in the seventeenth century, with much of the finest production centered in the city of Delft. Potters coated their wares in an opaque white tin glaze and applied decoration in cobalt before covering the surface with a clear glaze. This process gave depth to the blues and a smooth, luminous finish. By about 1650, technical skill had advanced significantly, ushering in the golden age of Delft production

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  • English Delft Blue and White Punch Bowl Fluted Circa 1715

    English Delft Blue and White Punch Bowl Fluted Circa 1715

    $4,200.00

    “Only the best” was the guiding principle of Syd Leventhal as he assembled the Longridge Collection, one of the most important collections of early English pottery ever formed.
    This blue and white London delftware punch bowl, circa 1715, closely matches in form and painted scheme item D309 illustrated on page 341 of The Longridge Collection of English Slipware and Delftware by Leslie B. Grigsby.
    Its close correspondence to the Longridge example anchors the bowl firmly within a documented and highly regarded group of circa 1715 London production, elevating it beyond typical unrecorded Delftware.
    For collectors of early English Delftware, documented comparability to the Longridge Collection carries particular weight, placing this bowl within a small and historically significant body of surviving work from the formative years of London tin-glaze production.
    Sculptural fluted punch bowls from the second decade of the eighteenth century are scarce survivals, and few combine this scale, confident brushwork, and documented comparability.
    The bowl is molded with rounded flutes that rise to a scalloped rim edged in dark cobalt blue.
    The broad surfaces of the flutes catch and release light, while the dark blue edge crisply defines the form’s silhouette.
    The cobalt ranges from dense, inky passages in the rim border and leaf outlines to pale translucent washes across the petals.
    The contrast between saturated and diluted blue gives the decoration depth and sharpens the definition of each leaf and petal.
    The sculptural modeling and expert hand painting combine to create a bowl of remarkable beauty.

    Dimensions: 11.75″ diameter x 6.85″ tall x 5″ diameter acrosss the base

    Condition: Good. Surface glaze imperfections and small frits consistent with age. Some glaze pops invisibly restored.

    Decoration: Hand-painted in cobalt blue, with exterior floral sprigs within molded flutes, a bird and foliage in the well, and a scrolling leafy border at the rim.
    Material: Tin-glazed earthenware (English delftware).
    Style: Early 18th-century London tin-glaze with chinoiserie influence.
    Origin: London, England.
    Date: Circa 1715
    Notable Details:
    Closely matching Longridge Collection no. D309, p. 341
    Related border motifs to Longridge examples D116 and D117 and to dated dishes of 1712 and 1716
    Form associated with dated dishes of 1712 and 1716
    Deeply molded fluting with scalloped rim
    Strong cobalt tonal variation

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  • Large English Delft Blue and White Punch Bowl Liverpool Circa 1760

    Large English Delft Blue and White Punch Bowl Liverpool Circa 1760

    $2,600.00

    This large English Delft punch bowl was hand painted in Liverpool around 1760. At thirteen inches in diameter, it combines substantial scale with notable lightness in both its thin potting and the clear tone of its cobalt blue.

    The blue fires in a light, fresh shade that complements the delicacy of the bird-and-flower design on the exterior and the restrained floral sprigs within. A lively songbird moves through flowering sprays beneath a structured diaper border at the rim. The outlines are firm, the washes controlled, and the brushwork remains visible.

    The cobalt stays light rather than dark or inky, allowing the decoration to read clearly across the broad surface. The glaze has a cool white cast with slight bluish translucency and an even surface with only mild pooling. That clarity supports the painting and sharpens the blue.

    The foot ring is neatly cut and proportioned, reinforcing the sense of careful workshop finish. Inside, a single budding flower in the well and delicate leafy sprigs below the rim reflect the traditional restraint of Liverpool punch bowls of this period.

    Scale, lightness, and controlled painting define the strongest English Delft. This bowl brings those qualities together with clarity and balance.
    Dimensions: 13 inches diameter x 6.5 inches tall
    Condition: Excellent with a small glaze skip in the well and very small edge frits invisibly restored
    Decoration: Hand-painted in soft cobalt blue with bird and flower sprays and diaper border
    Material: Tin-glazed earthenware
    Origin: Liverpool, England
    Date: Circa 1760

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  • Dutch Delft Blue & White Large Plate Hand Painted Circa 1780

    Dutch Delft Blue & White Large Plate Hand Painted Circa 1780

    $900.00

    This Dutch Delft blue and white large plate was hand painted in the Netherlands circa 1780 and stands out for the strength and clarity of its radial design. At nearly fourteen inches in diameter, the scale allows the central floral rosette to command the surface with authority.

