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  • Antique English Porcelain Plate Hand-Painted with Greek Key Design Circa 1810

    Antique English Porcelain Plate Hand-Painted with Greek Key Design Circa 1810

    $380.00

    This hand-painted Derby porcelain plate from circa 1810 is centered on a bold Neoclassical Greek Key design, one of the most sought-after classical motifs of the Regency period.
    The crisp gilded key border encircles a striking twelve-pointed golden star, framed by concentric bands of red and gold and a row of white “pearls” set against a rich red ground.
    Around the rim, scrolling foliate forms in purple, blue, green, and iron red create vibrant contrast against the luminous white porcelain.
    Lavish gilding unifies the composition, balancing geometric precision at the center with fluid movement at the edge.
    The strong classical geometry, combined with saturated color, gives the plate a real decorative presence.
    The reverse bears the iron-red Derby crown mark used between 1800 and 1825.
    Dimensions: 10.25 inches diameter
    Condition: Excellent with light knife marks to the center gilt
    Price: $380
    Decoration: Hand-painted enamels with extensive gilding and Greek Key border
    Material: Porcelain
    Style: Neoclassical, Regency
    Origin: Derby, England
    Date: Circa 1810

  • Set of Three Chinese Figures, Laughing Boys, Hand Painted Porcelain circa 1800

    Set of Three Chinese Figures, Laughing Boys, Hand Painted Porcelain circa 1800

    $1,600.00

    Our friend and client Mario Buatta, the renowned interior designer, owned a dozen Chinese Laughing Boys in his private collection—figures he loved for their charm, personality, and symbolism. We had the privilege of acquiring and selling them several years ago (see last image). These three antique Chinese figures would have fit in perfectly beside Mario’s set. At one glance, you can see the unique personality of each boy—each one joyful and distinct.
    This charming set of three antique Chinese export porcelain figures, known as Laughing Boys or “HoHo boys”, was hand-painted in vibrant enamels around 1800.
    The seated figures wear brightly colored floral jackets in yellow, turquoise, and green.
    The robes are richly hand-painted with flowers, contrasting beautifully with reddish-brown bases that evoke stylized rockwork or drapery.
    Their faces are delicately painted, capturing a sense of animated cheer.
    The Laughing Boys are traditionally seen as emblems of happiness, harmony, and prosperity.
    Their joyful expressions and childlike appearance make them enduring symbols of good fortune.
    In Chinese tradition, these figures often represent the wish for a large, successful family.
    Popular among both Chinese patrons and Western collectors, figures like these were part of the flourishing export porcelain trade during the Qing Dynasty.
    Dimensions: height ranging from 6″ to 7″ tall x 4″ across x 2.25″ deep
    Condition: Excellent
    Price: $1,600
    Key Features:
    • From a tradition admired by interior designer Mario Buatta
    • Set of three antique Chinese export porcelain figures
    • Hand-painted in vivid enamel colors with floral robes
    • Known as “HoHo Boys” or Laughing Boys
    • Symbols of happiness, harmony, and prosperity
    • Associated with the wish for family success
    • Finely modeled Chinese figures from the Qing Dynasty
    • Made circa 1800 for the export market

    Dimensions: height ranging from 6″ to 7″ tall x 4″ across x 2.25″ deep

    Condition: Excellent

  • Chinese Export Mug Hand Painted Mid 19th Century Circa 1860

    Chinese Export Mug Hand Painted Mid 19th Century Circa 1860

    $780.00

    This attractive Chinese mug is hand-painted with beautiful flowers.
    This mug dates to the second half of the nineteenth century circa 1860.
    It was crafted in a southern Chinese porcelain workshop and decorated in Guangzhou.
    In this commercial and shipping hub, international traders were given official residency permissions by Qing emperors.

    Dimensions: Diameter 4″, height 5.5″

    Condition: Excellent

  • Small Creamware Tureen with Brown Grapes Decoration England Circa 1820

    Small Creamware Tureen with Brown Grapes Decoration England Circa 1820

    $300.00

    This charming small creamware tureen showcases the “Brown Grapes” pattern, a refined Neoclassical design.
    Crafted at the Spode factory in Stoke-upon-Trent, Staffordshire, England, circa 1825, the tureen, cover, and fixed stand are decorated with a graceful band of large, two-toned grape leaves intertwined with delicate clusters of grapes on the vine.
    The rich brown hues add depth and sophistication to the design.
    The tureen has a classic attached stand and a prominent finial on the cover, beautifully combining functionality with timeless elegance.

    Dimensions: 8″ long x 5″ wide x 6.5″ tall

    Condition: Excellent

  • Antique Blue & White Delft Charger by De Klaauw (The Claw) Netherlands Ca. 1780

    Antique Blue & White Delft Charger by De Klaauw (The Claw) Netherlands Ca. 1780

    $1,280.00

    This exceptional Dutch Delft blue and white charger was crafted by the De Klaauw (The Claw) factory circa 1780.
    The entire surface is richly decorated in vibrant cobalt blue.
    The center shows a peacock standing in water, surrounded by delicate flowers and a pair of fluttering butterflies.
    The double border is adorned with alternating panels of peacock feathers and floral motifs.
    The scalloped and barbed rim adds an elegant finishing touch.
    A similar pair of chargers is in the Philadelphia Museum of Art’s Bloomfield Collection (1882-773, 775).
    For an image and further discussion of this charger, see: E Schaap: “Delft Ceramics at the Philadelphia Museum of Art” pg 76 and 77.

    Marks: The underside with the mark of De Klaauw (The Claw) in underglaze blue.

    Dimensions: 13.75″ diameter

    Condition: Excellent, with tiny edge frits touched in

  • Antique Staffordshire Deer Spill Vase Stag and Fawn Circa 1860

    Antique Staffordshire Deer Spill Vase Stag and Fawn Circa 1860

    $280.00

    This large Staffordshire spill vase features a proud stag with a fawn at its side, modeled in a naturalistic Victorian pastoral style.
    The deer are hand-painted in warm orange-brown tones with gentle shading that gives depth and life to the figures.
    A hollow tree trunk forms the spill holder behind them, finished with a subtle gilt rim.
    The shaped white base is edged with a fine gilt line.
    The decoration is concentrated on the front, as is typical for Staffordshire figures of this type.
    Dimensions: 11.75 inches tall x 7.25 inches long x 2.75 inches wide
    Condition: Excellent, with slight rubbing to the gilt on the rim of the tree trunk
    Reference: A. & N. Harding, Victorian Staffordshire Figures 1835–1875, Book 2, p. 243
    Decoration: Hand-painted with gilt accents
    Material: Glazed earthenware
    Style: Victorian pastoral
    Origin: Staffordshire, England
    Date: Circa 1860
    Notable Details:
    Classic stag and fawn grouping
    Tree trunk spill holder form
    Warm naturalistic coloring
    Referenced in Harding, Victorian Staffordshire Figures 1835–1875

  • Pair Wedgwood Creamware Baskets & Stands with Pierced Openwork England Ca. 1820

    Pair Wedgwood Creamware Baskets & Stands with Pierced Openwork England Ca. 1820

    $1,100.00

    This pair of Wedgwood creamware baskets and stands is defined by its crisp design, with finely cut arcaded piercing and a continuous pearled border.
    The eye is drawn to the rim, where the arcaded piercing and pearled border define the outline of each basket.
    Below the pearled border, the body is molded with a basketweave pattern that adds texture and reinforces the clarity of the form.
    The baskets sit securely on their matching stands, completing the intended presentation.
    Each piece is impressed with the Wedgwood mark, and the pair remains intact with both baskets and stands.
    The precision of the piercing, the consistency of the pale ivory glaze, and the survival of all four pieces make this an excellent set.

    Dimensions: Baskets 10″ x 6″ x 5″ high to handles; Stands 11″ x 8″
    Condition: Excellent
    Decoration: Arcaded openwork, molded basketweave, pearled border
    Material: Creamware pottery
    Style: Late Georgian
    Origin: England, Staffordshire, Wedgwood Etruria
    Date: Circa 1820

  • Antique Blue & White English Delftware Charger 18th Century Hand-Painted C. 1750

    Antique Blue & White English Delftware Charger 18th Century Hand-Painted C. 1750

    $740.00

    This Delft charger showcases a charming hand-painted chinoiserie scene featuring blooming trees, rocky formations, a cottage, and two fishermen in their boats on the water, with birds soaring in the sky above.
    The design covers the entire plate without a separate border, a creative technique rarely seen in 18th-century English Delft pottery. The scene is painted in shades of cobalt blue against a traditional light blue glazed background.

    Marks: The reverse features a factory mark “12.” Such marks are commonly found on 18th-century English Delftware ceramics to indicate the size of an item for display in the factory showroom or to denote its price category.

    Dimensions: 10.75″ diameter

    Condition: Excellent with slight edge frits invisibly restored

  • Blue and White English Delft “BOY” Jug Hand Painted Circa 1750-1760

    Blue and White English Delft “BOY” Jug Hand Painted Circa 1750-1760

    $700.00

    This blue and white English Delft jug was made circa 1750-1760 and is boldly hand-painted with the word “BOY,” framed by freely brushed blue dashes.
    Its tall, narrow neck rises from a distinctive globular body fitted with four projecting lugs, giving the jug an unusual sculptural character.
    The cobalt decoration is painted with the direct, fluid brushwork characteristic of 18th-century English Delftware.
    Variations in the blue, together with the wonderfully uneven tin-glazed surface, give the jug the lively handmade quality that makes early Delftware so appealing.
    The four projecting lugs reinforce the jug’s utilitarian character and suggest an object made for practical use rather than formal display.
    The meaning of the inscription “BOY” is uncertain, but its bold, highly personal appearance gives the jug exceptional character.

    English Delftware was produced from the 16th century onward and reached its high point in the mid-18th century.
    By the later 1700s, creamware increasingly replaced Delftware as the useful pottery of the English middle class.
    Price: $700
    Dimensions: Height: 8″ x Diameter: 5″
    Condition: Excellent, with very small edge frits typical of 18th-century Delftware.
    Material: Tin-glazed earthenware
    Decoration: Hand-painted blue inscription and freely brushed dash motifs
    Origin: England
    Date: Circa 1750-1760
    Reference: Alan Caiger-Smith, Tin-glazed Pottery in Europe and the Islamic World: The Tradition of 1000 Years in Maiolica, Faience and Delftware, Faber and Faber, 1973.

  • English Delft Blue and White Hand Painted Large Charger Bristol Circa 1760

    English Delft Blue and White Hand Painted Large Charger Bristol Circa 1760

    $1,200.00

    This large blue and white English Delft charger was made in Bristol circa 1760 and is hand-painted with a wonderfully animated garden scene. Two songbirds perch on prominent rockwork beneath a willow tree. A butterfly hovers overhead. Flowering plants and a garden fence add to the scene.

    The decoration has the freshness and spontaneity that make 18th-century English Delft so appealing. Broad, confident strokes of deep cobalt form the rockwork and songbirds, while finer brushwork describes the willow branches, flowers, foliage, fence, and butterfly. The contrast between the stronger central forms and the lighter, freely drawn details gives the scene remarkable movement and life.

    A wide border of flowering vines encircles the charger. Painted with considerable freedom, the blossoms, leaves, and curling stems create a lively frame for the garden scene. Against the warm white tin-glazed ground, the cobalt ranges from pale washed blue to an intense inky blue.

    At 14 inches in diameter, the charger has substantial scale and considerable decorative presence. Its blue and white palette and charming garden scene would bring the character of 18th-century English Delft to a room. The charger is also notable for its excellent condition. Only very small edge frits have been invisibly restored, an especially desirable state of preservation for a large English Delft charger dating to the mid-18th century.

    Dimensions: 14 inches diameter
    Condition: Excellent. Very small edge frits invisibly restored.
    Decoration: Hand-painted in cobalt blue with songbirds, rockwork, willow tree, butterfly, flowers, garden fence, and floral border
    Material: Tin-glazed earthenware, English Delftware
    Style: Georgian, English Delft
    Origin: Bristol, England
    Date: Circa 1760
    Reference: Alan Caiger-Smith, Tin-glazed Pottery in Europe and the Islamic World: The Tradition of 1000 Years in Maiolica, Faience and Delftware, Faber and Faber, 1973.

  • Set of Three Chinese Export Porcelain Plates Famille Rose Qianlong Dynasty 1760

    Set of Three Chinese Export Porcelain Plates Famille Rose Qianlong Dynasty 1760

    $830.00

    This trio of beautiful Chinese export dishes is decorated in the Famille Rose style.
    It features purple peonies, orange lilies, and a variety of other flowers.
    In Chinese culture, peonies are known as the “king of flowers” and symbolize royalty and wealth. This set of Famille Rose porcelain dishes dates back to the Qianlong period of the Qing dynasty, circa 1760.
    Chinese potters expertly utilized the rich colors of the Famille Rose palette to highlight the beauty of the flowers on these dishes.
    A scrolling band of orange decoration encircles the central subject.
    The rim of each dish features six delicate white and purple flowers separated by a wave pattern washed in green.
    Our trio of dishes embodies the simplicity and beauty characteristic of fine Chinese Famille Rose porcelains.

