18th century

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  • Large Antique French Porcelain Soup Tureen & Stand With Royal Patronage

    Large Antique French Porcelain Soup Tureen & Stand With Royal Patronage

    $1,200.00

    This Clignancourt porcelain soup tureen and stand was produced under royal patronage, bearing the red “M” mark of Monsieur, the Duke of Orléans, brother of King Louis XVI.

    The form is confident and well balanced. The tureen sits firmly on its stand with a broad, grounded presence, while the domed cover rises to a neatly modeled finial. The side handles are crisply formed with controlled scrolls. The proportions are measured and architectural, consistent with Louis XVI’s taste for clarity and restraint.

    The decoration is also handled with precision and restraint. Fine cornflower sprigs are placed across the surface with deliberate spacing, allowing the white ground to remain active. Green leaves establish the structure, while blue and red blossoms provide contrast. Gilded bands frame the decoration and reinforce the geometry of the piece.

    Clignancourt porcelain of this period was produced under direct royal patronage. The “M” mark signals its connection to the Duke of Orléans and the highest levels of Parisian society. The cornflower decoration aligns the piece with contemporary court taste, closely associated with Queen Marie Antoinette.

    Complete tureens with their original stands from this factory are uncommon. The strength lies in the clarity of design, the balance of decoration, and the directness of its royal association.

    Dimensions: 17″ wide x 13″ deep x 12.5″ high
    Condition: Excellent
    Price: $1,200.00
    Decoration: Hand-painted cornflower sprigs and garlands with gilt borders
    Material: Soft-paste porcelain
    Style: Louis XVI
    Origin: Paris, France
    Date: Circa 1780

  • Blue and White Dutch Delft Charger, Early 18th Century c. 1710

    Blue and White Dutch Delft Charger, Early 18th Century c. 1710

    $300.00

    This charger is a rare find from the early 18th century. Dating to circa 1710, it survives from an early period of Dutch blue and white Delft and is distinguished by an unusual naïve figural subject and a loosely painted concentric semicircle border, a combination seldom encountered in Dutch Delft.
    A particularly close comparison is a Dutch faience dish in the Amsterdam Pipe Museum, made in Harlingen, Friesland, and dated 1680–1720. Like this charger, the museum dish centers on a naïvely painted figure and uses repeated arched motifs around the border. At 11.81 inches in diameter, it is also remarkably close in size.
    A small seated figure occupies the center between a flowering branch and a striped flowerpot filled with large leaves and flowers. The figure and plants are painted with a direct, almost folk-art quality that gives the scene unusual personality and charm.
    Around the border, repeated groups of loosely painted concentric semicircles continue the same direct, naïve character seen in the figure and plants. The clear cobalt blue is handled freely throughout, giving the entire charger an unusually spontaneous, folk-art quality.
    The reverse is covered with a pale tin glaze, with small areas revealing the buff earthenware body beneath, consistent with traditional Dutch tin-glazed faience.
    Dimensions: 11.25″ diameter
    Condition: Goodwith some invisible restoration. There are scattered firing irregularities in the cobalt decoration, characteristic of the original manufacture.
    Origin: The Netherlands
    Date: Circa 1710
    Material: Tin-glazed earthenware
    Decoration: Hand painted in cobalt blue
    Price: $300

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