    Radiating foliate scrolls and small blossoms fill the well in a disciplined, symmetrical arrangement. The pattern expands outward in measured intervals, creating movement without crowding. The border alternates stylized leaves with geometric panels, providing structure and contrast to the flowing interior decoration.

    The brushwork is fluent and assured, with natural tonal variation where cobalt gathers and softens beneath the glaze. The blue remains clear against the warm tin-glazed ground, allowing the pattern to read distinctly across the full diameter.

    The balance of symmetry, scale, and confident hand-painted brushwork gives the plate a strong and composed presence.

    Dimensions: Diameter 13.75 inches
    Condition: Excellent with small edge chips, invisibly restored
    Decoration: Hand-painted blue and white floral and foliate design
    Material: Tin-glazed earthenware
    Style: Dutch Delft, late 18th century
    Origin: Netherlands
    Date: Circa 1780

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  • 3 Antique Dutch Delft Blue & White Peacock Pattern Large Plates 18th Century

    3 Antique Dutch Delft Blue & White Peacock Pattern Large Plates 18th Century

    $2,650.00

    This set of three Dutch Delft blue and white large plates was made at De Vergulde Bloempot and De Klaaw in the Netherlands, circa 1790.
    The plates are hand-painted in deep cobalt blue with the celebrated Peacock pattern, one of the most enduring and recognizable designs in Dutch Delftware.
    At the center of each plate stands a vase overflowing with stylized flowers and fernlike leaves that radiate outward in a fan form, creating the distinctive silhouette that gives the pattern its name.
    The composition fills the well with confident symmetry and strong brushwork, while the rim is framed with bold cartouches and scrolling ornament that anchor the design.
    A crisp yellow slip painted border encircles each plate, heightening the intensity of the cobalt and giving the set a vivid, luminous presence.
    The Peacock pattern has been known since the 17th century and remained popular for generations, admired for its balance of decorative richness and clarity of form.
    Two plates bear underglaze factory marks for De Vergulde Bloempot, and one bears the mark for De Klaaw, confirming their production at these respected Delft factories.
    This is a handsome and cohesive group that reflects the enduring appeal of late 18th-century Dutch Delft.

    Dimensions: 13.5 inches diameter, 14.25 inches diameter

    Condition: Excellent, with minor edge frits to the yellow borders invisibly restored

    Decoration: Hand-painted Peacock pattern in cobalt blue with yellow slip-painted rim
    Material: Tin-glazed earthenware
    Style: Traditional 17th century Delft style
    Origin: Netherlands
    Date: 1780 to 1820
    Notable Details:
    • Two marked for De Vergulde Bloempot and one for De Klaaw
    • Classic Peacock pattern with vase and radiating fern motif
    • Deep cobalt blue hand-painted decoration
    • Bright yellow slip-painted borders
    • Attractive sizes for display

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  • Pair Blue and White Large Hand Painted Dutch Delft Plates The Axe Circa 1780

    Pair Blue and White Large Hand Painted Dutch Delft Plates The Axe Circa 1780

    $900.00

    This pair of large Dutch Delft plates, traditionally referred to as chargers, was hand-painted at the renowned De Porceleyne Bijl (The Axe) factory in Delft, circa 1780.
    Each plate measures 12.25 inches in diameter and is centered with a carefully balanced composition depicting a basket overflowing with flowers, rendered with assurance and clarity in rich cobalt blue.
    The surrounding border alternates between scrolling floral sprays and diamond-patterned panels, creating a rhythmic frame that guides the eye across the surface.
    Warm ochre-painted rims provide contrast against the white tin-glazed ground, lending definition and visual depth while neatly enclosing the decoration.
    The pair remains in excellent condition and reflects the confident workmanship and refined decorative control associated with late 18th-century production at The Axe factory.
    Dimensions: 12.25 inches diameter
    Condition: Excellent
    Decoration: Hand-painted floral basket with alternating border panels
    Material: Delft tin-glazed earthenware
    Style: Dutch Delftware
    Origin: Netherlands, De Porceleyne Bijl (The Axe)
    Date: Circa 1780
    Notable Details:
    Produced at De Porceleyne Bijl (The Axe), active 1637–1803
    Strong cobalt blue painting on a white tin-glazed ground
    Ochre-painted rims provide warmth and visual framing
    Large-format plates traditionally called chargers
    Well-matched pair with balanced decoration and excellent preservation