    Diameter 9″

    Condition: Excellent

  • Pair Wedgwood & Bentley Black Basalt Urns Cassolette Form 1775

    Pair Wedgwood & Bentley Black Basalt Urns Cassolette Form 1775

    $4,200.00

    This pair of Wedgwood & Bentley black basalt urns, made at the Etruria factory circa 1775, is designed in the cassolette form, with covers that reverse to serve as candle holders. The dual function is integral to the design, with each lid fitting cleanly as a cover on one side and forming a stable candle socket when inverted.
    The bodies are ovoid and rise from square pedestal bases, giving the pair a firm, architectural stance. The black basalt is finished to a soft sheen, producing a deep, even black that emphasizes the form. At the shoulder, a band of vertical fluting introduces a precise, repeating rhythm that catches light across the surface.
    Rope-twist handles extend from the shoulders in a controlled curve, framing the profile without excess movement. Beneath them, a draped garland in low relief adds ornament while keeping the surface clear and legible. The domed covers sit comfortably within the silhouette and are finished with simple finials that complete the form.
    The combination of early Wedgwood & Bentley production, cassolette function, and well-preserved basalt surface places this pair within the most desirable early output of the Etruria factory. The undersides are marked with the Wedgwood & Bentley Etruria mark used between 1769 and 1780.

    Dimensions: 8.75″ tall, x 3.5″ diameter, and 5″ across the handles
    Condition: Excellent

  • Pair Antique Blue and White Dutch Delft Jars Netherlands Circa 1860

    Pair Antique Blue and White Dutch Delft Jars Netherlands Circa 1860

    $1,200.00

    The decoration on this pair of blue and white Dutch Delft jars features intricate floral patterns, scrolling foliage, and a central vase, all hand-painted in two shades of rich cobalt blue.
    The painting has great energy as if the flowers were growing wildly as we watched.
    Elegant curves frame the design, adding to the visual appeal.
    The covers are topped with lion finials that are traditional to Dutch Delft.
    Made in the Netherlands circa 1860, jars like this would have been placed on a fireplace mantle or a pair of brackets.

    Dimensions: Height 13.5″ x 6″ at the widest point x 5″ deep at the deepest point
    Condition: Excellent with very small edge chips invisibly restored.

  • Antique Bow Porcelain Plate England Circa 1760

    Antique Bow Porcelain Plate England Circa 1760

    $380.00

    This mid-18th-century Bow Porcelain plate features a hand-painted chinoiserie scene with a pair of black storks.
    One stork wades in the water while the other flies above it.
    Near the storks, foliage emerges from rockwork, all rendered in beautiful pastel colors.
    The rockwork is light blue, the leaves bright turquoise, and the flowers soft pinkish-purple.
    A brown painted edge accentuates the plate’s hexagonal shape.

    Dimensions: 7.75″ height x 7.75″ width

    Condition: Some small kiln burn spots and two small flat edge chips restored on the underside (see last image).

  • Pair Antique Paris Porcelain Botanical Dishes Hand Painted Flowers Ca. 1850

    Pair Antique Paris Porcelain Botanical Dishes Hand Painted Flowers Ca. 1850

    $220.00

    This pair of Paris porcelain botanical dishes is hand-painted with finely observed flowering plants rendered in soft purple-pink tones with fresh green leaves.
    Each dish presents a single botanical study at the center of the white porcelain ground, allowing the plant’s natural beauty to stand out clearly within the composition.

    The flowers are painted with careful shading and delicate brushwork, capturing the structure of the blossoms and the varied tones of the petals. A simple gilt line encircles the rim, framing the botanical studies while keeping the focus on the painting itself.

    These dishes were made by the Paris porcelain maker Jean-Pierre Feuillet and retailed by the well-known Paris luxury shop Chevet during the mid nineteenth century.
    Botanical subjects were popular decorative themes in Paris porcelain of this period, reflecting contemporary interest in natural history and botanical illustration.
    Both dishes are marked. One bears a printed black mark for Feuillet, the maker, and the other carries the iron-red mark of the Paris retailer Chevet.
    Dimensions: diameter 8.15 inches
    Condition: Excellent with extremely slight wear to the gilt
    Decoration: Hand-painted botanical studies with gilt rim
    Material: Hard-paste porcelain
    Style: Mid-19th century Paris porcelain
    Origin: Paris, France
    Date: Circa 1850

  • Antique Dutch Delft with Countryside Scene Netherlands, Circa 1780

    Antique Dutch Delft with Countryside Scene Netherlands, Circa 1780

    $300.00

    This hand-painted plate, made in the Netherlands around 1780, features the “Walking Man,” a decorative motif commonly found in 18th-century Dutch Delftware.
    The image depicts a man in mid-stride, wearing a wide-brimmed Dutch-style hat and carrying a cane.
    This motif reflects the Dutch appreciation for scenes of everyday life, capturing people engaged in daily activities.
    On our plate, the Walking Man strolls past a garden depicted by just a few brightly colored flowers.
    The border is decorated with a floral design painted in manganese purple and iron red.
    The artist used traditional Dutch Delft polychrome colors, including iron red, blue, moss green, and manganese.
    The plate is a lovely example of 18th c entury Delftware.

    Dimensions: 8.75″ diameter

    Condition: Excellent

  • Antique English Porcelain Cup and Saucer with Greek Key Pattern Ca. 1820

    Antique English Porcelain Cup and Saucer with Greek Key Pattern Ca. 1820

    $140.00

    This elegant antique porcelain tea bowl and saucer were hand-painted at Spode in England circa 1810.
    They are decorated in the Regency style with a band of gilded Greek key design on a beautiful, deep royal blue ground.
    This is a gorgeous example of neoclassical design.
    The gilding is fabulous, and the blue is beautiful.
    Dimensions: diameter of saucer 5.25″, diameter of tea bowl 3.5″ x height of tea bowl 2″
    Condition: Excellent

  • Antique Chamberlains Worcester Porcelain Dish in Kakiemon Style England Ca. 1810

    Antique Chamberlains Worcester Porcelain Dish in Kakiemon Style England Ca. 1810

    $285.00

    Painted at Chamberlain’s Worcester around 1810, this dish draws inspiration from 17th-century Japanese Kakiemon palette and design.
    The style showcases enamels in a distinctive Kakiemon palette, featuring iron red, blue, yellow, or gilt and touches of turquoise green.
    The design is asymmetric yet well-balanced.

    Marks: Under a royal crown, “Chamberlains Worcester No. 155 New Bond Street London”

    Dimensions: 9.5″ x 7.75″ x 1.25″

    Condition: Excellent

  • Pair of Pottery Plates in the "Old Chelsea" Pattern Made United States Ca. 1890

    Pair of Pottery Plates in the “Old Chelsea” Pattern Made United States Ca. 1890

    $160.00

    This pair of pottery plates in the “Old Chelsea” pattern features a vibrant central design of birds surrounded by pink, orange, and yellow roses, along with green leaves.
    A wide rim adorned with flowers encircles the central scene, and the edge is highlighted with brown trim.

    Marks: Over a royal crown “OLD CHELSEA Ceramic Art Company Crown Pottery (see image).

    Dimensions: 9″ diameter x 1” tall

    Condition: Excellent

  • Pair Antique Dutch Delft Blue and White Chargers Netherlands Circa 1780

    Pair Antique Dutch Delft Blue and White Chargers Netherlands Circa 1780

    $1,800.00

    This pair of Dutch Delft blue and white large plates draws its strength from the density and control of the hand-painted decoration, where a bold central flower anchors a tightly composed field of scrolling leaves and dotted ornament.
    The design holds together with clarity, the cobalt varying from deep, almost inky tones to softer washes that give the surface movement without losing structure.
    The border repeats the design in a more open rhythm, creating a measured transition to the rim.
    The yellow edge, imitating gilt, frames the composition cleanly and adds a subtle warmth against the cool blue palette.
    The plates reflect a late 18th-century Delft interpretation of earlier Chinese export porcelain, with an emphasis on the fullness of pattern and visual impact.

    Dimensions: 13.5″ diameter x 1.5″ height
    Condition: Excellent with small edge frits invisibly restored
    Decoration: Hand-painted blue and white floral center with scrolling vines and dotted ground, yellow edge
    Material: Tin-glazed earthenware
    Style: Delft, in the traditional 17th-century Delft style
    Origin: Netherlands
    Date: Circa 1780
    Notable Details:
    Strong, densely composed floral center
    Varied cobalt tones create depth and movement
    Yellow edge imitating gilded porcelain rims
    Well-balanced border framing the central design
    Attractive scale and presence as a matched pair

  • Antique Staffordshire Pottery Cat England Victorian Era Ca. 1860

    Antique Staffordshire Pottery Cat England Victorian Era Ca. 1860

    $580.00

    This antique Staffordshire cat features a beautiful coat that is white with large black spots. Created around 1860, this cat is hand-painted with enamels in a pattern resembling the fur of a typical household cat.

    Dimensions: 5.75′ tall x 5.75″ long x 3.25″ wide.    Condition: Some light craquelure in the antique glaze

    This charming cat is searching for a cozy home. As many cat lovers know, a home without a cat is simply not a home.
  • 8 Antique Blue and White Staffordshire Large Soup Plates by Don Pottery Circa 1820

    8 Antique Blue and White Staffordshire Large Soup Plates by Don Pottery Circa 1820

    $400.00

    This set of eight large soup or pasta plates was made by Don Pottery circa 1820.
    The design is part of Don Potery’s series of dishes, ” Italian Views”.
    The center is decorated with a neoclassical scene of couples relaxing near a ruin while a pair of cupids fly above.
    The wide border is filled with flowers and leaves, which overflow into the dish’s well.
    The dishes are made of pearlware, most of which was produced in England from 1790 to 1830.

    Dimensions: 9.75″ diameter x 1.25 deep

    Condition: Good. The dishes have small original firing faults and very little wear to the enamel (see images).

    For an image of this Don Pottery pattern, see page 143 of the Dictionary of Blue & White Printed Pottery 1780-1880, Vol. II
    by A. W. Coysh and R. K. Henrywood | Jun 1, 1989.

  • Large Antique Worcester Porcelain Cup & Saucer England Circa 1820

    Large Antique Worcester Porcelain Cup & Saucer England Circa 1820

    $320.00

    This large cup and saucer were hand-painted by Flight Barr and Barr Worcester at the Worcester Porcelain factory around 1820.
    The vibrant blue ground features an extraordinary shade of blue with just the slightest hint of purple.
    The blue ground is decorated with lavishly gilded floral designs.
    In the center of both the cup and the saucer, there is a single iron-red flower accompanied by bright green leaves and tiny buds painted in lighter blue.
    The decoration also features panels of Kakiemon-style floral designs, hand-painted in iron red, green, and this lighter shade of blue.
    These colors and the lavish gilding beautifully complement the blue ground, enhancing its intensity.
    The shape is elegant.
    Large cups like this were usually used for breakfast when coffee and milk were mixed.

    Marks: Impressed with FBB under a Royal Crown

    Dimensions: The saucer 5.75″ diameter, the cup 4.5″ diameter

    Condition: Excellent

  • Antique Staffordshire Porcelain Leopard Figure Samuel Alcock & Co. Circa 1835

    Antique Staffordshire Porcelain Leopard Figure Samuel Alcock & Co. Circa 1835

    $680.00

    This antique porcelain figure of a leopard is small but ferocious.
    It is modeled grappling with something in its jaws, recumbent on a rocky base that is picked out in green and edged with a gilt line.
    The leopard’s coat is washed in yellow with black markings,
    It was made by Samuel Alcock in Burslem, Staffordshire, England, circa 1835.
    Alcock was renowned for producing fine-quality porcelain animals, and this leopard figure is one of the best.
    It is a quality piece with good attention to detail, a little gem!
    Dimensions: 3.5 inches long x 1.8″ wide x 2″ tall

    Marks: an impressed factory mark and # “256.”

    Condition: Excellent

    Ref: Geoffrey Godden illustrates a very similar pair of leopards, noting the excellent quality of the porcelain and coloring, in his chapter on Alcock in Staffordshire Porcelain (1983), p.308, fig.471.

  • Pair Antique Spode Green Grapes Pattern Dishes England Circa 1820

    Pair Antique Spode Green Grapes Pattern Dishes England Circa 1820

    $480.00

    This pair of Spode pearlware shell-shaped dishes features the exquisite “Grapes” pattern.
    Rich purple grapes, ochre/brown branches, and gorgeous two-tone green leaves cover the entire surface of each dish.
    In the 1820s, Spode was renowned for its colorful patterns.
    One of their most beautiful was this “Grapes” pattern.

    Dimensions:9.5″ long x 8″ wide

    Condition: Excellent

    Stands: A pair of stands is included (see image # 4).

    Marks: the underside of the dishes shows the “Spode” mark of the period in underglaze blue as well as an impressed mark “SPODE 42.”

  • Antique Imari Dishes Hand Painted with Lavish Gilding England Circa 1820

    Antique Imari Dishes Hand Painted with Lavish Gilding England Circa 1820

    $400.00

    These two dishes were crafted at Spode in Stoke-on-Trent, England, circa 1820.
    The Imari pattern is Spode pattern 1495. It is hand-painted in shades of orange, blue, and gold.
    The dishes feature a traditional flower basket filled with peonies and a charming garden fence.
    The wide borders of the dishes display four cartouches, each showcasing a songbird amid flowers.
    It is the exquisite gilding that makes these dishes exceptional!

    Pattern #: Spode pattern 1495

    Dimensions: diameters 7.25″ and 8″

    Condition: Excellent

  • 18th C Royal Crown Derby Porcelain Set Prince of Wales Roses Hand Painted

    18th C Royal Crown Derby Porcelain Set Prince of Wales Roses Hand Painted

    $420.00

    This collection of platters and dishes is hand-painted in the beautiful Prince of Wales Roses pattern.
    The porcelain was crafted at the Derby factory in Derby, England, in the late 18th century, around 1790.
    Each piece features a unique hand-painted rose at its center, surrounded by a peach-colored and gilded border.
    The Prince of Wales, who later became King George IV, visited the Derby Porcelain Factory in 1773.
    This royal visit was significant as it led to the factory being granted a royal warrant, authorizing it to use the title “Royal Crown Derby.”
    The Prince of Wales Roses service was created by Derby for the Prince of Wales in 1787.

    Marks: Each of the four pieces is marked in puce with the Derby factory mark (see last image).

    Dimensions: The dishes measure 9.25″ in diameter, the platters 13.75″ x 10.25″

    Condition: Very Good with the very slightest rubbing to the enamels and gilt and a single minor restoration to the edge of one platter
    (see second to last image).

  • Large English Salt Glaze Stoneware Charger Plate 18th Century Ca. 1765

    Large English Salt Glaze Stoneware Charger Plate 18th Century Ca. 1765

    $1,280.00

           This large English salt glaze stoneware plate, made circa 1765, shows the crisp molding and controlled geometry that define the Cartouche and Diaper pattern at its best.
    The broad rim is worked in a tight lattice diaper, punctuated by raised cartouches that create a steady rhythm around the edge.
    The surface has that characteristic salt-glaze skin, lightly pitted, with a soft sheen that catches the light evenly across the molded detail.
    The body fires to a clean pale tone, reflecting the use of refined clay bodies developed in the mid-18th century.
    The form is direct and confident. The wide rim frames the well cleanly, giving the plate strong presence on the table.
    Pieces of this type were both practical and current in Colonial America, with archaeological examples of this exact pattern recovered in Williamsburg.
    The connection to documented shipments of English stoneware to figures such as George Washington places this form firmly within the material culture of the period.
    The appeal here rests in the clarity of the molding, the evenness of the glaze, and the scale. It is a piece that reads immediately, both as an object of use and as a record of a turning point in English ceramic production, when whiter-bodied salt glaze stoneware became widely desirable.

    Dimensions: 16.5″ diameter
    Condition: Excellent with minimal original firing anomalies
    Decoration: Cartouche and diaper molded rim
    Material: Salt glaze stoneware
    Style: Georgian Neoclassical
    Origin: England
    Date: Circa 1765

  • Antique Worcester Porcelain Dish England Circa 1790

    Antique Worcester Porcelain Dish England Circa 1790

    $285.00

    This elegant late 18th-century Worcester Porcelain dish is fluted and decorated along the border with a beautiful string of leaves painted in light green, purple, and gilt.
    The simple decoration works to reveal the fluting of the porcelain.
    A circle of gilt arches marks the beginning of each flute. Each flute then ends at a high point on the gilded edge.

    Dimensions: 7.5″ diameter

    Condition: Excellent

  • Blue and White Delft Charger 18th Century Netherlands Circa 1770

    Blue and White Delft Charger 18th Century Netherlands Circa 1770

    $580.00

    This lovely 18th-century Dutch Delft charger showcases hand-painted decoration in deep, dark blue.
    We see ten panels of floral decoration filled with tulip bulbs and scrolling vines.

    Dimensions: 11.5″ diameter

    Condition: Excellent

  • Antique Blue and White Delft Charger 18th Century Netherlands Circa 1780

    Antique Blue and White Delft Charger 18th Century Netherlands Circa 1780

    $680.00

    This elegant Dutch Delft blue and white charger was hand-painted in the Netherlands around 1770.
    The center features delicate scrolling vines swirling around a beautiful flower.
    Two tones of blue are used to make the large central flower stand out from the rest of the design.
    The charger is shaped so that the flower at the center is slightly raised.
    The wide border is decorated with six flower bulbs and scrolling vines,
    Marks: the underside shows the mark of the 18th-century Delft factory, “The Axe.”

    Dimensions: 13.75″ diameter

    Condition: Excellent with tiny edge frits invisibly restored

  • Antique Blue and White French Porcelain Tureen Mid-18th Century France Ca. 1750

    Antique Blue and White French Porcelain Tureen Mid-18th Century France Ca. 1750

    $500.00

    This delightful 18th-century blue and white porcelain tureen was hand-painted in France circa 1750.
    Loose flower sprigs painted in cobalt blue decorate the tureen and its fixed stand.
    The porcelain has the slightly creamy tone that soft paste porcelain is known for.
    The overglaze blue decoration appears to sink into the smooth, soft-paste porcelain, creating a beautiful, soft look.

    Dimensions: 10″ long x 6″ wide x 5.5″ height

    Condition: Excellent

     

  • Seven English Creamware Dishes Circa 1810 With Gilt Decoration

    Seven English Creamware Dishes Circa 1810 With Gilt Decoration

    $660.00

    This lovely set of seven creamware dishes is decorated on the border with a band of brightly gilded leaves and berries within blue lines.
    The creamware has a rich, creamy color which is complemented by the beautiful gilded border.
    The set consists of two dinner dishes, four soup/pasta dishes, and an oval serving platter.

    Dimensions: the dinner dishes and the soup/pasta dishes measure 9.5″ in diameter, and the oval serving platter measures 12.5″ x 9.5″

    Condition: Excellent with tiny original marks to the creamware and very minor wear to the gilt

  • Antique Chinese Export Porcelain Dish 18th Century Qianlong Era C. 1760

    Antique Chinese Export Porcelain Dish 18th Century Qianlong Era C. 1760

    $330.00

    This antique Chinese export porcelain dish was hand-painted in the mid-18th century in the Qianlong Era.
    It features a blossoming plum tree adorned with orange, blue, and gold flowers and green leaves.
    The dish’s wide border is embellished with four floral groups.
    Two groups showcase large gold and orange peonies, while the other two groups depict rockwork and smaller flowers.
    Along the outer edge, orange cross-hatching and floral decoration add texture and elegance to the design.
    The overall effect is beautiful!

    Date: Circa 1760

    Dimensions: 8.75″ diameter

    Condition: Excellent

    Following Chinese tradition, the use of orange and green enamels on 18th-century porcelain classifies this dish as famille verte.
    The exquisite craftsmanship of famille verte porcelain is apparent in the delicate application of the enamels.

  • Set 15 Pcs English Antique Dinner Plates Soup Dishes & Platter Ca. 1860

    Set 15 Pcs English Antique Dinner Plates Soup Dishes & Platter Ca. 1860

    $700.00

    This set of nine dinner plates, six matching soup dishes, and a platter painted in Spode’s “Peacock” pattern was made by Copeland Spode circa 1860.
    The “Peacock” pattern was first made by Spode circa 1820.
    The pattern features two peacocks in a flower-filled garden.
    The wide border is decorated with flowers on scrolling vines.
    Chinese export porcelains from the 18th century influenced this chinoiserie pattern.
    The dishes predominantly feature greens and pinks, with accents of turquoise, blue, purple, orange, yellow, and beige.
    The combination of colors is beautiful!

    Dimensions: Dinner plates 9.75″ diameter, Soup dishes 9.75″ diameter, Platter 12″ x 9.5″

    Condition: Excellent

    Marks: The Copeland Spode impressed mark of the period “Copeland ” under a crown, and the mark “Copeland Spode Spode’s Peacock, England.”

  • Dozen Antique Porcelain Plates 9" Dia. Hand Painted England C-1815

    Dozen Antique Porcelain Plates 9″ Dia. Hand Painted England C-1815

    $1,100.00

    This set of twelve luncheon or large dessert plates was hand-painted at Derby in England, circa 1815.
    The plates are decorated with gorgeous summer flowers painted in bright polychrome enamels.
    The central bouquet features a pink rose, a purple and yellow tulip, and other blue and orange flowers, all complemented by green leaves.
    The exceptionally bright palette of pinks and yellows contrasts beautifully with the purple, orange, and green.
    Additional bouquets extend from the center up onto the border of each plate, creating visual interest.
    The plates also have a lobed gilt line rim, adding a beautiful touch to the edge.
    Each plate is a delight to see!
    Dimensions:  9″ diameter
    Marks: Each of the twelve plates has the iron red Derby mark of the period with “D” under a crown.
    This mark was in use at Derby from 1782 to 1825.
    Condition: Excellent with the very slightest wear

  • Pair Antique Worcester Cups and Saucers Hand Painted Flight Barr Barr C. 182

    Pair Antique Worcester Cups and Saucers Hand Painted Flight Barr Barr C. 182

    $430.00

    Pair Antique Worcester Cups and Saucers Flight Barr Barr Circa 1820

    This pair of Flight Barr Barr Worcester Porcelain cups and saucers shows the richness and precision associated with Regency Worcester porcelain. The hand painted design is elaborate, but carefully ordered.
    The deep royal blue ground is set off by lavish gilding, gadrooned gilt edges, and brightly painted Kakiemon style flowers in cartouches.
    Made circa 1820 in the “Dejeuney” pattern, the decoration reflects the English interest in seventeenth century Japanese Kakiemon porcelain.
    The oval cartouches are filled with trellised flowers in red, green, gold, and blue. They stand out clearly against the cobalt blue ground.
    The rich gilding is especially well developed.
    Both saucers are impressed with the FBB mark for Flight Barr Barr Worcester.
    The strong color, crisp gadrooned borders, rich gilding, and excellent condition make this a beautiful and highly decorative pair.
    Marks: FBB impressed on the reverse of both saucers
    Dimensions: Saucer diameter 6″ Cup height 3″, Cup diameter 3.25″
    Condition: Excellent
    Price: $330
    Decoration: Kakiemon style “Dejeuney” pattern with trellised flower cartouches, deep royal blue borders, and lavish gilding
    Material: Porcelain
    Style: Regency, English Kakiemon taste
    Origin: Worcester, England
    Date: Circa 1820

     

     

  • First Period Worcester Bowl Old Japan Fan Pattern Hand Painted Circa 1770

    First Period Worcester Bowl Old Japan Fan Pattern Hand Painted Circa 1770

    $900.00
    This First Period Worcester porcelain bowl was made in England circa 1770.
    It is hand painted in the richly colored Old Japan Fan pattern, one of Worcester’s interpretations of Japanese Imari porcelain.

            The decoration is unusually rich for a small bowl: strong cobalt, iron-red and green enamels, extensive fine gilding, and a beautifully ordered composition.
    The bowl has much more presence than its 6.5-inch diameter might suggest.
    The interior centers on a large chrysanthemum medallion painted in blue, red, green, and gold.
    Around it are alternating fan-shaped motifs featuring flowers, diaper patterns, and stars, all enriched with finely worked gilt details.
    The exterior is especially effective, with the fan-pattern motifs rising from the foot.
    The strong color and gilding stand out clearly against the white porcelain ground, making the decoration lively without becoming crowded.
    The underside bears an underglaze-blue pseudo-Chinese character mark enclosed within a double circle.
    This type of mark is documented on Worcester Old Japan Fan wares dating from approximately 1768–1775 and supports the circa 1770 date of this bowl.
    Maker: First Period Worcester
    Pattern: Old Japan Fan
    Date: Circa 1770
    Origin: England
    Mark: Underglaze-blue pseudo-Chinese character mark within a double circle
    Dimensions: 6.5″ diameter × 3″ high
    Condition: Excellent

  • Chinese Porcelain Ginger Jars Famille Rose Hand Painted Qianlong

    Chinese Porcelain Ginger Jars Famille Rose Hand Painted Qianlong

    $6,300.00

    This exceptional pair of Chinese porcelain ginger jars was hand painted during the Qianlong period, circa 1765.
    The rounded porcelain bodies and domed covers are decorated with large peonies, chrysanthemums, flowering branches, and smaller floral sprays in a brilliant famille rose palette.
    Deep cobalt blue scrollwork provides a strong framework for the vivid pink, green, yellow, iron-red, and turquoise enamels.
    The painting is confident and beautifully organized. Large blossoms command the centers of the jars, while curling stems, leaves, berries, and smaller flowers move freely across the white porcelain ground.
    The decoration continues around each body, giving the jars an equally appealing appearance from every angle.
    Around the shoulders, deep cobalt blue bands are enriched with colorful flowers, scrolling leaves, and shaped white reserves. Additional flowering branches decorate the domed covers, creating a complete and visually balanced design.
    The jars form a true pair, with closely corresponding shapes, scale, palette, and decoration.
    Displayed together, their generous rounded forms and brilliant color create an impressive and highly decorative presence.
    The porcelain bodies show characteristics associated with mid-18th-century Chinese production, including warm-toned footrims with natural wear and softly pooled interior glaze.
    The original fitted covers sit cleanly and securely at the rims.
    Dimensions: 9″ tall x 9″ diameter
    Condition: Excellent
    Material: Porcelain
    Decoration: Hand-painted famille rose enamels with cobalt blue
    Style: Qing Dynasty, Qianlong period
    Origin: China
    Date: Circa 1765

  • Worcester Porcelain Plates Hand Painted with Shells Set of Five, Ca. 1820

    Worcester Porcelain Plates Hand Painted with Shells Set of Five, Ca. 1820

    $1,800.00

    This exceptional set of five antique porcelain plates was made by Flight, Barr & Barr Worcester in England circa 1820.
    Each plate features a finely hand-painted shell centered within a roundel and framed by coral and delicate seaweed fronds.
    The design reflects the era’s fascination with marine biology and natural history.
    The plates feature a soft aquamarine ground and wide gilt borders, decorated with a repeating motif of shells and small white pearls, which reinforces the nautical theme and neoclassical elegance.
    One of the plates from this set is featured in The Dictionary of Worcester Porcelain, Volume I, 1751–1851, by John Sandon (see color plate 76, page 300).
    Sandon attributes the shell painting to John Barker, a noted landscape artist who also specialized in shell decoration during the Barr, Flight & Barr period.
    While no signed examples are known, Sandon writes:
    “There remains a large group of pieces… painted with shells seemingly by a single hand… grouped into tiny clumps of filaments in contrast to the more dendritic treatment of Samuel Smith. It is reasonable to conjecture that these pieces are the work of John Barker.”
    The seaweed background on these five plates closely matches that description, suggesting they are the work of Barker himself.
    Dimensions: 8.35″ diameter
    Condition: Excellent, with only the very slightest fading of the aquamarine enamel

     

  • Antique English Pottery Horse with Sponged Decoration Circa 1800

    Antique English Pottery Horse with Sponged Decoration Circa 1800

    $2,200.00

    This pottery figure of a horse is sponge-decorated in shades of pink and brown.
    It was made at St. Anthony’s Pottery, located in Newcastle Upon Tyne, England, between 1800 and 1810.
    The coat’s colors were created using oxides painted and covered in a clear glaze.
    The figure features a hand-painted white and red saddle decorated with wavy light blue lines, a light brown “leather” strap, and a mane and tail painted midnight brown.
    The horse stands on a green-mottled “grassy” base.
    This charming figure has an elegant stance.