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  • Pair Blue & White Dutch Delft Plates Hand Painted De Porceleyne Claeuw Circa 1760

    Pair Blue & White Dutch Delft Plates Hand Painted De Porceleyne Claeuw Circa 1760

    $2,400.00

    This pair of large blue and white Dutch Delft plates, traditionally made as chargers, is hand-painted and marked by De Porceleyne Claeuw (The Claw) and was made in the Netherlands circa 1760.Each charger measures 14 inches in diameter and features a central urn overflowing with flowers, surrounded by concentric borders of scrolling vines and blossoms.
    The rich cobalt palette is complemented by lively brushwork with rhythmic energy.
    The lobed and barbed edges are painted dark blue, framing the composition beautifully.
    Impressive in both size and decoration, these chargers display the beauty and creativity associated with De Porceleyne Claeuw, one of Delft’s most celebrated factories.Dimensions: 14″ diameter
    Condition: Excellent
    Material: Delft tin-glazed earthenware
    Origin: Netherlands
    Date: Circa 1760 (De Porceleyne Claeuw active 1661–1840)

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  • Dutch Delft Blue and White Charger De Witte Starre Factory Circa 1770

    Dutch Delft Blue and White Charger De Witte Starre Factory Circa 1770

    $1,060.00

    This large Dutch Delft charger was hand-painted at the De Witte Starre* factory in Delft circa 1770.
    The cobalt blue decoration is arranged in petal-like panels radiating from a central roundel.
    Each panel is filled with abundant hand-painted floral motifs, including blossoming branches, tulips, and peonies.
    The border shows panels of blooms and patterned ornament, all meticulously executed in fluid brushwork.
    This is an especially fine example of De Witte Starre’s output during its peak period, distinguished by its elegant form and rich decoration.

    Marks: the reverse has the star mark of De Witte Starre
    Dimensions:13.75″
    Condition: Excellent. Minor glaze imperfections typical of 18th-century Delftware and small edge frits invisibly restored.
    Decoration: Blue and white hand-painted floral panels arranged in a radial petal design
    Material: Tin-glazed earthenware
    Style: Dutch Delft, Chinoiserie Influence
    Origin: Netherlands, Delft
    * De Witte Starre was founded in 1660 and closed in 1804.
    Date: Circa 1770

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  • Set of 3 Antique Blue and White Delft Plates Hand Painted Netherlands Ca. 1800

    Set of 3 Antique Blue and White Delft Plates Hand Painted Netherlands Ca. 1800

    $1,180.00

    This set of three antique Delft plates was hand-painted in the Netherlands circa 1800.
    Each plate measures approximately 9 inches in diameter and features a unique blue and white design painted in cobalt oxide under a clear glaze.
    The central motifs include stylized beautiful floral arrangements and a pastoral scene with deer, all framed by floral borders.
    The rims are finished with a warm yellow line, a traditional touch in late 18th- and early 19th-century Dutch faience.
    These plates embody the Folk Art charm and decorative style that made Delftware prized throughout Europe.

    Dimensions: 9 inches in diameter

    Condition: Excellent

    Decoration: Hand-painted in blue with stylized flowers and landscape scenes
    Material: Tin-glazed earthenware (Delftware)
    Style: Folk Art / Dutch Delft
    Origin: Netherlands
    Date: Circa 1800
    Key Features
    – Set of three antique Delft plates
    – Hand-painted cobalt blue designs
    – Yellow rim highlights
    – Decorative floral and scenic motifs
    – Dutch tin-glazed earthenware, circa 1800

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  • Antique Delft Charger Hand Painted at De Vergulde Bloempot 18th Century Ca. 1740

    Antique Delft Charger Hand Painted at De Vergulde Bloempot 18th Century Ca. 1740

    $1,100.00

    This antique Dutch Delft charger plate was hand-painted in the first half of the 18th century at De Vergulde Bloempot, one of the most esteemed Delftware factories of the period.
    It is marked on the reverse with the initials “B P,” identifying it as a work of this distinguished maker.
    The charger features a lovely symmetrical composition of stylized tulips, scrolling foliage, and elaborate foliate elements arranged in a radiant pattern.
    Painted in rich cobalt blue on a white tin-glazed ground, the decoration reflects the confident brushwork and refined aesthetic associated with high-end Delftware.
    The charger is finished with a charming molded pie crust rim, which adds a tactile and visually arresting edge to the design.