    Dimensions: 7” long x 5.75” tall x 2.5” wide at the base

    Condition: Some good professional restoration (Restoration is perhaps inevitable on figures with such fragile legs).

  • Pair Antique Dutch Delft Cows Hand Painted in Polychrome Colors Circa 1780

    Pair Antique Dutch Delft Cows Hand Painted in Polychrome Colors Circa 1780

    $1,200.00

    This charming pair of small Dutch Delft cows was made in Holland circa 1770 and hand-painted in the delicate Petit Feu palette.
    Each cow is modeled in a recumbent pose with an expressive face, brown forelock, painted eyes, horns, tail, and lively spotted hide. Around each neck is a garland of hand-painted flowers, while a large floral spray extends across the back.
    The Petit Feu decoration allows for a broader range of enamel colors than traditional high-fired Delft, including soft greens, reds, yellows, browns, and blue. The colors remain especially vibrant on this pair.

    Both figures rest on grassy green bases shaped to their forms. The sides of the bases are individually decorated with colorful marbleized and striped ornament, adding to the character of each cow.

    Delft cows were traditionally made in facing pairs and were often decorated with flowers and garlands. Their imagery has been associated with the Dutch tradition of decorating prized cattle with flowers and ribbons for festive processions.

    The small scale, expressive modeling, colorful Petit Feu decoration, and complementary differences between the two figures give this pair considerable charm and make them especially appealing for display on a mantel, shelf, or tabletop.
    Comparable 18th-century Petit Feu Delft cows are discussed by Aronson Antiquairs
    Dimensions: Each is approximately 3 inches tall x 3.5 inches across the base
    Condition: Excellent, with small chips to the ears invisibly restored
    Decoration: Hand-painted polychrome Petit Feu enamels with floral garlands, floral sprays, and decorated bases
    Material: Tin-glazed Delft earthenware
    Style: Dutch Delft polychrome figural pottery
    Origin: Holland
    Date: Circa 1770

  • First Period Worcester Porcelain Queen's Pattern Cup and Saucer Circa 1770

    First Period Worcester Porcelain Queen’s Pattern Cup and Saucer Circa 1770

    $360.00

    This First Period Worcester Porcelain cup and saucer are hand-painted in the beautiful Queen’s Pattern, which was inspired by Japanese Imari porcelain of the 17th century.
    The design features four panels decorated with delicate Kakiemon-style flowers painted in iron red and gold with brightly enameled green and turquoise leaves.
    The panels are separated by underglaze cobalt blue bands with golden scrolling vines and iron red reserves showing chrysanthemums.
    The overall effect is delicate and gorgeous!
    Dimensions: Saucer 5.25″ diameter, cup 3″ tall x 2.65″ diameter
    Marks: The underside of both the saucer and the coffee cup has the pseudo-Chinese Fret mark in underglaze blue used in the First Period.
    Condition: Excellent
    For an example of a First Period Worcester Queen’s Pattern item dated ca. 1770, see Metropolitan Museum of Art Accession Number: 39.140.94

  • Worcester Dr Wall Two Quail Cup and Saucer with Turquoise Border, 18th C. Circa 1770

    Worcester Dr Wall Two Quail Cup and Saucer with Turquoise Border, 18th C. Circa 1770

    $380.00

    This cup and saucer show Worcester’s celebrated interpretation of the Two Quail pattern, hand-painted during the Dr Wall period, produced around 1768 to 1775, when the factory achieved its finest balance of Japanese-derived motifs and European rococo ornament.
    At the center of each piece, the familiar pair of quails sit together on a grassy mound beneath a flowering tree.
    One bird is painted in warm iron red, the other in soft blue, and both carry the little green topknot that is characteristic of Worcester’s polychrome Two Quail decoration.
    The tree rises in a gentle curve, its blossoms rendered in iron red, blue, green, and that distinctive Worcester turquoise, arranged with the asymmetry and spaciousness that reflects the original Kakiemon source while clearly interpreted through an English hand.
    The fluted shapes contribute significantly to the visual effect.
    Worcester’s soft-paste porcelain responds beautifully to fluting, allowing light to move across the surface in a subtle play of highlights that sits comfortably beneath the fine overglaze enamels.
    This was one of the factory’s preferred shapes for Kakiemon-inspired patterns because the form adds delicacy without disturbing the clarity of the painted scene.
    Around the rim, the wide turquoise rococo border provides the unmistakably Worcester frame used for their best mid-18th-century pieces.
    Its rich color, softened by gilt accents, creates a striking contrast with the white ground and draws the viewer’s attention back toward the central motif.
    This combination of fluting, turquoise border, and Two Quail painting is among the most highly regarded configurations in Dr. Wall Worcester.
    The enamel work here is particularly refined.
    The quails are lively, the foliage well spaced, and the blossoms painted with the precision and warmth associated with the best hands in the factory.
    The turquoise border remains vibrant, and the gilding is carefully applied along the scalloped edges.
    Worcester produced the Two Quail pattern for only a limited period, and examples combining this palette with fluted shapes and turquoise rococo borders are especially prized among collectors.
    This set represents an ideal expression of Worcester’s adaptation of East Asian design, filtered through the taste and technical sophistication of the late 18th century.

    Dimensions: Saucer 5.5″ diameter, cup 2.5″ tall x 2.5″ diameter

    Condition: Excellent 

    Decoration: Hand-painted Two Quail pattern with turquoise and gilt rococo border
    Material: Soft-paste porcelain
    Style: Dr Wall period Worcester
    Origin: Worcester, England
    Date: Circa 1768–1775

     

  • Antique First Period Dr. Wall Worcester Trio Tea Cup Coffee Cup & Saucer C-1770

    Antique First Period Dr. Wall Worcester Trio Tea Cup Coffee Cup & Saucer C-1770

    $320.00

    This First Period Worcester Porcelain trio is hand-painted in the Old Japan Star Pattern.
    It comprises a teacup, coffee cup, and saucer made in 18th-century England circa 1770.
    The set is decorated in the Imari palette with iron red, scale blue, and gilt colors.
    Gilt-edged panels decorated with shells, stars, and stylized flowers in iron red,
    with blue-scale reserves surrounding the panels.
    The decoration is outstanding!
    Both the saucer and teacup have a central iron red rosette (see images).
    For an example with an image of a cup and saucer in the Old Japan Star Pattern, see Bonhams EUROPEAN CERAMICS, GLASS & ASIAN ART
    5 July 2011 Lot 149.
    Marks: Each piece has the Worcester underglaze blue mock Chinese seal mark of the period in use from 1755 to 1775.
    Dimensions: Saucer 5.25″ diameter, teacup 2″ tall x 3.25″ diameter, coffee cup 2.75″ tall x 2.75″ diameter
    Condition: Excellent with only the very slightest rubbing.

  • 18th Century French Creamware Figure by Cyfflé at Saint Clément, Circa 1770

    18th Century French Creamware Figure by Cyfflé at Saint Clément, Circa 1770

    $1,200.00

    Queen Marie-Antoinette appointed Saint-Clément as a Royal Supplier for her Petit Trianon at Versailles.
    Here is an 18th-century Saint-Clément hand-painted creamware figure of a young man.
    Modeled by Paul Louis Cyfflé at Saint- Clément in France circa 1775, the figure exhibits outstanding detail,
    such as the young man’s beautiful face, lifelike clothes, and posture.
    He carries a little lamb and a pair of birds to market.
    The sculpting of the clothes is so lifelike that we can almost feel the fabrics draping on his body.
    Complementing the excellent modeling, the hand-painted colors are exquisite!
    This young man is part of Cyfflé’s first series of figures in which he presented statuettes of tradesmen.

    Dimensions: 8.5″ height x 4.25″ wide x 3.5″ deep

    Condition: Excellent

    Provenance: From the collection of William and Marilyn (Milton) Simpson: Marilyn Simpson was a grandchild of John D. Rockefeller Jr.
    The paper label on the underside of the figure states: “Saint Clément by-Cyffle c.1775 Parke-Bernet March 1957.”

  • Dr Wall First Period Worcester Sugar Box 18th Century Circa 1775

    Dr Wall First Period Worcester Sugar Box 18th Century Circa 1775

    $600.00

    This is a hand-painted First-Period Worcester Porcelain sugar box from the 18th century.
    The lively floral design is painted in green, blue, purple, and gilt.
    We see purple stems and purple flowers with gilt stamens, along with green and gilt leaves.
    The cover and the inner edge of the sugar box are decorated with underglaze blue arcades that are accented with leafy sprigs of gold (see images).
    The cover’s button finial is painted with a blue flower outlined in gilt.
    The sugar box and cover are gently lobed, which adds visual excitement as light plays over the curved surfaces.
    Made in England circa 1775, this sugar box is altogether delightful!
    Dimensions: 5″ tall x 4.5″ diameter
    Condition: Excellent, with the very slightest rubbing on the gilded top edge of the body, which sits under the cover (see image #7).
    Marks: On the underside is the Worcester First Period crescent in underglaze blue (see last image).
    Early Worcester Porcelain marks are rarely seen—a blue crescent mark (seen here) dates pieces back to the ‘First’ or ‘Dr Wall’ period (1751-1783).

  • Dr Wall First Period Worcester Sugar Box England Circa 1775

    Dr Wall First Period Worcester Sugar Box England Circa 1775

    $740.00

    This 18th-century First Period Worcester Porcelain sugar box was hand painted featuring beautiful swags painted with green leaves, purple plums, and two-tone purple and yellow apples.
    Each swag is tied with a purple ribbon in an elegant bow. Green leaves and two-tone plums hang from each ribbon.
    The cover finial is crafted as a budding rose painted in gorgeous pinkish purple and yellow supported by two green leaves.
    The sugar box’s border and cover are both adorned with a band of underglaze blue and a chain of golden ribbons
    and are gently lobed, which adds visual excitement as light plays over the curved surfaces.
    Made in England circa 1775, this sugar box is a gem!
    Dimensions: 5″ tall x 4.5″ diameter
    Condition: Excellent
    Marks: On the underside is the Worcester First Period crescent in underglaze blue (see last image).
    Early Worcester Porcelain marks are rarely seen—a blue crescent mark (seen here) dates pieces back to the ‘First’ or ‘Dr Wall’ period (1751-1783).

  • Nine Coffee or Espresso Cups English Porcelain Dollar Pattern Ca. 1820

    Nine Coffee or Espresso Cups English Porcelain Dollar Pattern Ca. 1820

    $600.00

    Perfect for a double espresso!
    Made in the early 19th century, these nine Dollar Pattern porcelain coffee or espresso cups are decorated in the exquisite “Dollar” pattern.
    Spode made this set in England circa 1820. In the Regency period, this shaped cup was known as a coffee can.
    The decoration features hand-painted panels in brilliant red, orange, and gold on a clean white ground (the hand-painted variations are especially noticeable in the red “Dollar” pattern).
    Around the panels, the cups are painted in a deep cobalt blue decorated with golden vines and flowers.
    The rich blue ground is a beautiful complement to the bright red in the white panels.
    The pattern is known as the “Dollar” pattern because the red decoration in the panels resembles a dollar sign (see image #2).

    Dimensions: 2.75″ tall x 2.75″ diameter

    Condition: The condition is excellent; two cups have some rubbing to the gilt on the top rim (see last image).

  • Set Seven Derby Dishes Hand Painted with Pink Roses Early 19th Century Ca-1815

    Set Seven Derby Dishes Hand Painted with Pink Roses Early 19th Century Ca-1815

    $400.00

    These lovely dishes were made in England around 1815.
    They have hand-painted pink roses on bright white Derby porcelain, complemented by green and turquoise leaves.
    During the late 18th and early 19th century, flower painting was a popular style for decorating English porcelain.
    One possible reason for this trend is that porcelain, like a flower, is delicate and color is essential to enhance its beauty.
    Therefore, it serves as an excellent medium to showcase the delicacy and freshness of flower painting.

    Dimensions: The four dessert dishes measure 8″ in diameter, the pair of heart-shaped dishes measure 10″ x 8″, and the lobed oval-shaped dish measures 11.5″ x 8.5″.

    Condition: Excellent with slight rubbing to the edge gilt on one heart-shaped dish

    Mark: Each dish is marked with the Derby mark of the period, showing the Derby underglaze iron red mark of crossed swords and “D” under a royal crown.

  • Pair Coalport Cobalt Blue Gilded Dishes Hand Painted with Roses England C-1820

    Pair Coalport Cobalt Blue Gilded Dishes Hand Painted with Roses England C-1820

    $480.00

    This pair of Coalport Dishes was hand painted at the Coalport factory, England circa 1820.
    The dishes are decorated with panels of pink roses on crisp white porcelain surrounded by cobalt blue ground richly embellished with gilt decoration.
    The combination is exquisite!

    Dimensions: 11″ long x 7.5″ wide

    Condition: Overall excellent with slight rubbing to the gilded outer edge

  • Pair Blue and White Dutch Delft Chargers Hand Painted 18th Century

    Pair Blue and White Dutch Delft Chargers Hand Painted 18th Century

    $1,800.00

    This lovely pair of Delft chargers were hand-painted at “The Claw”*in Delft, the Netherlands, circa 1800.
    They feature a beautiful garden scene with leaves and flowers against a bright white sky.
    The border of the chargers has five panels, each with a single tulip bud and scrolling vines.
    Deep blue panels separate the decorated panels.
    The painting is crisp, and the cobalt blue shows beautifully on the tin-glazed white ground.
    The yellow painted edge enhances the overall blue coloring.
    Each charger has the underglaze blue mark of “The Claw.”

    Dimensions: 13.75″ diameter

    Condition: Excellent with small edge chips invisibly restored

  • Dutch Delft Blue and White Charger Hand Painted 18th Century Circa 1780

    Dutch Delft Blue and White Charger Hand Painted 18th Century Circa 1780

    $1,200.00

    This lovely blue and white Delft charger was made in the Netherlands around 1780.
    It was meticulously hand-painted in two shades of cobalt blue on a white tin-glazed surface.
    The center of the charger portrays a beautiful garden scene, with a blooming orange tree and a garden fence.
    The wide border of the charger showcases a repeating pattern of leaves, buds, and single flowers enclosed in ogival cartouches.

    Dimensions: 13.25″ diameter

    Condition: Excellent with small edge frits invisibly restored

  • Blue and White Dutch Delft Plate or Dish Netherlands Circa 1780

    Blue and White Dutch Delft Plate or Dish Netherlands Circa 1780

    $330.00

    This 18th century blue and white Delft plate was hand painted circa 1780. The lively scene in the center features flowers, flower buds, and a polka-dotted vase. The border is decorated with 17 ogival panels, each showing a single flower. Along the edge is a band of geometric design. The elements work together to form a lovely piece of decorative art.

    Dimensions: 9″ diameter

    Condition: Excellent with small edge frits invisibly restored

  • Blue and White Delft Charger Hand Painted Liverpool, England 18th Century Ca. 1760

    Blue and White Delft Charger Hand Painted Liverpool, England 18th Century Ca. 1760

    $1,320.00

    This blue and white Delft charger was hand-painted in Liverpool, England, during the mid-18th century, around 1760. The design features simple yet elegant decoration, showcasing flowers in full bloom, along with leaves and rockwork.
    The border is also decorated with similar floral motifs.
    The entire scene is rendered in just two shades of underglaze blue, and the blue-painted edge—a characteristic of some 18th-century Liverpool Delft—gracefully frames the artwork.
    The back of this Delftware charger is decorated with simple lines that suggest floral designs (see the last image)
    Dimensions: 13.5″ diameter x 1.5″ height
    Condition: Excellent, with slight edge frits invisibly restored; the edge blue retouched

  • Set 4 Dinner Dish 4 Soup Bowls 2 Chargers Imperial Vienna Porcelain Ca-1790

    Set 4 Dinner Dish 4 Soup Bowls 2 Chargers Imperial Vienna Porcelain Ca-1790

    $560.00

    This elegant set of hand painted 18th-century Imperial Vienna Porcelain dishes features four dinner dishes, four soup/pasta bowls,
    and a pair of chargers for serving.
    The decoration is refined.
    Along the edge, we see a band of black darts and dots between lines of purple and gilt. The edge is gilded.
    In the center, delicate sprigs of roses and other flowers are painted pink, yellow, purple, blue, and orange.
    Made circa 1790, the sophisticated, understated decoration is perfect.
    Each piece is marked on the underside with the Imperial Vienna Porcelain shield mark.

    Dimensions: the dinners and the soup/pasta bowls are 9.6″ in diameter, and the chargers are 11.25″ in diameter.

    Condition: Excellent

  • John and William Ridgway Armorial Cabinet Plate Hand Painted England Circa 1850

    John and William Ridgway Armorial Cabinet Plate Hand Painted England Circa 1850

    $385.00

    This cabinet plate is a remarkable piece of hand-painted bone china from the John Ridgway factory in England, dating back to around 1850. Its intricate design is a testament to the craftsmanship of the time. The puce border, adorned with elaborate gilt details, along with the shaped and gilded edge, add opulence to this piece.

    Condition: In excellent condition, consistent with age and usage.

    Dimensions: 10” diameter.

  • Blue and White English Delft Charger Hand Painted Mid 18th Century Circa 1760

    Blue and White English Delft Charger Hand Painted Mid 18th Century Circa 1760

    $1,130.00
    This exquisite hand-painted Delft charger, made in Liverpool, England, circa 1760, captures a moment in time.
    The center of this Delftware charger features a hovering songbird, a large peony, and a pair of butterflies, creating a lovely garden scene.
    The scene flows onto the border, where two butterflies and three flower sprigs add to the charm.
    The entire scene is rendered in just two shades of underglaze blue, and the blue-painted edge—characteristic of some 18th-century Liverpool Delft—elegantly frames the artwork.
    Dimensions: 13.5″ diameter x 1.5″ height
    Condition: Excellent, with slight edge frits invisibly restored; the edge blue retouched.
  • Pair French Opaline Vases Circa 1835

    Pair French Opaline Vases Circa 1835

    $460.00

    Pair of vases with beautifully hand painted flowers on opaline glass.
    We see a bouquet of pink, purple, orange, lilac, yellow, and white flowers, all rendered in a naturalistic style.
    The roses, daisies, and morning glory are marvelous!
    The leaves are painted in several shades of green.
    Made in the Louis-Philippe period of the 19th century, circa 1835.
    The artist used colored enamels to create this work of art.

    Dimensions: Height 11.75″ x 6″ diameter at widest point x 6″ diameter across the top

    Condition: Excellent with very slight rubbing to the gilt on the top edge

  • Pair Blue and White Chinoiserie Porcelain Saucers 18th Century England Ca-1785

    Pair Blue and White Chinoiserie Porcelain Saucers 18th Century England Ca-1785

    $265.00

    This pair of blue and white porcelain saucers was made by Caughley in England circa 1785.
    Painted in underglaze blue, they show a lovely chinoiserie scene of a mother and son in a lush garden with flowering trees and several large vases.
    The blue line around the edge of each saucer frames and enhances the scene.
    The underside of each saucer has the Caughley crescent mark in underglaze blue.

    Dimensions: 5″ diameter

    Condition: Excellent

  • Antique Dutch Delft Charger Hand Painted Polychrome Garden Scene C-1780

    Antique Dutch Delft Charger Hand Painted Polychrome Garden Scene C-1780

    $480.00

    This antique Dutch Delft charger is hand-painted in a vibrant polychrome palette that immediately draws the eye to its rich cobalt blue rockwork, a bold foundation that intensifies the surrounding greens, ochres, iron red, and manganese purple.
    At the center unfolds a stylized garden scene: a willow tree with a softly modeled purple trunk and drooping ochre leaves, a large white blossom accented in manganese, and curling foliage in lively green and red.
    A purple garden fence with yellow posts outlined in red anchors the composition, while the brilliant blue rockwork provides contrast and depth, heightening the harmony of the entire design.
    The composition reflects the decorative confidence of 18th-century Dutch Delft, where strong color relationships and fluid brushwork transform a simple garden motif into a scene of movement and vitality.
    The cobalt is not merely decorative; it organizes the composition, balancing the lighter tones and giving the piece visual weight. The result is both lively and composed, with each element working in concert.
    Dimensions: 14.25″ diameter
    Condition: Excellent with small edge chips invisibly restored
    Decoration: Hand-painted polychrome garden scene with willow tree and fence
    Material: Tin-glazed earthenware
    Style: Dutch Delft, 18th century
    Origin: Netherlands
    Date: 18th century

    Notable Details:
    Vibrant polychrome palette including cobalt, manganese, iron red, and ochre
    Central willow tree with distinctive purple trunk
    Bold cobalt blue rockwork enhancing color harmony
    Decorative border with scrolling green foliage and yellow roundels
    Large scale suitable for wall display

  • Wedgwood Egyptian Jug Decorated in Black Basalt and Rosso Antico

    Wedgwood Egyptian Jug Decorated in Black Basalt and Rosso Antico

    $1,100.00

    This Wedgwood Egyptian Revival ale jug commands attention through its dramatic decoration: a sphinx to either side of a firebird in flight, rendered in the spirit of Greek black figure painting, with carefully placed touches of white enamel that heighten contrast and precision.
    The oviform black basalt body serves as the stage for this bold composition, where warm rosso antico figures advance sharply against the matte ground, creating a powerful interplay of silhouette and line.
    Produced as a special edition for Woollard and Hattersly of Cambridge, the jug combines archaeological imagination with the disciplined refinement that defines Wedgwood’s mid-nineteenth-century Egyptian Revival work.
    The rim and base are finished with rosso antico piping, which visually anchors the composition and reinforces its classical structure.
    The form rises from a rounded foot and terminates in a pinched trefoil spout with a loop handle, compact yet substantial in the hand.
    The impressed mark beneath reads “Wedgwood” and “The Egyptian Jug Sold Only by Woollard and Hattersly, Cambridge,” confirming both authorship and exclusivity.
    Comparable examples are held in the Birmingham Museum of Art, Gift of Dwight and Lucille Beeson, 1982.185, and in the British Museum, 1385-6, titled “The Egyptian Jug.”
    Dimensions: 6.5″ tall x 5.5″ deep x 5″ diameter
    Condition: Excellent
    Decoration: Egyptian Revival sphinxes flanking a firebird in rosso antico with white enamel highlights and rosso antico piping to rim and base
    Material: Black basalt stoneware with rosso antico decoration
    Style: Egyptian Revival
    Origin: England
    Date: Circa 1854

  • Set of Four Chinese Porcelain Famille Rose Dishes Late 19th Century Circa 1880

    Set of Four Chinese Porcelain Famille Rose Dishes Late 19th Century Circa 1880

    $380.00

    This set of four Chinese porcelain dishes are hand painted in Famille Rose colors.
    The center is filled with beautiful flowers separated by leaves in two tones of green.
    The predominant colors are pink, orange, green, and turquoise with small touches of brown, and gray grisaille.
    The Famille Rose color combinations are lovely, and the design is lively!
    The colors were produced by mixing colored enamels with opaque white enamel.
    Dimensions: 8.25″ diameter
    Condition: Excellent
    Price: $380

  • Blue and White Delft Charger Hand Painted at The Axe Holland Circa 1770

    Blue and White Delft Charger Hand Painted at The Axe Holland Circa 1770

    $1,260.00

    This blue and white charger was hand painted at De Porcelene Bijl “The Axe” circa 1770.
    The center of the charger is filled with lovely flowering peonies.
    We see flowers in full bloom intertwined with buds and leaves, displaying nature’s cycle of life and renewal.
    The border has ten shaped panels, each enclosing a single flower, a bud, and leaves.
    The pattern includes several shades of blue, giving it depth and visual interest.
    The white edge of the charger is cut in a fabulous lobed pattern that complements the painted decoration. This white edge is accented by a thin blue line.
    The design is dynamic and beautiful!
    The underside of the charger shows the mark of De Porcelene Bijl “The Axe”.

    Dimensions: 12″ diameter

    Condition: Excellent with small edge frits invisibly restored

  • Pair Antique Porcelain Oval Dishes Regency Period Hand Painted England Ca-1820

    Pair Antique Porcelain Oval Dishes Regency Period Hand Painted England Ca-1820

    $430.00

    This pair of brightly colored oval dishes are each decorated in the center with an exquisite rose hand painted in pink with green leaves. Around it are six pairs of smaller red flowers, also shown with their green leaves. The lively borders are filled with purple , blue, and yellow flowers, and lavish floral gilding.
    The colorful borders accentuate the shape of the oval dishes.
    The beauty of the center roses and the border bursting with color make this a classic example of English Regency Period porcelain.

    Dimensions: 10.5″ x 8″

    Condition: Excellent with the very slightest wear to the gilded outline.