    Marks: The “B P” mark in underglaze blue used in the 18th century at De Vergulde Bloempot

    Dimensions: 13.75″ diameter x 2″ height

    Condition: Excellent

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  • Antique Blue & White English Delftware Charger 18th Century Hand-Painted C. 1750

    Antique Blue & White English Delftware Charger 18th Century Hand-Painted C. 1750

    $740.00

    This Delft charger showcases a charming hand-painted chinoiserie scene featuring blooming trees, rocky formations, a cottage, and two fishermen in their boats on the water, with birds soaring in the sky above.
    The design covers the entire plate without a separate border, a creative technique rarely seen in 18th-century English Delft pottery. The scene is painted in shades of cobalt blue against a traditional light blue glazed background.

    Marks: The reverse features a factory mark “12.” Such marks are commonly found on 18th-century English Delftware ceramics to indicate the size of an item for display in the factory showroom or to denote its price category.

    Dimensions: 10.75″ diameter

    Condition: Excellent with slight edge frits invisibly restored

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  • 18th Century Blue and White English Delft Jug Hand-Painted

    18th Century Blue and White English Delft Jug Hand-Painted

    $1,100.00

    This blue and white English Delftware jug, made circa 1750-1760, has a tall, narrow neck with a slightly flared rim on a distinctive globular body. The decoration is the word “BOY” framed by blue dashes.
    It is hand-painted in blue, done in a freehand, fluid style that includes typical irregularities in the paint.
    Historically, 18th-century English Delftware is known for its freehand, fluid decoration, characterized by minor irregularities that evoke an authentic folk art quality.
    The rustic and uneven glaze is also characteristic of this pottery.
    The bottle has a utilitarian feel, featuring four protruding lugs on the sides.
    Its modest yet charming form, rounded shape, and understated ornamentation reflect the everyday aesthetic of mid-18th-century Delftware production.
    Delftware jugs were often created for public houses, and “Boy” might reference part of a pub name, a local drinking song, or a common toast.
    Given England’s strong maritime traditions, this could just as likely refer to a sailor’s drinking vessel.
    In naval and military slang, “Boy” was often used to refer to young sailors or recruits.
    This hand-painted inscription adds a personal touch, making this jug a unique and engaging example of antique Delftware.

    Dimensions: Height: 8″ Diameter 5″

    Condition: Excellent with very small edge frits typical of Delftware

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  • Antique Blue and White English Delft Charger Plate Hand Painted Circa 1760

    Antique Blue and White English Delft Charger Plate Hand Painted Circa 1760

    $1,280.00

    This handpainted blue and white Delft charger, produced in Bristol, England, circa 1760, is a visual delight.
    The center of the charger features a flower garden with songbirds seated on rockwork.
    The songbirds are perched beneath a willow tree while a butterfly hovers above.
    Nearby, we see flowers and a garden fence.
    The border of the charger is adorned with a wide band of delicate flowers.
    This is a beautiful piece of English Delftware.

    Dimensions: 14″ diameter

    Condition: Excellent with very small edge frits invisibly restored

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  • Blue and White English Delft Charger Hand Painted Mid 18th Century Circa 1760

    Blue and White English Delft Charger Hand Painted Mid 18th Century Circa 1760

    $1,130.00
    This exquisite hand-painted Delft charger, made in Liverpool, England, circa 1760, captures a moment in time.
    The center of this Delftware charger features a hovering songbird, a large peony, and a pair of butterflies, creating a lovely garden scene.
    The scene flows onto the border, where two butterflies and three flower sprigs add to the charm.
    The entire scene is rendered in just two shades of underglaze blue, and the blue-painted edge—characteristic of some 18th-century Liverpool Delft—elegantly frames the artwork.
    Dimensions: 13.5″ diameter x 1.5″ height
    Condition: Excellent, with slight edge frits invisibly restored; the edge blue retouched.
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