  • Pair of Pearlware Pottery Baskets England Circa 1820

    Pair of Pearlware Pottery Baskets England Circa 1820

    $600.00

    This pair of elegant oval-shaped pearlware baskets and stands were made by St Peter’s Pottery (also known as Thomas Fell & Co**), Newcastle upon Tyne, circa 1830. The baskets were made to hold bread or baked sweets. They also look great filled with flowers (see image #2)
    The creamware body was pearled with a lovely blue-white glaze and painted with touches of purple enamel*.
    We see decorative purple lines along the top and bottom of the baskets, and the strap handles are each painted with a purple floral design (see image #5)
    The baskets have lovely, arcaded, openwork sides.
    The stands also have a band of arcaded openwork.
    The baskets and stands are decorated with three lines of purple enamel defining the border and the outer edge.
    **One of the stands is impressed on the underside with the “F and “Anchor” marks of Thomas Fell & Co. St Peter’s Pottery, Newcastle upon Tyne, Northumberland, England.

    Dimensions: the baskets measure 5″ tall x 10.5″ from handle to handle
    The stands 10.5″ wide x 8.25″ deep

    Condition: Excellent, with original light craquelure in the glaze

  • Antique Wedgwood Creamware Basket and Stand England Circa 1820

    Antique Wedgwood Creamware Basket and Stand England Circa 1820

    $460.00

    This elegant Wedgwood creamware basket retains its original matching stand, an increasingly difficult combination to find together.
    Made in England circa 1820, both the basket and stand are decorated with matching pierced arcades highlighted by fine midnight brown slip borders, while the basket’s gracefully curved handles are accented in the same rich brown.
    The body is decorated with crisply molded horizontal bands that contrast beautifully with the openwork borders.
    Whether displayed empty or filled with flowers or fruit, the basket is equally attractive as a centerpiece or displayed on a shelf, mantel, or console.
    Dimensions: Basket 4 inches tall x 9.25 inches long x 5 inches wide; stand 10.75 inches long x 8.75 inches wide
    Condition: Very good with a few small kiln burns where the glaze did not fully cover during firing (see photographs).
    Date: Circa 1820
    Origin: Origin: Etruria, Stoke-on-Trent, Staffordshire, England
    Maker: Wedgwood
    Material: Creamware
    Decoration: Matching pierced arcades, midnight brown slip borders, crisply molded horizontal bands, and brown-accented handles

  • Staffordshire Porcelain Pitcher England Circa 1830

    Staffordshire Porcelain Pitcher England Circa 1830

    $285.00

    This Staffordshire porcelain pitcher is a small, charming example of early 19th-century English porcelain, made in England circa 1830.
    Its appeal is simple and direct: a clean white body, a hand-painted bouquet in fresh colors, and a form that works beautifully with flowers.
    The decoration on the front includes flowers of pink, light blue, yellow, purple, and orange, with two tones of green in the leaves, giving the pitcher a bright, pleasing presence without making it feel elaborate.
    Three horizontal gilt bands define the base, neck, and top, while the handle is molded with leaves on the vine, adding a quiet touch of detail.
    This is not a grand collector’s object, but it is exactly the sort of useful, pretty antique that brings early English porcelain into daily view.
    Dimensions: 6.75″ tall x 6.5″ from the end of the spout to the end of the handle x 4.75″ diameter at the widest point and 3″ diameter across the base
    Condition: Very good, with very slight wear to the painted enamels, as shown in the close-up images. The porcelain and gilding are perfect.
    Decoration: Hand-painted floral bouquet
    Material: Porcelain
    Style: Late Georgian / early Victorian Staffordshire porcelain
    Origin: England
    Date: Circa 1830

  • Pair Large Blue and White Boch Frères Delft Jars Hand Painted Circa 1922

    Pair Large Blue and White Boch Frères Delft Jars Hand Painted Circa 1922

    $2,200.00

    This pair of large blue and white Delft jars was hand painted by Boch Frères Keramis at La Louvière, Belgium, circa 1922.
    Each jar is hand painted in rich cobalt blue on a white tin-glazed ground. The body is divided into four large panels: two show a peacock among flowering plants, while the other two contain vases overflowing with flowers.
    The shoulders and covers continue the decoration with floral panels separated by a finely painted geometric diaper pattern. The tall domed covers are finished with distinctive bird-form finials.
    The jars belong firmly to the decorative tradition of Dutch Delft, which was an important influence on the wares produced by Boch Frères.
    Belgium had been part of the United Kingdom of the Netherlands until the Belgian Revolution of 1830. Boch established its Belgian pottery at La Louvière in 1841, and Boch Frères began production there in 1844. The factory became particularly known for wares inspired by Dutch Delft, and its quality was recognized almost immediately with a medal at the Brussels exhibition of 1847.
    The underside of each jar bears the Boch Frères Keramis factory mark, from which we date the pair to circa 1922.
    Their large scale, rich cobalt decoration, and unusual bird-form finials give the pair considerable decorative presence on a console, sideboard, or mantel.

    Dimensions: Height 16.5″ x diameter at widest point 8.5″ x diameter at base 5″

    Condition: Excellent

    Price: $2,200

  • Antique Paris Porcelain Pierced Basket with Gold Decoration France Circa 1840

    Antique Paris Porcelain Pierced Basket with Gold Decoration France Circa 1840

    $1,100.00

    This elegant Paris Porcelain pierced basket is oval shaped, with lavishly gilded latticework.
    The Empire style is timeless, and the latticework of the baskets lends delicacy and light to the design.
    The white line across the top of the base accentuates the richness of the gold, adding a touch of intensity to the overall design.
    The long rectangular base of the basket harmonizes with its oval shape, creating a pleasing visual balance.
    Filled with flowers, this is the perfect centerpiece for a formal dining room table, either oval shaped or rectangular.
    It would also be exquisite on a sideboard in the dining room.

    Dimensions: 13.75″ long x 7.5″ wide x 10.75″ tall. The basket is 4.75″ deep.

    Condition: Very Good, with some gilt invisibly touched in

  • Antique Pair Golden Paris Porcelain Vases with Paris Porcelain Centerpiece

    Antique Pair Golden Paris Porcelain Vases with Paris Porcelain Centerpiece

    $1,400.00

    We are pleased to offer this elegant three-part group of Paris Porcelain in the Empire style crafted circa 1840.
    The centerpiece is an oval-shaped pierced basket, lavishly gilded with delicate latticework. The golden Empire style lends an air of grandeur to the design, while the intricate latticework adds a sense of delicacy and allows light to play through. The white line across the top of the base further enhances the richness of the gold, creating a touch of intensity. The long rectangular base harmonizes beautifully with the oval shape, creating a visually balanced composition. With dimensions of 13.75″ long x 7.5″ wide x 10.75″ tall and a depth of 4.75″, this centerpiece is perfect as a centerpiece for a formal dining room table, be it oval-shaped or rectangular. It would also make an exquisite addition to a dining room sideboard.
    Flanking the centerpiece is a pair of golden Paris Porcelain mantle vases in the Empire style and crafted circa 1840. The gilding on these vases is exquisite. Delicate bands of flowers and matte handles further emphasize the luxury of the gold. These vases stand 12.5″ tall and measure 6″ across the handles, with a depth of 4″. Their dimensions and captivating design make them ideal as companions to the centerpiece or for adorning a mantelpiece.
    The pieces are in very good to excellent condition, with some small touches of gilt invisibly restored on the basket, while the vases are pristine.

    Dimensions of the basket: 13.75″ long x 7.5″ wide x 10.75″ tall. The centerpiece is 4.75″ deep.
    Dimensions of the vases: 12.5″ tall x 6″ across the handles x 4″ deep

    Condition: Very Good, to Excellent with some touches of gilt invisibly restored on the centerpiece

  • Meissen Porcelain 18th Century Leaf Dish Hand Painted Circa 1770

    Meissen Porcelain 18th Century Leaf Dish Hand Painted Circa 1770

    $420.00

    Meissen Porcelain Leaf Dish Hand Painted Floral 18th Century Circa 1770

    This large Meissen porcelain leaf dish has the movement, delicacy, and natural charm that make 18th century Meissen so desirable.
    The molded leaf form gives the piece a lively silhouette, with a shaped edge, fine veining, and a broad white ground that sets off the decoration beautifully.
    Hand-painted floral sprigs and bouquets are scattered asymmetrically across the surface in pink, purple, yellow, orange, and green, a light and graceful arrangement that reflects the Rococo taste for naturalistic ornament.
    A gilt rim crisply defines the outline and adds a note of richness without disturbing the freshness of the design.
    The scale gives the dish strong presence, making it an exciting display piece as well as a beautiful example of 18th century Meissen porcelain.
    Dimensions: 13″ long x 9.5″ wide x 2″ deep
    Condition: Excellent, with slight rubbing to the gilt on the outer edge in one place, seen best in close-up image #3
    Decoration: Hand-painted floral sprigs and bouquets in pink, purple, yellow, orange, and green, with gilt edge
    Material: Porcelain
    Style: Rococo
    Origin: Meissen, Germany
    Date: Circa 1770

  • Blue and White Delft Charger Hand Painted 18th Century Netherlands Circa 1780

    Blue and White Delft Charger Hand Painted 18th Century Netherlands Circa 1780

    $1,160.00

    This beautiful blue and white hand painted charger was made in The Netherlands in the last quarter of the 18th century, circa 1780. It is decorated with an eye-catching floral design that encircles a central medallion. We see floral bands showing flowers and scrolling vines. The vibrant cobalt blue decoration draws your eye from the center outward.

    Dimensions: 12.25″ diameter

    Condition: Excellent with small edge frits invisibly restored

  • Antique Silkwork Embroidery Picture Shepherdess and Sheep England c.1840

    Antique Silkwork Embroidery Picture Shepherdess and Sheep England c.1840

    $330.00

    Antique Silkwork Embroidery Picture Shepherdess and Sheep England c.1840

    This antique English silkwork embroidery picture shows a shepherdess seated in a pastoral landscape with sheep gathered at her feet. The subject is gentle and appealing, but the strength of the piece lies in the worked surface itself. Colored silk threads give the shepherdess’s dress, the sheep, and the foreground a soft, textured presence, while the face and parts of the landscape appear to be finely painted or drawn for greater precision. The result is a charming pictorial silkwork that combines embroidered texture with delicate figural detail.

    The oval gilt frame adds warmth and period character, setting off the soft greens, creams, and muted pinkish purple tones within the scene. The composition belongs to the early Victorian continuation of late Georgian pastoral taste, when images of shepherdesses, cottages, sheep, and wooded landscapes carried a romantic sense of rural life. It is a decorative and intimate work, made with patience, skill, and a clear eye for gentle storytelling.
    Dimensions: 12.75″ height x 11″ wide x 1″ deep
    Condition: Very Good.The silk is somewhat faded.
    Price: $330
    Decoration: Pastoral scene with shepherdess, sheep, cottage, trees, and landscape
    Material: Silk threads on a fine silk ground, with probable painted or drawn details
    Style: Early Victorian pastoral, influenced by late Georgian romantic landscape taste
    Origin: England
    Date: Circa 1840
    Notable Details:
    Technique: Hand-embroidered silkwork picture with shaded silk threads, probably with painted facial and landscape details on a fine silk ground.
    Worked in colored silk threads with delicate shaded stitching, especially in the shepherdess’s dress, the sheep, and the landscape.
    The face and selected background details appear to be painted or drawn, a common technique in pictorial needlework of the period.
    Oval gilt frame with molded and decorative detail.
    Charming pastoral subject with strong search appeal: silkwork, embroidery, shepherdess, sheep, and English needlework.

  • Pair Blue and White Dutch Delft Tobacco Jars Hand Painted Circa 1820

    Pair Blue and White Dutch Delft Tobacco Jars Hand Painted Circa 1820

    $2,300.00

    This outstanding pair of Dutch Delft blue and white tobacco jars was hand-painted circa 1820. It was made to hold a type of tobacco known as DUNKERKER.
    One of the jars bears the mark of The Blompot, a Delft factory that operated from 1654 until 1841.
    A closely related tobacco jar bearing the same name is in the collection of the Philadelphia Museum of Art, providing an excellent documented comparison for the form and inscription.
    Each jar is boldly painted in cobalt blue on a white tin-glazed ground.
    The name DUNKERKER fills the large central reserve, framed by scrolling vines, leaves, flowers, and elaborate ornamental motifs.
    Above the reserve is a vase overflowing with leaves and flowers, while additional floral and geometric decoration extends around the body.
    The Philadelphia Museum of Art notes that DUNKERKER refers to a tobacco more commonly known as Duinkerken, a type of chewing tobacco.
    The brass covers are later, dating from the 20th century.
    Dimensions: 8.75 inches tall without covers; 11 inches tall with covers × 7.25 inches diameter at the widest point
    Condition: Excellent
    Date: Circa 1820
    Origin: Delft, The Netherlands
    Provenance and Comparable:
    One jar bears the mark of The Blompot Delft factory.
    The Philadelphia Museum of Art owns a closely related Delft tobacco jar and cover inscribed DUNKERKER, made circa 1764–1772 by De Porceleyne Schotel under Johannes van Duijn. Although earlier than this pair, the museum example provides a useful documented comparison for the inscription and original function of these tobacco jars.

  • Blue and White Delft Plate or Dish Hand Painted Holland C-1800 w/ Mark of The Claw

    Blue and White Delft Plate or Dish Hand Painted Holland C-1800 w/ Mark of The Claw

    $370.00

    This blue and white Delft plate was hand painted circa 1800 in the Netherlands. Provenance: On the reverse is the mark of De Porceleyene Claeuw, “The Claw” factory operated in Holland from 1658 to 1840. At the center of this lovely hand-painted dish is a traditional Dutch Delft view of a garden. The painting has a lovely touch; at the top of the garden view is a teapot!**( for more information on the Dutch history of tea see ** below) The artist used cobalt blue in various shades to enhance the beauty of the design. We see an oversized peony, a willow tree, and deep blue rockwork. The border is adorned with delicate flowers and intricate vines that add an elegant touch to the overall design The edge is painted with traditional yellow slip. The dish was made circa 1800.

    Dimensions: 8.75″ diameter x 1″ height

    Condition: Excellent.

  • Set of 6 Late 18th Century English Ironstone Imari Dessert Plates

    Set of 6 Late 18th Century English Ironstone Imari Dessert Plates

    $1,100.00

    This set of six plates, crafted by John Turner circa 1795, features the exquisite Imari color palette of iron red, cobalt blue, and radiant gold.
    The color combination creates a vibrant and striking look, and the design of a dragon soaring amidst a lush garden is captivating.
    The pattern was inspired by the renowned Imari porcelain patterns of 17th and 18th century Japan.
    John Turner, the inventor of ironstone, crafted the plates. He held the first patent for ironstone, which he manufactured from 1795 to 1805. The underside of each plate is impressed with the mark “Turner”.
    The Turner family of potters was active in Staffordshire, England, from 1756-1829.
    Their manufactures have been compared favorably with those of Josiah Wedgwood and Sons.
    Josiah Wedgwood was a friend and a commercial rival of John Turner, the first notable potter in the Turner family.

  • Hand Crafted Cork Work Picture Diorama with English Castle made Mid 19th Century

    Hand Crafted Cork Work Picture Diorama with English Castle made Mid 19th Century

    $430.00

    This mid 19th century cork work shows a romantic scene of an ancient castle in a charming diorama. The castle is perched atop a promontory overlooking a river, complete with forested terrain and a tiny sailboat for scale. The artist’s intricate cutting and piercing of the cork showcase their exceptional craftsmanship.
    The cream-colored mat beautifully complements the soft colors of the cork.
    The frame and mat are 20th century.
    This cork work is a testament to the enduring appeal of English castles, dating back to the Norman invasion of 1066.

    Dimensions: The oval corkwork measures 8.5″ x 6.5″
    The frame measures 16″ wide x 14.75″ height x 1″ deep

    Condition: Excellent.

  • Pair English Watercolors Women Figures Landscape Original Frames

    Pair English Watercolors Women Figures Landscape Original Frames

    $290.00

    This pair of mid-19th century English watercolors presents two women in quiet rural settings, each composition built around a single figure placed within a softly washed landscape. One figure stands holding a basket, the other walks past a cottage carrying her catch, both rendered with a light, controlled hand that keeps the focus on gesture and presence.

    The compositions are simple and direct, using open space and restrained color to draw attention to the figures. This approach reflects the informal watercolor tradition of the period, where small-scale works were created for domestic settings rather than formal display. The scenes are easily read and comfortably scaled, making them well suited to intimate interiors.

    The clothing and hairstyles place the scenes in the 1840s, reinforcing their period authenticity without dominating the compositions. Together, the two works function naturally as a pair, offering a balanced and understated wall presentation.

    Both paintings remain in their original period wood frames, which provide warmth and context and allow the pair to be placed immediately.

    Dimensions: 12.5 height x 9.5″ wide x 1.25″ deep
    Condition: Light fading and even toning consistent with age, overall well preserved
    Price: [Insert]
    Decoration: Hand-painted watercolor figures in landscape settings
    Material: Paper, watercolor
    Style: Mid-19th century English genre watercolor
    Origin: England
    Date: Circa 1840

  • Pair Hand Crafted Corkwork Picture Dioramas with Scenes of English Castles Circa 1840

    Pair Hand Crafted Corkwork Picture Dioramas with Scenes of English Castles Circa 1840

    $700.00

    This pair of mid-19th century English corkworks showcases the intricate cutting and piercing of the cork demonstrating the artist’s excellent craftsmanship.
    Each diorama features a romantic scene of a castle perched atop a rocky promontory overlooking a river.
    The cream-colored mats and the golden frames complement the soft colors of the cork.
    One of the works boasts a lovely oval-shaped cork frame, adding to its allure.
    This pair is a testament to the majesty of castles, with their origins dating back to Anglo-Saxon burhs in 9th-century Wessex.
    Overall, these corkworks are an impressive display of hand crafted decorative art.

    Dimensions: 14.25″ wide x 12.75″ height x 1.5″ deep

    Condition: Excellent. The painted frame is repainted

  • Pink Roses Hand Painted on Antique Porcelain Dish England Circa 1810 by New Hall

    Pink Roses Hand Painted on Antique Porcelain Dish England Circa 1810 by New Hall

    $260.00

    This exquisite antique porcelain saucer dish was hand painted at the renowned New Hall China Works in England circa 1810.
    It is a piece of artistry that has gracefully withstood the test of time, carrying a rich history and a captivating story.
    The dish has three main elements; a center with delicate gilded leaves, two bands of deep cobalt blue encircling a wide border of hand painted pink roses with vibrant green leaves. Every stroke of the artist’s brush brings these blossoms to life, their petals seemingly frozen in perpetual bloom.
    Intricate gilding adorns the dish with an exquisite arrangement of leaves delicately kissed by gold. This attention to detail adds a touch of luxury, elevating this saucer dish to a realm of true luxury.
    Measuring a generous 8.5 inches in diameter and with a depth of 1.5 inches, this saucer dish possesses both beauty and practicality. Its condition is excellent, with only a faint rubbing on the gilded edge.
    Dimensions: 8.5″ diameter x 1.5″ deep
    Condition: Excellent with very slight rubbing to the gilded edge
    The dish is marked on the reverse with the New Hall mark for pattern 1865

  • Framed Hand-Colored Costume Engravings Of 16th Century French Nobility Ca. 1835

    Framed Hand-Colored Costume Engravings Of 16th Century French Nobility Ca. 1835

    $1,100.00

    This pair of framed French historical engravings presents four richly hand-colored engraved figures from the courtly world of 16th-century French nobility and judicial society. The figures have extraordinary presence, with large isolated compositions, portrait-like faces and gestures, extremely precise costume details, and exceptionally rich surviving color. The engravings come from the “Costumes Historiques” series of the mid-19th century, based on earlier archival sources such as the Gaignières portfolios of the late 17th century, which ground the imagery in documented historical dress.

    These are original 19th-century hand-colored engravings, not modern reproductions. They were issued as part of Massard and Mifliez’s Costumes français depuis Clovis jusqu’à nos jours, an ambitious survey of French historical dress based on earlier paintings, sculpture, monuments, manuscripts, and material preserved in the celebrated Gaignières collection.

    The four subjects include Françoise Robertet, dame de Rostaing; Marie Le Jars de Gournay; a Premier Président au Parlement de Paris; and a Conseiller au Parlement de Paris. The figures draw on documented historical and portrait sources rather than generalized costume types, which helps account for their immediate, portrait-like character.

    Two original printed explanatory leaves from the publication are preserved on the reverse of one frame. The text for Françoise Robertet states that her figure reproduces an original portrait formerly in the gallery of the Marquis de Lavardin and cites the Gaignières portfolios as its source. The text accompanying the Premier Président likewise identifies the Gaignières portfolios as the source for the figure and describes his scarlet judicial robes, ermine, and black cap ornamented with gold.

    The quality of execution is particularly fine. Transparent watercolor was carefully applied over exceptionally precise engraved line work, leaving the modeling of the faces, hair, lace, jewelry, textiles, and folds of the clothing clearly visible. Selected details are highlighted in gold, including the ornament on the judicial cap and small decorative elements. Salmon red, deep black, cream, turquoise, and gold create a remarkably rich palette while preserving the clarity of the engraving beneath.

    The matching frames are an important part of the presentation. Black outer moldings frame richly stippled decorative borders in gold, cream, reddish brown, and black, finished with narrow gilt inner slips. Deep black mats intensify the engravings’ color and give the four figures a strong, unified presentation.

    Dimensions: Each frame 15.25 inches wide × 13.25 inches high
    Condition: Very good, with only the slightest wear consistent with age
    Decoration: Richly hand-colored historical portrait and costume engravings
    Technique: Engraving with watercolor and selective gold heightening
    Material: Paper and wood frames
    Origin: France
    Date: Circa 1835

  • Antique Swiss City View Watercolor Pen and Ink Drawing Town Scene

    Antique Swiss City View Watercolor Pen and Ink Drawing Town Scene

    $380.00

    This hand-colored watercolor and pen and ink drawing shows a fortified riverside city with medieval walls, organized around a tall Gothic church spire rising above the rooftops and towers.
    The composition moves from the calm foreground river with small boats and shoreline activity toward the enclosed city beyond its defensive wall and gate.
    The architectural details are the strength of the piece.
    Rooflines vary in pitch and pattern, including a distinctive zigzag roof and a checkerboard tower, adding rhythm and visual interest to the skyline.
    The red flag with a white cross identifies the setting as Swiss, giving the scene a clear geographic anchor.
    Executed with precise linework and soft watercolor washes, the work balances structure and color.
    The warm toning of the paper enhances depth and unifies the composition, while small figures in the foreground add scale and a sense of everyday movement without distracting from the architecture.
    The 19th-century drawing is presented in a 20th-century decorative frame with a tortoiseshell-style finish and gilt liner, which complements the warmth of the paper.
    Dimensions: 17.5″ wide x 13.5″ height x 1″ deep
    Condition: Very Good overall, light age toning, with a fine, approximately 1″ tear at the upper center 
    Decoration: Hand-colored city view with river and figures
    Material: Watercolor and pen and ink on paper
    Style: European topographical drawing
    Origin: Switzerland
    Date: 19th century

  • A Venetian Work of Art: Mid-19th C. Hand-Painted Artwork with Murano Glass Beads

    A Venetian Work of Art: Mid-19th C. Hand-Painted Artwork with Murano Glass Beads

    $2,200.00
    A Venetian Work of Art: Mid-19th Century Hand-Painted Artwork with Murano Glass Beads
    This is an exceptionally unusual Venetian commemorative work combining painting, maritime history, glassmaking, civic identity, and the Lion of St. Mark.
    Intricate Detailing: The painting is meticulously hand-painted on a wood board and overlaid with tiny Venetian glass beads, crafted in Murano, which is renowned for its exquisite glasswork.
    These beads add a mesmerizing texture and a unique play of light to the artwork (see images).
    Iconic Venetian Imagery: The artwork depicts a sailing ship outfitted with both traditional sails and new steam technology, symbolizing a pivotal moment in maritime history. Set in the Port of Venice, a gondola glides gracefully in the foreground, with a glimpse of St. Mark’s Square anchoring the scene on the left (see image #4).
    Inscription: The inscription at the bottom center reads “La Società Operaia Veneziana Offre” (The Venetian Workers’ Society Offers), accompanied by the Lion of St. Mark—Venice’s iconic symbol.
    Historical Significance: The Venetian Workers’ Society was one of Northern Italy’s prominent “friendly societies” in the 19th century.
    These organizations provided mutual aid, education, and cultural enrichment to their members, predating modern trade unions.
    Elegant Frame: The artwork is housed in a parcel-gilt inner frame with a maple outer frame, enhancing its timeless appeal.
    Dimensions: Frame: 33″ wide x 27″ high x 1″ deep.
    Condition: Excellent. The painting and frame have been well-preserved, maintaining their original beauty.

     

  • Blue and White Dutch Delft Five Piece Garniture Hand Painted Circa 1760

    Blue and White Dutch Delft Five Piece Garniture Hand Painted Circa 1760

    $5,200.00

    This splendid five-piece Dutch Delft garniture was made in Holland circa 1760.
    Comprising three covered baluster jars and a pair of taller covered vases, the complete set has exceptional decorative presence.
    Each piece is hand painted in rich cobalt blue on a soft white tin-glazed ground.
    The principal panels depict chinoiserie garden landscapes with deer, butterflies, flowering plants, and garden fences.
    Smaller side panels show flowering peonies and songbirds, while the canted corners and borders are filled with smaller landscape cartouches, scrolling flowers, shells, and stylized foliage.
    The cobalt ranges from deep saturated blue to softer washes, giving variety to the closely worked decoration.
    The contrast between the three rounded baluster jars and the taller flaring pair creates a strong, balanced composition.
    Each cover is surmounted by a boldly modeled lion-dog finial. Together, the five pieces form an unusually complete and impressive garniture of mid-18th-century Dutch Delft, originally intended for display on a mantelpiece, cabinet, or overmantel.
    Dimensions:
    Pair of taller covered vases: 14.5″ high × 6″ wide × 5.5″ deep
    Three covered jars: 13.85″ high × 5.25″ wide × 5.25″ deep
    Condition: Very good antique condition, with minor chips that have been invisibly restored.
    Decoration: Hand painted in cobalt blue on a white tin-glazed ground
    Material: Delft earthenware
    Origin: Holland
    Date: Circa 1760

  • Blue and White Delft Plate or Dish Chinoiserie Scene 17th Century C-1690

    Blue and White Delft Plate or Dish Chinoiserie Scene 17th Century C-1690

    $640.00

    Made in the Netherlands in the late 17th century, circa 1690, this extraordinary Delft charger is hand-painted in shades of cobalt blue. The soft blue pigment gives the charger a subtle touch. The fascinating naive decoration is styled after Chinese Kraak porcelains made for export to Europe in the 16th century. In the center of the charger, we see a Chinese scholar seated in a garden. A pattern of scrolling vines encircles the central scene. The wide border is decorated with panels showing a seated scholar alternating with panels showing Asian-style floral decorations.

    Dimensions: 10.25″ in diameter x 1.25″ tall

    Condition: Excellent with slight edge frits invisibly restored

  • Set of Four Blue and White Delft Plates Hand Painted Mid 18th Century C-1760

    Set of Four Blue and White Delft Plates Hand Painted Mid 18th Century C-1760

    $1,400.00

    These four blue and white English Delft plates were hand-painted in Bristol circa 1760. Inspired by Chinese blue and white porcelain, they combine a pale bluish tin-glazed ground with deep cobalt decoration.

    The center of each plate is painted with a chinoiserie garden scene of flowering plants, including peony, plum blossom, and chrysanthemum. Related floral sprays are arranged around the border, extending the decoration from the center to the rim.
    The rich cobalt blue stands out beautifully against the softly toned glaze, giving the hand-painted decoration exceptional clarity.
    For a closely related Bristol Delft dish, see Frank Britton, English Delftware in the Bristol Collection, page 190, image 12.24.
    Dimensions: Each 9″ diameter x .75″ high
    Condition: Excellent, with slight edge frits invisibly restored.
    Date: Circa 1760
    Origin: Bristol, England

     

  • Antique Delft Charger 18th Century Polychrome Colors Netherlands Circa 1770

    Antique Delft Charger 18th Century Polychrome Colors Netherlands Circa 1770

    $500.00

    This large 18th century Dutch Delft charger is a particularly beautiful example of Delft’s fascination with imagined Eastern landscapes, rendered with confidence, balance, and rich color. The broad central well is hand-painted with a finely composed chinoiserie scene in vibrant polychrome enamels, where warm iron red, soft yellow, green, purple, and deep cobalt blue are brought into harmony against the creamy white ground.
    At the center, delicate pavilion-like houses with exotic, upturned roofs sit along a rocky shoreline, their architectural forms lending rhythm and structure to the scene. Behind them, gently rising mountains flow toward the water’s edge, while a single expressive tree anchors the composition, its red foliage spreading across the sky with an almost calligraphic grace. The painter’s confident brushwork gives the landscape a sense of movement and air, allowing the eye to travel naturally through foreground, middle distance, and horizon.
    The wide rim enhances the charger’s decorative impact, bordered with a refined pattern of iron red darts set within crisp blue cross-hatching. This framing device not only heightens the color contrast but also emphasizes the charger’s generous scale, making it a striking display piece whether hung or placed on a stand. The combination of scale, lively polychrome decoration, and assured painting places this charger among the more engaging Delft chargers of the period.
    Dimensions: 13.75 inches diameter, 1.75 inches tall
    Condition: Excellent
    Material: Tin-glazed earthenware
    Style: Dutch Delft, Chinoiserie
    Origin: The Netherlands
    Date: Circa 1770

  • Minton Chinoiserie Dish England Circa 1810

    Minton Chinoiserie Dish England Circa 1810

    $430.00

    Made in England circa 1810, this Minton porcelain dish is a masterpiece of English Regency chinoiserie.
    The hand-painted scene exhibits vibrant colors, intricate details, and a playful spirit.
    The dish shows three young boys playing on a seesaw. The boys display a delightful childish innocence.
    Jean-Baptiste Pillement’s drawings inspired this Minton image ( for more on Pillement, see below). The last image shows an image of Pillement’s work.
    The underside of the plate shows the Minton mark in underglaze blue with pattern number 539.
    Dimensions: Diameter 8.25 in. x H 1.5 in.
    Condition: Excellent
    For more information on the Chinese Sports Series, see Loren Zeller’s article “Jean-Baptiste Pillement’s Recueil de Plusieurs Jeux d’Enfants Chinois: A Review of the Artist’s Work as Source for 18th and 19th Century Ceramic Designs” in the Northern Ceramic Society Journal, Volume 32, June 20
    Jean-Baptiste Pillement was a French painter and designer known for his exquisite and delicate drawings and the engravings done after his drawings. The drawings influenced the spread of the Rococo style, particularly the taste for chinoiserie throughout Europe. For an image of an item from this Minton pattern made 1805-1810, see The Dictionary of Minton by P Atterbury & M Batkin, pg 19.
    Also see English Ceramics Circle Transactions Vol 33 2023: Loren Zeller, Tracing the Source of Chinoiserie Design in 18th- and 19th-Century Ceramics.

     

  • Antique French Porcelain Pitcher Hand Painted Empire/Restoration Period, Circa 1825

    Antique French Porcelain Pitcher Hand Painted Empire/Restoration Period, Circa 1825

    $560.00

    Made in the Napoleonic period, this exquisite French porcelain pitcher was hand-painted in the Empire/Restoration style. It boasts classical and rococo influences, with a bold purple square outlined in gold and elegant swags of acanthus* leaves, symbolizing immortality, painted in grisaille. The green enamel on the handle adds a touch of refinement. The gilding on the throat of the pitcher is exceptional, depicting a pair of golden hawks amidst vines. With meticulous attention to detail, the painting features an array of stunning colors, all expertly accented with gleaming gold gilding.
    *Acanthus leaves symbolize immortality. In the Napoleonic period in France, acanthus refers to Napoleon’s immortality.

    Dimensions: 9.25” tall x 7.25” deep x 5.75” diameter at the widest point

    Condition: Excellent

  • Blue and White Delft Dish Hand-Painted, 18th Century, Circa 1780

    Blue and White Delft Dish Hand-Painted, 18th Century, Circa 1780

    $465.00

    This beautiful blue and white Dutch Delft plate was hand-painted with deep cobalt blue in the Netherlands by “The Axe” in the 18th century, circa 1780. In the center, we see a lovely chinoiserie garden scene with a flowering tree and rockwork. The border has four panels with blue floral decoration on a white ground separated by smaller blue and white panels decorated with a traditional Delft diamond pattern. The edgeof the dish is painted with traditional yellow slip.

    Dimensions: diameter 9.1.”

    Condition: Excellent with tiny edge frits invisibly restored

  • Set of Twelve Antique Minton Porcelain Soup Dishes with Gilt Rim and Gray Linked Chain Motif, England Circa 1870

    Set of Twelve Antique Minton Porcelain Soup Dishes with Gilt Rim and Gray Linked Chain Motif, England Circa 1870

    $980.00

    This set of a dozen large porcelain soup dishes by Minton has a clean, confident presence built around one exceptional design feature, the border.
    Made in England circa 1860, the decoration is restrained yet highly effective, with a crisp black interlocking Greek-key style design set just inside the gilded rim.
    Its sharp geometry gives the luminous white porcelain a handsome neoclassical edge, especially effective across a full dozen large soup dishes.

    On a table, the repeated key-pattern border would create a strong unified effect.
    The large soup dish form gives the design room to breathe, while the contrast of black, white, and gold keeps the appearance crisp and elegant.
    Nothing is overworked.
    The strength of the set comes from the rhythm of the border, the clarity of the porcelain, and the quiet formality of the gilded edge.

    Minton was one of England’s leading ceramic manufacturers in the 19th century, admired for its technical quality, refined forms, and elegant decorative control.
    These soup dishes show that strength clearly, with a border design that is both simple and memorable.
    Decoration: Black interlocking Greek key-style border set just inside the gilded rim
    Dimensions: 10.25″ diameter x 1.25″ deep
    Condition: Excellent
    Material: Porcelain
    Origin: England
    Date: Circa 1860
    Price: $980

     

  • Brass Chandelier Six Light Dutch 19th Century

    Brass Chandelier Six Light Dutch 19th Century

    $1,520.00

    This Dutch brass six-arm chandelier was made in the 19th century. It has scrolling mounted branches from a knopped column terminating in a large ball and ring at each end. Deeply curved arms hold the candles at a level near the chandelier’s body.

    Dimensions: 15.5″ in height x 19″ in diameter

    Condition: Excellent

  • Antique Blue and White Delft Charger Hand Painted Netheralands Circa 1780

    Antique Blue and White Delft Charger Hand Painted Netheralands Circa 1780

    $460.00

    Hand painted circa 1780, this eye-catching blue and white Delft charger is hand painted in shades of cobalt blue with black accents. The artist has captured a vibrant garden scene transporting the viewer to a world of beauty. In the center, we see a pine tree, to one side, a sizeable blossoming peony, and on the other side, a budding peony, all framed by a garden fence that serves as a graceful boundary, enhancing the harmony and balance of the overall design. The border is decorated with four groups of leaves and a single peony bud.

    Dimensions: 11.75″ in diameter x 1.75″ deep

    Condition: Excellent with slight edge frits invisibly restored

  • German Prints Birds Series Ornithological Engravings Martinet-Buffon C-1790 (1)

    German Prints Birds Series Ornithological Engravings Martinet-Buffon C-1790 (1)

    $300.00

    These are small, gem-like, Individual bird scenes.
    They are beautifully drawn, detailed prints of hand-colored copperplate engravings from one of the most important ornithological works of the 18th century.
    These hand-colored engravings were printed in Germany on original 18th-century rag paper taken from the Histoire Naturelle des Oiseaux by Georges Louis Leclerc, le Comte de Buffon (1708-1788), with engravings by Francois Nicholas Martinet (1731-1804), published in Paris 1770-1786.

    Dimensions: 6 inches x 3.5 inches (8 inches x 10 inches including the matte)

    Condition: Excellent.

    Price: $300 for the set of four

  • German Prints Birds Series Ornithological Engravings Martinet-Buffon C-1790 (2)

    German Prints Birds Series Ornithological Engravings Martinet-Buffon C-1790 (2)

    $300.00

    These are small, gem-like, Individual bird scenes.
    They are beautifully drawn, detailed prints of hand-colored copperplate engravings from one of the most important ornithological works of the 18th century.
    These hand-colored engravings were printed in Germany on original 18th-century rag paper taken from the Histoire Naturelle des Oiseaux by Georges Louis Leclerc, le Comte de Buffon (1708-1788), with engravings by Francois Nicholas Martinet (1731-1804), published in Paris 1770-1786.

    Dimensions: 6 inches x 3.5 inches (8 inches x 10 inches including the matte)

    Condition: Excellent.

    Price: $660 for the set of four

  • Large Blue and White Dutch Delft Vase

    Large Blue and White Dutch Delft Vase

    $900.00

    The first thing you notice is the magnificent spiral snake handles. The large blue and white Dutch Delft covered vase is fully decorated. The elaborate decoration on the front features a lovely waterside scene topped with an armorial shield supported by angels. On the reverse, we see a beautiful romantic scene showing a courting couple with the man playing the guitar and the young lady listening appreciatively (see images). The vase’s base, shoulder, and cover are decorated with wide bands of deep cobalt blue lappets.

    Dimensions: 21 inches tall x 16 inches across the handles x 8 inches diameter of the base

    Condition: Very good; there is some craquelure in the glaze and invisible restoration to small edge chips.

  • Wedgwood 18th Century Pierced Creamware with Painted Decoration England C-1785

    Wedgwood 18th Century Pierced Creamware with Painted Decoration England C-1785

    $580.00

    This Wedgwood pierced creamware dish was made at the Wedgwood factory in Stoke-on-Trent, England, circa 1785. The elegant piercings are hand-made. The cavetto is decorated with a band of eye-catching red up-down squiggles. The edge of the plate is decorated with a thin band of brown slip. The overall effect is exquisite! This plate is one of my favorites.

    On the underside is the impressed mark “WEDGWOOD.”

    Dimensions: 9″ in diameter

    Condition: Excellent

  • Pair Wedgwood Pierced Creamware Dishes England Early 19th Century Circa 1810

    Pair Wedgwood Pierced Creamware Dishes England Early 19th Century Circa 1810

    $760.00

    Wedgwood decorated this pair of pierced creamware dishes with a lovely band of hand-painted pansies around the border. The brightly colored flowers add a charming touch to the dishes. The beautiful piercings have practical use; they were made to allow water to drain from the dishes when they were filled with cooked vegetables. At the top edge, a thin black line accentuates the diamond-shaped form.

    Dimensions: 11.25″ x 9.25″ x 2.5″ tall

    Condition: Excellent

  • Two 18th Century Pierced Creamware Dishes Oval Shaped Made England Circa 1785

    Two 18th Century Pierced Creamware Dishes Oval Shaped Made England Circa 1785

    $770.00

    Both of these creamware dishes have beautiful piercings in the form of hearts, dots, and diamonds. Made in eighteenth-century England circa 1785, they have lovely impressed neoclassical decoration on the border. The main image shows that the lower dish has a “Silver Edge” and the upper dish has a “Feather Edge.” The upper dish also has a pair of female portraits, and both dishes have vine-form decoration.

    Dimensions: the upper dish measures 10.5″ x 9″ x .75″ in height, and the lower dish measures  11″ x 9.75″ x .75″ in height

    Condition: Excellent with some original light mineral staining on the edge of both dishes

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